Peke ki te ihirangi
Crossing Walls Whare Noho, Tari nā Satoshi Fujinaka

Ko te hoahoa Crossing Walls Whare Noho, Tari nā Satoshi Fujinaka he kaitoa whakahirahira o te 2026 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Waihanga, Whare me te Hanganga.


ParahiWaihanga· 2026

Crossing Walls Whare Noho, Tari

nā Satoshi Fujinaka

Kiritaki: Daijiro Yoshihara

Kaitoa o te A' Design Award Parahi i te Wāhanga Waihanga

7,667

Ngā Tae

Te Hoahoa

Mō Crossing Walls Whare Noho, Tari

He whare a Crossing Walls e whakakotahi ana i te tari kei te papa o raro me te kāinga kei te papa o runga. E toru ngā pakitara hanga-L e wehewehe ana, e whiriwhiri ana hoki tētahi ki tētahi, ā, ka wāwāhia te āhua tapawhā rite kia hangaia ai ngā wāhi tuwhera me ngā wāhi kati. Ka mau ngā pakitara i tētahi hononga āhua rite ki te taiao e karapoti ana, e tuku ana i te māramatanga me te hau kia uru mai, engari ka tiakina tonutia te noho tūmataiti. Kua whakamaheretia ngā tūnga o ngā matapihi hei whakahaere i te rā, i te taumaha o te wera, me ngā tirohanga ki waho. Ko tētahi wāhi tuwhera ki te rangi e hono ana i te taha o roto ki te taha o waho. E whai ana te hanganga i te tikanga hanga rākau tuku iho o Hapani i runga i te mātiti 910 mitamano, e penapena ana i ngā rauemi, ā, ka waiho kia kitea noatia.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Crossing Walls Whare Noho, Tari te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Crossing Walls Whare Noho, Tari he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Crossing Walls Whare Noho, Tari i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
We will try to solve the problem by manipulating the wall so that the office on the first floor and the life on the second floor, communication and privacy, can be compatible with each other.
The cube is disassembled and the three L shaped walls separate and intertwine with each other.
These three L shaped walls manipulate the open and closed spaces and maintain a moderate relationship with their surroundings.
Light and wind enter the building and begin to vaguely connect it to the outside.
Inenga & Pēketanga
wooden Site area 176.34㎡ Total Floor area 138.37㎡ The wooden portion of the building was constructed with a 910mm x 910mm grid of pillar and beam pitches using Japanese conventional construction methods, which made the structural plan easy to understand, and also made cost and construction management easier to understand.
Tūtohu
House , Oficce , Japan , Walls , Wood
Hangarau Whakanao
The building uses a standard Japanese wooden structure with a span of 910 mm.
Most building materials in Japan follow this module, resulting in significant material and energy savings.
The wooden structure is shown in a cosmetic manner to pursue beauty and rationality.
Wero Hoahoa
While keeping the space needed by the client within a limited area and budget,
While considering the position of sunlight and adjusting the position of windows to control the heat load,
The window arrangement is planned to control the external line of sight and to create an ambiguous connection with the outside.
Rangahau
The research for this project is divided into two themes.
The first is a study of how to maximize the natural environment and required space on a limited site area.
The second is to consider total cost management and cost management of each material within a limited budget.
How to solve these two themes in architecture is both an interesting and difficult challenge.
Whakaaweawe
The planned site is a borderline location where new places and old places mix.
By opening the walls to the outside, the office tried to create appropriate and diverse relationships to maintain the community and revitalize the city.
The living space blends with the exterior space through the gaps in the walls while ensuring privacy and bringing light into the interior.
And by creating a void to the sky, the entire building breathes and releases its spirit to the sky.
Roanga o te Kaupapa
Design began in Hiroshima in 2022 and construction was completed in December 2024.
Rerenga Mahi
This building was planned as a boundary between the newly developed environment in the newly rezoned area and the old shopping area, where the old and the new mix.
The project was planned to solve the problem of how to realize an architecture that allows people to feel close to nature while ensuring privacy, while reducing the environmental burden caused by recent climate change and improving the comfort performance of the building itself in such a location.
Ngā Mema o te Rōpū
Satoshi Fujinaka
Whakamana Whakaahua
Photo , Kenji Masunaga

Kaitautoko

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