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Mobius Pendant Lamp Rama Rama Pendant nā Nhi Ton

Ko te hoahoa Mobius Pendant Lamp Rama Rama Pendant nā Nhi Ton he kaitoa whakahirahira o te 2020 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Rama me ngā Taputapu Mārama.


ParahiRama· 2020

Mobius Pendant Lamp Rama Rama Pendant

nā Nhi Ton

Kiritaki: Nhi Ton

Kaitoa o te A' Design Award Parahi i te Wāhanga Rama

15,714

Ngā Tae

Te Hoahoa

Mō Mobius Pendant Lamp Rama Rama Pendant

Ko tenei rama ka taea te whirihora he hua i hangaia mo te rangahau a Nhi Ton me tana rangahau mo te papa maunga me te raorai taketake e tohu ana i te nekehanga, te hangahanga me te ngawari. Ma te hanganga, ka ahei nga kaiwhakamahi ki te taunekeneke me te whakarereke i te ahua kia uru ki o raatau taiao me o raatau hiahia. I tua atu ka whitikina e te maarama te ahua motuhake o te Moebius Strip e mau tonu ana nga papa o runga me raro na te mea ngawari o te takahuri o te waahi hei whakaaturanga toi mo nga waahanga mohio me nga maaramatanga o to taatau wheako tangata.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Mobius Pendant Lamp Rama Rama Pendant te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Mobius Pendant Lamp Rama Rama Pendant he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Mobius Pendant Lamp Rama Rama Pendant i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
This reconfigurable lamp is an applied design result of my research and study on the mountain and valley origami folds which suggest motion, structure, and flexibility. Structure as form, form as structure. The lampshade furthermore takes on the specific form of the Mobius Strip in which top and bottom surfaces are made continuous through the simple expedient of a twist in space as the artistic representation of the conscious and unconscious dimensions of our human experience. Thanks to the structure that the folds created, the lamp can transform the shape to engage user interaction.
Inenga & Pēketanga
610 mm x 305 mm x 1270 mm
Tūtohu
lighting, reconfiguredesign, moebiuspendant, origamilamp, Origamidesign, motionlamp , motiondesign
Hangarau Whakanao
The lampshade was made out of a folded single flat sheet of paper covered in linen fabric. The mechanism of the lamp was designed with a combination of simple existing hardware and CNC cut brass plates and discs for containing electrical parts. All parts designed for disassembly, a simple manufacturing process.
Wero Hoahoa
Since this is a research about the methodology of origami folds, It was difficult to navigate and plan out specific steps for study at the beginning. However, after getting started, I was driven into this deeply and started to generate testing and testing. It was a very exciting moment and very emotional. Also, designing with several values that I had such as lean manufacturer is also a challenge. However, working with the manufacturer to figure out cost and process helped me to clarify and execute my work.
Rangahau
My project pushes origami capacities beyond the traditional decorative arts. If we use origami principles at a different scale, we can generate geometric forms that are structural, flexible, and dynamic from one flat sheet of material. In this project, I combined the unique qualities of origami, specifically mountain and valley folds, with the concept of lean manufacturing to create a series of meaningful products.
Starting with generating shapes and exploring patterns for creating the structures for strength test, I came up with three seating objects out of 6 pieces of scored and folded papers that could hold 230 lbs. This exploration helped me to learn about the personality of the folds and materials, the ratio between thickness and length of the fold and how it affected the strength of shape. The area that folds converged was the strongest and how I could make use of the density later on in the design ideation phase.
After the exploration, I started finding ways to apply my origami understanding to design new products focusing on using origami properties at a larger scale, in the creation of a product that utilizes minimal material and a single, refined manufacturing process.
I collaborated with Weber, packaging, and display design company, to gain insights about the manufacturing process including materials, cost, production time, energy efficiency, zero to minimal waste.
Whakaaweawe
As in the Taoist principle of dynamic reconciliation of opposites we know as yin yang, my pleated work of paper and fabric elegantly folds together solid and void, surface and depth, light and dark, strong and fragile, perhaps male and female and Eastern and Western, to create beautiful yet practical pieces of furniture. This project emphasizes the value of such basic mountain and valley origami folds and applies its fundamental to design products.
Roanga o te Kaupapa
The project started from August 2018 to April 2019 at the University of the Arts, and was exhibited in AIA Architecture and Design Center in May 2019.
Rerenga Mahi
Used as a pendant light or decorative statement piece. Users can easily adjust the shape of the lampshade to fit their environment and interest by rotating two triangle plates.
Ngā Mema o te Rōpū
Nhi Ton
Whakamana Whakaahua
Nhi Ton
Matt Kullman

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