Wild Rhythm Whare Whakaaturanga nā Chao Wen

Ko te hoahoa Wild Rhythm Whare Whakaaturanga nā Chao Wen he kaitoa whakahirahira o te 2020 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

HiriwaRoto Whare· 2020

Wild Rhythm Whare Whakaaturanga

nā Chao Wen

Kiritaki: Jade Simple Design

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Roto Whare

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Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #94921

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Wild Rhythm Whare Whakaaturanga

Ko Wild Rhythm he whare whakaaturanga kei Chongqing, Haina. E 240 mita pūrua te horahanga o roto, ā, ka taea hoki te whakamahi hei whare toi, hei pāparakāuta, hei wāhi noho rānei. Ko te raima, ko te maitai, me te peita ngā matū matua, ā, ka whakamahia ngā tikanga tuku iho māmā puta noa. I tāpiritia he papa tuarua ki ngā wāhi e tika ana te teitei o te tuanui, ā, i hangaia he arawhata āwhiowhio huri noa i tētahi pou hanganga o mua. I whakanohoia he rūma rokiroki ki runga ake i te pāparakāuta hei whakanui i te wāhi e taea ana te whakamahi. Ka whakahoki te hoahoa i te wāhi ki ngā wāhanga hanganga taketake, ā, ka whakaiti i ngā whakapaipai me te maumau kāore e hiahiatia ana.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Wild Rhythm Whare Whakaaturanga te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Wild Rhythm Whare Whakaaturanga he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Wild Rhythm Whare Whakaaturanga he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Compared with the traditional household exhibition hall, designers are not rigidly placing each simulation cell in the space. And at the beginning of the design, their product positioning is like its brand name, meaning growing wildly, they don't have the limitation of the product line, giving more freedom to the space. In the space, you can regard it as an exhibition hall, and you can also regard it as a gallery, a bar, even a residential accommodation.
Inenga & Pēketanga: The project covers 240 square meters. The biggest advantage of the original space is that its story height is relatively high, but a large column in the middle of the original building destroys the integrity of the original space. In addition to the construction of the second floor, designers also built a scenario spiral stair around the original structural column, and set up the storage room through the empty high relationship on the bar, increasing its layering sense and actual use space.
Tūtohu: Interior, New Life Exhibition Hall, Modern, Simple, Pure, Art, Life Aesthetics, Ideal Residence
Hangarau Whakanao: Just because this is a pure space, all design intents are derived from basic demands of life, so in the aspect of material usage, designers will return to the essence of architecture as far as possible. Then cement, steel and paint are the materials they use the most, the craft is also as simple and traditional as possible. All the planning is just for returning to the most basic building level so as to reduce unnecessary waste and superposition.
Wero Hoahoa: Although some space of the building is relatively high, we cannot carry out construction of the second floor in the whole space due to the influence of beam mesh, smoke exhaust and fire fighting equipment. And the space that can be built is separated by piecemeal. So we made full use of the complex spatial foundation, and we have created a variety of spatial forms in a relatively limited space through the setting of stairs, thus creating conditions for the later construction of atmosphere.
Rangahau: In the commercial society, and even the whole society, there is a surplus of consumption, which virtually produces a great waste of resources. And people who live in the environment seem to have slowly forgotten the essence of life. Therefore, designers hope that the pure space can arouse people's rethinking of life. Finally, the space becomes basic and simple, the decoration and the architecture are integrated, and the design and selection of the furniture are also based on actual use.
Whakaaweawe: The inspiration originates from the residential living environment of designers' childhood, because of shortage of material, all parts of families are derived from the basic needs of life. With the development of economy and the accumulation of material, people begin to tend to be exaggerated and wasteful. So, designers hope the furniture are the products from thinking about the practical aspects, and the space also returns to the most basic requirements from the perspective of buildings.
Roanga o te Kaupapa: The project started in September 2018 in Chongqing and finished in July 2019 in Chongqing.
Rerenga Mahi: Pure is the most fundamental reason of finishing the project completely. From the beginning of the design, designers integrated the decoration with the building, which effectively ensured that the project was not affected too much in the implementation process. Thus, ensured a perfect realization of the design intention.
Pātene: Copyrights belong to Chao Wen, 2019.
Ngā Mema o te Rōpū: Chao Wen
Whakamana Whakaahua: Image #1: Photographer In Space, Storage Area and Display Area, 2019.
Image #2: Photographer In Space, Chair Exhibition Area, 2019.
Image #3: Photographer In Space, Bedroom Display Area, 2019.
Image #4: Photographer In Space, Hand-made Activity Space, 2019.
Image #5: Photographer In Space, Bar Area, 2019.