The Birth of a Book Pukapuka nā Urszula Giren

Ko te hoahoa The Birth of a Book Pukapuka nā Urszula Giren he kaitoa whakahirahira o te 2020 A' Design Award Koura i te Wāhanga Whakataetae Hoahoa Tā me ngā Pāpāho Whakaputa.

KouraTā· 2020

The Birth of a Book Pukapuka

nā Urszula Giren

Kiritaki: Urszula Gireń

Kaitoa o te A' Design Award Koura i te Wāhanga Tā

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Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #97144

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō The Birth of a Book Pukapuka

Ko Te Whānautanga o te Pukapuka he tānga kua whakaputaina e pā ana ki te hoahoa pukapuka i Pōrana i te rautau 16. Ka whakaatuhia e te pukapuka nei ngā tānga tawhito ki tō rātou rahi tūturu, kia kite ai ngā kaipānui i ngā hōputu taketake. Kei te uhi puehu te tikanga whakatakoto i whakamahia mō te hōputu octavo tawhito. Mā tētahi rīpene tohu whārangi e tohu ngā teitei o ngā pukapuka folio, quarto me te octavo. Ko ngā whakairo rākau kei ngā whārangi taitara kua tāia ki te hurihanga tae, hei whakamahara ki ngā papa tā i uhia ki te waituhi pango. Ko te hōputu he 256 ki te 320 mitamano, e 560 ngā whārangi me te tata ki te 1200 ngā whakaahua. Ko te whāinga ko te whakamārama i ngā tikanga tā o te wā Renaissance ki te hunga pānui whānui.

Te Whakamihi

Mō te A' Design Award Koura

Ko The Birth of a Book Pukapuka te toa o te A' Design Award Koura, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke tuatahi, whakamīharo me te hiranga. Ko ngā toa Koura he mahi tino auaha, he tirohanga mamao, he kanapa ahi, e whakaatu ana i te pūmanawa, te mātauranga me te tohungatanga o ā rātou kaihoahoa. E tūmanakohia ana ko The Birth of a Book Pukapuka he hanganga tūnga e whakatū ana i ngā ia, he whakanuia rawa, e kawe mai ana i te uara kāore anō kia kitea. Ko tēnei hoahoa i toa i te Koura he kaupapa whakamīharo, whakahonoretia e whakawhānui ana i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ka whakaara a The Birth of a Book Pukapuka i te hiahia nui, ka whakaoho i te kaingākau, ka whakatenatena i te auaha, ā, ka whakamīharo i a tātou.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Inenga & Pēketanga: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Tūtohu: renaissance book, first roman typefaces, old prints, typography
Hangarau Whakanao: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Wero Hoahoa: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Rangahau: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Whakaaweawe: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Roanga o te Kaupapa: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Rerenga Mahi: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Whakamana Whakaahua: Urszula Gireń / 2019