Pierre De Ronsard Te Hoahoa Rōpū o Roto mō te Whare Tunu Parāoa nā Yang Su

Ko te hoahoa Pierre De Ronsard Te Hoahoa Rōpū o Roto mō te Whare Tunu Parāoa nā Yang Su he kaitoa whakahirahira o te 2020 A' Design Award Koura i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

KouraRoto Whare· 2020

Pierre De Ronsard Te Hoahoa Rōpū o Roto mō te Whare Tunu Parāoa

nā Yang Su

Kiritaki: Nonezone Design

Kaitoa o te A' Design Award Koura i te Wāhanga Roto Whare

15,561

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #97726

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Pierre De Ronsard Te Hoahoa Rōpū o Roto mō te Whare Tunu Parāoa

Ko Pierre De Ronsard he hoahoa o roto mō tētahi whare tunu parāoa e 110 mita pūrua te rahi. E whakaatu ana te hoahoa i te tukanga tunu me ngā kai reka i roto i te wāhi hoko tuwhera kotahi. Ko te ariā ārahi ko te rohe pōkaikaha i waenga i te toa me te huarahi o roto o te whare hokohoko. E tū ana tētahi pakitara kōpiko kua pokaia, kua peitatia ki te tae rei, e tata ana ki te tomokanga matua, ā, ka āta rerekē haere te tawhiti o ngā kōhao. Ko ngā rau konganuku papatahi o ngā teitei rerekē hei taputapu whakaatu, hei whakaturanga pāhekoheko hoki. Ka whakakapia ngā ātanga pūmau e ngā poraka mārō, nō reira ka hono te roto ki te waho.

Te Whakamihi

Mō te A' Design Award Koura

Ko Pierre De Ronsard Te Hoahoa Rōpū o Roto mō te Whare Tunu Parāoa te toa o te A' Design Award Koura, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke tuatahi, whakamīharo me te hiranga. Ko ngā toa Koura he mahi tino auaha, he tirohanga mamao, he kanapa ahi, e whakaatu ana i te pūmanawa, te mātauranga me te tohungatanga o ā rātou kaihoahoa. E tūmanakohia ana ko Pierre De Ronsard Te Hoahoa Rōpū o Roto mō te Whare Tunu Parāoa he hanganga tūnga e whakatū ana i ngā ia, he whakanuia rawa, e kawe mai ana i te uara kāore anō kia kitea. Ko tēnei hoahoa i toa i te Koura he kaupapa whakamīharo, whakahonoretia e whakawhānui ana i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ka whakaara a Pierre De Ronsard Te Hoahoa Rōpū o Roto mō te Whare Tunu Parāoa i te hiahia nui, ka whakaoho i te kaingākau, ka whakatenatena i te auaha, ā, ka whakamīharo i a tātou.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: As a retail shop mainly for displaying the baking process and desserts, this project is designed to create a spatial feature with the concept, and establish the special atmosphere, so as to extend the possibility of the shop design. The relationship of mutual penetration endows the space with openness to some extent, and connects the internal and external space with the physical dissolution and fusion.
Inenga & Pēketanga: The project covers a total of 110 square meters.
Tūtohu: Interior, Commercial, Baking Shop, Boundary, Modern, Elegant, Simple, Intervention
Hangarau Whakanao: The laminated metal sheets with various heights play roles of displaying and interactive installation with customers.
Wero Hoahoa: One side of the site faces the inner street of the shopping mall, and therefore starting from the thought of the boundary, a block is used to replace the interface, to obtain an ambiguous boundary of space by the minimalist design.
Rangahau: As Martin Heidegger said, the boundary is not the stop of something, but the appearance of something new. As the case is located in an inner street facing shopping malls, designers take the boundary thinking as the starting point, replace the interface with body blocks, and blur the boundary of space through subtraction design.
Whakaaweawe: Pierre de ronsard represents the well-known Eden Rosegem, and also the name of a modern French poet, who was widely spread for his description of human beings with a metaphor of flowers. It is selected for the name of a shop by the owner, as an extension of romantic meaning.
Roanga o te Kaupapa: The project started in July 2018 in Wuxi and finished in November 2010 in Wuxi.
Rerenga Mahi: Centered on the concept of ambiguous boundary, the perforated curved wall with ivory paint near the main entrance responds with the gradually varied spacing of holes.
Pātene: Copyrights belong to Yang Su, 2018.
Ngā Mema o te Rōpū: Yang Su
Fengshuai Zhang
Daoxiang Gong
Hai Wang
Whakamana Whakaahua: Image #1: Photographer Ming Chen, Display Rack, 2018.
Image #2: Photographer Ming Chen, Bar Counter, 2018.
Image #3: Photographer Ming Chen, Seat, 2018.
Image #4: Photographer Ming Chen, Display Rack, 2018.
Image #5: Photographer Ming Chen, Entrance, 2018.