New Year Ilustrasi by Jui-Ping Lee is a highly esteemed winner of the very prestigious 2024 A' Design Award Basi in Seni Digital Competition Category.

BasiSeni Digital· 2024

New Year Ilustrasi

by Jui-Ping Lee

A' Design Award Basi Winner in Seni Digital Category

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Verified Award Winner

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Colors

The Design

About New Year Ilustrasi

Di sabuah halaman nan tenang, di tangah-tangah salaju musim dingin nan lambuik jo warna-warni daun-daun musim gugua, taduduak sabuah sosok nan anggun bapakaian Kimono nan elok. Pamandangan ko mancerminkan esensi Wabisabi, mawujudkan kaindahan kasunyi jo katanangan. Corak-corak nan alui manghiasi kain tu, umumnyo Pinus, melambangkan kasakhimatan; dan Seigaiha nan berirama mawakili katanangan lauik. Mancaliak labiah dakek mambukakan rincian nan labiah rumik, sabuah papan batu nan mamuek namo pena seniman talatakkan di sabilah kiri; dan di ateh Kimono tu, corak-corak tikus mawakili taun baru 2020, taun tikus.

The Recognition

About the A' Design Award Basi

New Year Ilustrasi adolah pamenang A' Design Award Basi, sabuah pangakuan nan bapresti nan dibarikan ka rancangan nan elok nan mamanuhi kaparluan profesional jo industri nan dipaokan dari ciptaan nan dirancang jo elok. Pamenang Basi mamparlihatkan kamahiran nan gadang, spesialisasi nan tinggi, pamahaman pakar jo kapasitas kreatif panciptanyo. New Year Ilustrasi dipaokan manjadi ciptaan nan sangaik dihormati, dikagumi jo disayangi, nan praktis jo inovatif. Rancangan nan manang Basi iko mamasukkan praktik tabaik industri jo punyo ciri teknis nan cakap nan bapautan jo ilimu jo bakaik. New Year Ilustrasi dihormati karano katalitiannyo jo dirancang untuak maningkekkan kualitas hiduik jo mambantu manjadikan dunia tampek nan labiah elok.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Dimensions & Packaging: Original dimensions at 5600*3150 px, with 935 canvas layers
Tags: Illustration, Kimono, Furisode, Kouyou, Karesansui
Production Technology: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Design Challenge: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Research: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Inspiration: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Project Duration: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Operation Flow: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.