Monk Latin and Arabic Geometric Id-Disinn Tat-Tipa minn Paul Robb

Id-disinn Monk Latin and Arabic Geometric Id-Disinn Tat-Tipa minn Paul Robb huwa rebbieħ stmat ħafna tal-prestiġjuż 2020 Premju A' Design Award tal-Fidda fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Grafika, Illustrazzjoni u Komunikazzjoni Viżwali.

FiddaGrafika· 2020

Monk Latin and Arabic Geometric Id-Disinn Tat-Tipa

minn Paul Robb

Klijent: Salt & Pepper

Rebbieħ tal-Premju A' Design Award tal-Fidda fil-Kategorija ta' Grafika

69,460

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #95978

Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Monk Latin and Arabic Geometric Id-Disinn Tat-Tipa

Monk ifittex bilanċ bejn il-ftuħ u l-leġġibilità ta 'humanist sans serifs u karattru aktar regolarizzat tal-kwadru sans serif. Għalkemm oriġinarjament iddisinjat bħala karattru Latin, ġie deċiż kmieni li kien hemm bżonn ta 'djalogu usa' biex tinkludi verżjoni Għarbija. Kemm il-Latin kif ukoll l-Għarbi jiddisinjaw l-istess motivazzjoni u l-idea ta 'ġeometrija maqsuma. Is-saħħa tal-proċess tad-disinn paralleli tippermetti li ż-żewġ lingwi jkollhom armonija u grazzja bilanċjati. Kemm l-Għarbi kif ukoll il-Latin jaħdmu bla xkiel flimkien wara bankijiet maqsuma, ħxuna taz-zokk, u forom mgħawġa.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Fidda

Monk Latin and Arabic Geometric Id-Disinn Tat-Tipa huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li Monk Latin and Arabic Geometric Id-Disinn Tat-Tipa ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Monk Latin and Arabic Geometric Id-Disinn Tat-Tipa huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Wara d-Disinn

Kit għall-Istampa

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Proprjetajiet Uniċi: Monk is a multi-language geometric harmoniously balanced font in Arabic and Latin. The font family has its origins from the Benedictine and Franciscan writing. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms. Monk is a type family that seeks a balance between the openness and legibility of humanist sans serifs. Letterforms have a distinct direction of the ductus, a wide overall stance, large open counters that help in its legibility.
Dimensjonijiet u Ippakkjar: True Type and Open Source Font
Tikketti: Typeface design, Font Design, Font Family, Monk, Graphic typeface
Teknoloġija tal-Produzzjoni: Designed and produced in Fontographer
Sfida tad-Disinn: The challenge was to create a modern typeface based on the historical research.
Riċerka: The Monk font family has its origins from the Benedictine and Franciscan writing. The initial research was based around the ancient text stored in and around Umbria in central Italy. Analyzing the form and structure of the monk's letter we created a modern approach to the forms creating repeatable geometric curves, which were applied first to create the Latin font. With a concept of open discussion through the religions, the next logical step for us was to develop those design rationals to Arabic lettering with the development of two harmonious fonts.
Ispirazzjoni: The font family has its origins from the Benedictine and Franciscan writing. Originally designed as a Latin typeface it was quickly seen that we needed to open a wider dialogue and expand the font to include an Arabic version, using the same rationale to the design. The strength of the parallel design process allows the two typeset languages to have balanced harmony and grace.
Tul tal-Proġett: The Project started in 2017 and finish in September 2018, in Perugia Italy.
Fluss tal-Operazzjoni: Our underlying concept was to develop a font that could communicate harmoniously in Arabic and Latin that was constructed with shared geometry. When used in an Arabic text western words would be seamlessly intergraded in the text.
Membri tat-Tim: Design direction: Paul Henry Robb
Latin Font: Paul Henry Robb
Arabic Font: Naser Imache - Paul Robb
Design Ass: Tommaso Calderini