Past at Last Chicahuac Nemiliztli Tlaquemitl ītēchcopa Tihana Miksa

Tlanāhuatīlli Past at Last Chicahuac Nemiliztli Tlaquemitl ītēchcopa Tihana Miksa cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlaquentiztli, Tilmahtli ihuan Tlaquemitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTlaquentiztli· 2021

Past at Last Chicahuac Nemiliztli Tlaquemitl

īpal Tihana Miksa

Tlanāhuatīlli: Tihana Mikša

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlaquentiztli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #113802

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Past at Last Chicahuac Nemiliztli Tlaquemitl

In tlaquemitl nechihualiztli quitqui in miyecpa paquil tlatzacuilli ihuan in ahmo nepantla tlapalli. Ic ipampa, in tilmahtli yehhuatl nepantla, zan icel ihuan tzacuilli, ahmo quinequi ohui tlachihualiztli ipan itlachihual. Inin tlamantli quitta in ixco, in tlamamaliztli, in tlamachiyotl, in yoliliztli oliniztli ihuan in calli-chihualiztli ichcatl. In tlapalli ahmo chicahuac ihuan ahmo miyec tlapalehuiliz, zan in chichiltic tepitza ipan inin iztac tlapalnemiliztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Past at Last Chicahuac Nemiliztli Tlaquemitl ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Past at Last Chicahuac Nemiliztli Tlaquemitl ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Past at Last Chicahuac Nemiliztli Tlaquemitl quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Tōcāitl: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Tlachīhualiztli Māchiyōtl: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Tlanāhuatīlli Nētēcahuilīztli: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Tēyōllālīliztli: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Tēquitl Cāhuitl: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Īxiptla Tlanēxtīlli: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.