Spectrum Ilhuicamachiotl ītēchcopa Arata Yokoyama

Tlanāhuatīlli Spectrum Ilhuicamachiotl ītēchcopa Arata Yokoyama cē cencā mahuizzō tēmacēhualōni īpan huēyi 2023 Mahuizolli A' Design Award Bronse īpan Tlacuilolli, Tlacuilolixiptlaliztli ihuan Tlachialtlanonotzaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseTlacuilolli· 2023

Spectrum Ilhuicamachiotl

īpal Arata Yokoyama

Tlanāhuatīlli: Arata Yokoyama

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Tlacuilolli Tlamantli

12,792

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #144936

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Spectrum Ilhuicamachiotl

Spectrum ce tlacuilolli tlen techachiotia in tlaquentli tlen Japan altepetl ohtli, ipan neztiliztli tlen Japan anime. Nin tequitl amo quitemoa tlaixnesqui melahuac, yece quitequitiltia tlapalli chichiltic in patlahuac neztiliztli tlen no yolic monextia melahuac ixtlamatiliztli. In tlacpac tlachializtli quinextia in tlahuiltin cualtzin tlen Tokyo, ihuan in neztiliztli achi patlahuac mochiuh inic quinextiz ce yancuic, patlahuac ihuan tlanextli neztiliztli. In tlamachiotl tlen Occidente graphic design mocenpohua ihuan Japan tlacayotl tlacuilolli. Spectrum motlacuilo ika Adobe Photoshop CC. In yolotlamachiliztli ye inic quimomachtiz in neztiliztli, cualli quinextiliz nochtin tlacah, tlen Japan ihuan tlen amo Japan.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Spectrum Ilhuicamachiotl ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Spectrum Ilhuicamachiotl ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Spectrum Ilhuicamachiotl quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This work depicts Japanese street fashion in the style of Japanese anime.

Such motifs are popular in Japanese illustration, but this work is unique in that it defies photorealism and uses vivid colors in a flat, yet optically natural-looking manner.

The background represents the neon lights of Tokyo, and here, too, the form is boldly deformed in pursuit of a sharp, flat, yet luminous expression.
Huēyiliztli īhuān Tlacualtepēhualli: 8000 x 5678 pixel, 400dpi, RGB
Tōcāitl: street fashion, anime, character design, japanese illustration, vivid color
Tlachīhualiztli Māchiyōtl: Drawing with Adobe Photoshop CC
Tlanāhuatīlli Nētēcahuilīztli: In order to convey the goodness of a particular thing, I must first like it myself.
In order to use street fashion as my subject matter, I focused on improving my sense of style by experiencing and wearing it myself.

I also devoted myself to researching painting styles that would convey the good looks equally to both Japanese and foreign audiences.
To compose the picture with flat surfaces, not lines. He used vivid colors, but kept the entire picture in harmony. And at the same time, to make the characters look cool and cute in a Japanese way.
Tlatēmōliztli: A study of street fashion in Japan and abroad. Collect snapshots, purchase actual items, and wear them myrself to deepen understanding of function and design.

Research on drawing techniques. Challenged to fuse Western graphic design with Japanese character illustration. Strived to find a balance between deforming the form and color of objects while maintaining the cool, cute, and liveliness of the characters.
Tēyōllālīliztli: Today, fashion based on techwear and designs using vivid colors are global trends.

Japanese street fashion and illustrations are also in that trend, but they also have their own unique characteristics.

I analyzed the coincidences and differences between them and aimed to visualize them.

Japanese people will find this illustration foreign. Foreigners may feel it is Japanese.

This in-between state is the expression I pursued.
Tēquitl Cāhuitl: This work was created in 10 hours on September 20, 2020, and published on Twitter, pixiv, and other social networking sites that day.
Tēquitl Ōhuitl: Suggestions about the affinity between street fashion and the neon streets of Tokyo and how cool it can be.

Especially in Japan, when proposing a fashion style to an audience, it is more effective to use characters, deformed and idealized visuals rather than photo-realistic ones.

And it is also effective when introducing Japanese culture to people outside of Japan. By incorporating elements of Western graphic design, we aimed to create visuals that would be easy for them to understand.
Īxiptla Tlanēxtīlli: #1: Illustrator NaBaBa, Private Work, 2020.