Xicpanahuī campa tlahtōlli

Chinza No Manma Ao Calchihualiztli ītēchcopa Yuki Ijichi

Tlanāhuatīlli Chinza No Manma Ao Calchihualiztli ītēchcopa Yuki Ijichi cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Bronse īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.


BronseCalchihualiztli· 2024

Chinza No Manma Ao Calchihualiztli

īpal Yuki Ijichi

Tlanāhuatīlli: Chinza No Manma Ao

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Calchihualiztli Tlamantli

17,510

Tlapalli

Tlanēxtilistli

Ītechcopa Chinza No Manma Ao Calchihualiztli

Inin calchihualiztli inemiliz ipan in shide motema, aquin ce tlamahmahuiziloni ipan in Japon Shin-to teomachiyotl, auh in shide inezca ipan calchihualiztli omotlali. In calnacayo imachiouh ipan in shime-nawa motema, ce teomecatl in tlamahmahuiziloni ihuan in shide quinextilia, auh in mecatl inezca machioamatl mochihua. Ic inin, ipan calchihualiztli zan quemeh ipan caltocayotl, in Chinza no Mamma Ao itlachihualiztli Shin-to tlamantli ica mocencahua.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Chinza No Manma Ao Calchihualiztli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Chinza No Manma Ao Calchihualiztli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Chinza No Manma Ao Calchihualiztli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
This is an architectural design based on the concept of Shintoism, a Japanese cultural connotation, and is characterized by the fact that it is incorporated into architecture based on the concept.
Therefore, the design embodies a Japanese concept that is not merely characterized by architectural structure and design, but is also related in meaning from the hardware of architecture to the software of logo design.
Huēyiliztli īhuān Tlacualtepēhualli
Since the building was originally to be constructed on a site surrounded by trees, the size of the site was secured while taking into consideration the extent of the tree roots' influence and the landscape. In consideration of the fact that the store will be open from early morning until night, we also planned to bring in the morning sun in the morning and natural light during the daytime.
Many natural materials were used to evoke the sacredness of Shinto and Japanese culture. In the kitchen, real camellia stone was used to represent the rock where the gods dwell, and Kagoshima lava stone was used for the cash register counter, creating a commonality between the kitchen and the stone. The walls are made of shirasu, which is inspired by the shirasu plateau in Aira, Kagoshima, as a sacred building rooted in the land, and at the same time, the warm texture, function, and meaning of the material, such as moisture absorption, are also used. The wood is quarter-sawn, giving the impression of softness, and the space is simple and clean.
Tōcāitl
Store Design, Architecture, Interior Design, Branding, Sign Design, Japan, Chinza No Manma Ao, Japanese Culture, Shinto, Shide
Tlachīhualiztli Māchiyōtl
The site of Chinza No Manma Ao is located on a lawn where trees are gathered, and in conjunction with the image of Chin-za (meaning the spirit of the gods resides) in the name of the restaurant, the site was designed as a Chinju-no-mori (a forest surrounding the approach and worship hall of a shrine). The restaurant was designed as a special place where the source of life called food gathers and is connected (a place where the spirits of the gods reside).
In order to symbolically represent the special place as a building, the concept of the building was based on the Shi-de, which is used in Shinto to indicate purity and sanctity and to divide the area.
The building was designed by combining this alternating shape with that of the Taisha-zukuri,form one of Japan's oldest shrine architectural styles.
Tlanāhuatīlli Nētēcahuilīztli
The design concept of Japanese culture and Shintoism, a difficult theme to grasp, was difficult to balance with the feasibility of expression and the maintainability of the building after construction was completed.
In the kitchen, the Iwa-kura (meaning a rock on which a deity dwells) was expressed by having skilled masons pile up real stones and affix them to the wall surface.
In addition, we designed the building to express Shintoism and Japanese culture by taking advantage of various conditions, such as the extent of influence of trees on the site, the landscape, the lighting plan, and the shape of the building.
It was difficult to achieve consistency between the different natures of hardware (the building) and software (the brand), but by incorporating tools used in Shintoism to symbolize special areas into the architectural and branding concepts, respectively, the building design and branding were linked.
Tēyōllālīliztli
The project was inspired by the word Chin-za in the name of the restaurant (a Shin-to word meaning the dwelling of the divine spirit), and the building was designed with the theme of creating a special area where the source of life, food, based on Japanese cultural background, gathers and connects.
Tēquitl Cāhuitl
The project started in Japan in July 2022, completed in September 2023, and opened in October 2023.
Īxiptla Tlanēxtīlli
Image #1 : Photographer Ippei Nakamura
Image #2 : Photographer Ippei Nakamura
Image #3 : Photographer Ippei Nakamura
Image #4 : Photographer Ippei Nakamura
Image #5 : Photographer Ippei Nakamura

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