Embrace The Poetry Of Self Cueitl ītēchcopa Ji Yibo

Tlanāhuatīlli Embrace The Poetry Of Self Cueitl ītēchcopa Ji Yibo cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Tepoztli īpan Tlaquentiztli, Tilmahtli ihuan Tlaquemitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliTlaquentiztli· 2025

Embrace The Poetry Of Self Cueitl

īpal Ji Yibo

Tlanāhuatīlli: Nanjing University of the Arts

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Tlaquentiztli Tlamantli

49,195

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #169049

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Embrace The Poetry Of Self Cueitl

Embrace the Poetry of Self yehua se centlamantli cihuatlaquemitl tlen ipan cueitl motlalia. In itlachihualiz se tlanamacatl icamisa moaxitia ipan se cihuayotl tlaquemitl, huan se etiliztli tlen yeyi ixnezca tlateuhtiloni monequi para monelohua in ome tlachihualiztli. Tlaquentli itlachihualiz mopoxcahua huan yancuic moxeloa para mopolihui in tlatzontequiliztli inintzalan ome genero tlaquemeh. Itech tlamiliztli, monextia san ce tlaquentli tlen huelis motlaliz miac tlamantli ihuan. Itequiuh ihuan inezca mocentlalia ipan se tlaquentli. In centlamantli tlaquemitl motlanextilia ipan cihuayotl inezca ihuan ipan in tetequiliztli inintzalan tlaquentli ihuan tonacayo.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Embrace The Poetry Of Self Cueitl ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Embrace The Poetry Of Self Cueitl ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Embrace The Poetry Of Self Cueitl quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The delicate fabric subtly conveys the graceful curves of a woman while also carrying strong gender symbols. This collection deconstructs and reconstructs clothing structures, using three-dimensional cutting and deconstruction techniques to spatially reshape traditionally gendered garments such as men's shirts and suits, blurring the boundaries of gender and creating a limitless interactive space between clothing and the body.
Huēyiliztli īhuān Tlacualtepēhualli: 25cm*2cm*80cm
Tōcāitl: Apparel, Clothes, Fashion, Dress, Woman
Tlachīhualiztli Māchiyōtl: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Tlanāhuatīlli Nētēcahuilīztli: Balancing fit and comfort can be challenging, as different body types have varying needs. Choosing fabrics that meet aesthetic, comfort, and functionality requirements is essential. Cost control is another difficulty, as high-quality materials and intricate craftsmanship can increase expenses. Additionally, the complexity of designs may affect production efficiency. Rapid changes in market trends require quick responses to keep up with fashion. Sustainability poses challenges as eco-friendly materials and processes often come with higher costs and limited technology. These difficulties demand that designers find the best balance between creativity, aesthetics, technology, and market demands.
Tlatēmōliztli: Ergonomic analysis to optimize fit and comfort; material technology research to select breathable, waterproof, and antibacterial functional fabrics; fashion trend analysis to integrate market demands with stylish elements; craftsmanship and structural optimization to enhance tailoring techniques and durability; eco-friendly and sustainable design using recycled materials and environmentally friendly processes; and smart wearable technology with features such as temperature control and health monitoring. These research approaches ensure that clothing achieves the best balance of comfort, functionality, aesthetics, and sustainability.
Tēyōllālīliztli: The Embrace the Poetry of Self collection is inspired by a profound reflection on female identity and the spatial structure of the body. As a staple in women's daily wardrobes, the dress symbolizes both fashion and femininity.
Tēquitl Cāhuitl: The project started in September 2016 in Nanjing and finished in September 2017 in Nanjing, exhibiting in Nanjing University of the Arts.
Tēquitl Ōhuitl: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Calpolli Tlācah: Ji Yibo