Floral Album Tlaquenchihchiuhcayotl Centlalilli ītēchcopa Xinyu Zheng

Tlanāhuatīlli Floral Album Tlaquenchihchiuhcayotl Centlalilli ītēchcopa Xinyu Zheng cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Tepoztli īpan Tlaquentiztli, Tilmahtli ihuan Tlaquemitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliTlaquentiztli· 2026

Floral Album Tlaquenchihchiuhcayotl Centlalilli

īpal Xinyu Zheng

Tlanāhuatīlli: Tulip 'n room

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Tlaquentiztli Tlamantli

11,611

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #177958

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Floral Album Tlaquenchihchiuhcayotl Centlalilli

Floral Album ce tlaquenchihchiuhcayotl centlalilli tlen omoyolitih ica cenyeliztli ixcopinalmeh tlen 1980 xihuitl. Inin centlalilli mochihua ica tlaquentli tlen amo omotequihuih huan mocahca, mocetilia ica miec tlamantli imachihualiztli. Tlahmachyotl ica maitl, crochet tzahualiztli, cozcatlatlaliliztli, tzahualiztli huan cruz tlahmachyotl motlalia ipan velvet tlaquentli huan ipan tlaquentli tlen tlanextilo huan motlapachoa cecni. Crochet tenchihchihualli huan tzahualli tlamantli quipiah sequin cozcameh tlen quiana tlanextli ihcuac aquin quitlalia molinia. Cecen tlaquentli mochihua icel, ic amo tlein tlamantli mocuepilia. Nochi tlamantli ce ixquich, nochi tlacah huelih quitlaliah. Inin centlalilli quicetilia in cualli maitl tequitl ica in occepa tequihualiztli tlen tlamantli tlen amo momalhuia.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Floral Album Tlaquenchihchiuhcayotl Centlalilli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Floral Album Tlaquenchihchiuhcayotl Centlalilli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Floral Album Tlaquenchihchiuhcayotl Centlalilli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Huēyiliztli īhuān Tlacualtepēhualli: All the pieces are free size.
Tōcāitl: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Tlachīhualiztli Māchiyōtl: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Tlanāhuatīlli Nētēcahuilīztli: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Tlatēmōliztli: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Tēyōllālīliztli: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Tēquitl Cāhuitl: This project was initiated in April 2023 and completed in September 2024 in New York.
Tēquitl Ōhuitl: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Patentēmeh: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Calpolli Tlācah: /
Īxiptla Tlanēxtīlli: Stefy Lin, 2024.