Suwen Guqin ītēchcopa Shanghai Yitong Cultural Communication Co.,Ltd.

Tlanāhuatīlli Suwen Guqin ītēchcopa Shanghai Yitong Cultural Communication Co.,Ltd. cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Bronse īpan Tlapitzalli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseTlapitzalli· 2026

Suwen Guqin

īpal Shanghai Yitong Cultural Communication Co.,Ltd.

Tlanāhuatīlli: Shanghai Yitong Cultural Communucation Co.,Ltd.

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Tlapitzalli Tlamantli

15,175

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #180049

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Suwen Guqin

Suwen ce guqin, ce mecahuehuetl tlahuizcalli itech in huehue China tlalticpactli, in oyancuic omochihchiuh inic axcan tlatzotzonaliztli. Inezca quitoca in qin itech Tang tlahtocayotl in mopiya ompa Horyuji teocalli. In icaquizcopalhuan mochihua ica huehue cedro cuahuitl ahnozo paulownia, ihuan in icuitlapan mochihua ica catalpa cuahuitl. In itzintlan tlapepecholiztli quinenepanoa mazatl cuacuahuitl nextli ihuan yancuic tlapepecholoni chiyahuizotl. Ce caquiztli ica tlanemililli iihticopa coyoctli quimaca in tepiton itlacayo in itozqui ihuan in ichicahualiz iuhqui ce huei mecahuehuetl. Ce amo pepetlaca cuauhehuayotic tlapepecholiztli quichihua ce huacqui, amo alaztic ixco. Ce opatlahuac mecatl tetzitzquiloni ompa icuitlapil quicecelia in mahpilli olinilizli inic in yancuic momachtianime ihuan inic in tlatzotzonanime in quipiya tepiton inmahuan.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Suwen Guqin ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Suwen Guqin ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Suwen Guqin quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
Huēyiliztli īhuān Tlacualtepēhualli: 1100mm*150mm*45mm
Tōcāitl: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
Tlachīhualiztli Māchiyōtl: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
Tlanāhuatīlli Nētēcahuilīztli: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
Tlatēmōliztli: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
Tēyōllālīliztli: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
Tēquitl Cāhuitl: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
Tēquitl Ōhuitl: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
Calpolli Tlācah: Ding Liang