Huashan Rock Art Festival Ilhuitl Ixnezcayotl Tlanextiliztli ītēchcopa Lin Shi, Yan Huang and Hongmei Wu

Tlanāhuatīlli Huashan Rock Art Festival Ilhuitl Ixnezcayotl Tlanextiliztli ītēchcopa Lin Shi, Yan Huang and Hongmei Wu cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Bronse īpan Tlacuilolli, Tlacuilolixiptlaliztli ihuan Tlachialtlanonotzaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseTlacuilolli· 2026

Huashan Rock Art Festival Ilhuitl Ixnezcayotl Tlanextiliztli

īpal Lin Shi, Yan Huang and Hongmei Wu

Tlanāhuatīlli: Zhejiang Sci-Tech University

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Tlacuilolli Tlamantli

8,704

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #180050

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Huashan Rock Art Festival Ilhuitl Ixnezcayotl Tlanextiliztli

Huashan Tepetl Tlacuilolli Ilhuitl ce ixnezcayotl tlanextiliztli tlamachiotiliztli in omochiuh ipampa ce tlacayomecayotl ilhuitl ompa Chongzuo, Guangxi, China. Inin tlanextiliztli quincuepa in huehue tlacuilolmachiotl in Huashan tepetl tlacuilolli canahuac ipan yolic tlanacaztli machiotl. Ce tliltic ihuan iztac tlapalnechicolli ihuan tlaixmatiloa ixco quilnamiquiltia in tetl tlacopinaliztli ihuan in tetl in oquipopolo cahuitl. In amatlacuiloltin mochihua ica huehueyac ihuan mohuica tlamantli ipampa tepitzin tlacopinaltin ihuan huehuey quiahuac tlanextiliztli. In tlacopinalli tlachihualiztli quitequitia occeppa motequitia tlamantli ihuan xihuitl tlapalatl. In tlanequiliztli yehuatl in ma huehue tlacayotlatquitl chipahuac ihuan huel momati inhuicpa in axcan tlachixque.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Huashan Rock Art Festival Ilhuitl Ixnezcayotl Tlanextiliztli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Huashan Rock Art Festival Ilhuitl Ixnezcayotl Tlanextiliztli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Huashan Rock Art Festival Ilhuitl Ixnezcayotl Tlanextiliztli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This project is a contemporary visual identity system for the Huashan Rock Art Festival, which transforms ancient pictographs into minimalist graphics using a black and white color scheme to evoke archaeological stone rubbings. Its strength lies in systematically balancing archaeological authenticity with modern visual communication, creating a universal and accessible visual language. The design establishes a new paradigm for cultural preservation through innovative design thinking, making ancient heritage dynamically relevant while preserving its spiritual essence.
Huēyiliztli īhuān Tlacualtepēhualli: For design/small posters:

Horizontal (landscape): 370mm (width) x 210mm (height)

Vertical (portrait): 210mm (width) x 297mm (height)

For larger outdoor displays:

Horizontal (landscape): 1200mm (width) x 680mm (height)

Vertical (portrait): 600mm (width) x 900mm (height)
Tōcāitl: Art Festival, Huashan, Exhibition Branding
Tlachīhualiztli Māchiyōtl: The design employs principles of the International Typographic Style, utilizing a monochromatic palette and geometric simplification to translate ancient motifs into contemporary graphics. Textured treatments mimic weathered rock surfaces, while hierarchical arrangements on stacked stones replicate original ceremonial compositions. The digital-first approach ensures versatility across media, with physical applications incorporating recycled materials and plant-based inks to align with sustainable practices.
Tlanāhuatīlli Nētēcahuilīztli: The greatest challenge was balancing archaeological authenticity with contemporary visual communication. Internally, we navigated historical complexities—interpreting 2000-year-old pictographs with limited contextual records—and social expectations of making heritage resonate across generations. Externally, constraints included materializing the design sustainably (sourcing recycled materials, plant-based inks) and ensuring digital adaptability while preserving the tactile essence of rock art. Overcoming these required a methodology that transforms ancient motifs into a universal visual language without oversimplifying cultural significance.
Tlatēmōliztli: Type of Research: Cultural visual translation and brand communication
Objectives: To explore how prehistoric, non-verbal cultural heritage such as Huashan rock art can be transformed into a visual language accessible to contemporary audiences.
Methodology: Image analysis, symbol deconstruction, and graphic experimentation were used to reorganize figures, rhythms, and spatial relations from the original rock art.
Tools: Graphic design software, visual analysis, and layout prototyping.
Participants: General public and non-specialist viewers.
Results: The study shows that reducing textual explanation while emphasizing visual rhythm lowers cultural interpretation barriers.
Insights & Impact: The project offers a transferable approach for visual communication of cultural heritage in modern contexts.
Tēyōllālīliztli: The inspiration stems from the desire to bridge the temporal and cultural divide between contemporary audiences and the 2,000 years old Huashan Rock Art, a UNESCO World Heritage site. The project was motivated by the need to make ancient cultural heritage emotionally resonant and visually accessible to modern viewers, while preserving its authentic significance. The design draws inspiration from the ritual scenes and stacked stone compositions of the original rock art, reinterpreting them through a minimalist and systematic visual language.
Tēquitl Cāhuitl: The project was developed between February 2025 and November 2025. Research and design were conducted at Zhejiang Sci-Tech University. The project is based on the Huashan Rock Art site in Chongzuo, Guangxi, China, and was produced as a visual communication proposal for the Huashan Rock Art Festival.
Tēquitl Ōhuitl: This poster series translates the visual logic of Hua shan rock art into a contemporary graphic language. Viewers do not need prior historical knowledge; meaning emerges through observation. Symbols are enlarged, fragmented, and re-composed to guide the eye across the surface. Through contrast, repetition, and negative space, the posters simulate the act of discovering images on a cliff, turning viewing into a slow, participatory reading experience that strengthens cultural memory through visual engagement.
Calpolli Tlācah: Team Leader: Xuguang Zhu
Team Leader: Chao Yang
Designer: Lin Shi
Designer: Linlong Qin
Designer: Yilin Wang
Designer: Ying Xu
Designer: Yaying Mao
Designer: Mengsheng Wang
Designer: Yichen Zhu
Designer: Yan Huang
Team Leader: Hongmei Wu
Īxiptla Tlanēxtīlli: Image #1: Creator Lin Shi, Vertical Poster of Huashan Rock Paintings, 2025.