Uncomfortable Immersion Primary Function: Tlamatiloni īca Tlaocoyaliztli ītēchcopa Chloe Marcela Coelho

Tlanāhuatīlli Uncomfortable Immersion Primary Function: Tlamatiloni īca Tlaocoyaliztli ītēchcopa Chloe Marcela Coelho cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Tepoztli īpan Altepetlacayotl Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliAltepetlacayotl· 2020

Uncomfortable Immersion Primary Function: Tlamatiloni īca Tlaocoyaliztli

īpal Chloe Marcela Coelho

Tlanāhuatīlli: Chloe Marcela Coelho

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Altepetlacayotl Tlamantli

18,158

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #88749

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Uncomfortable Immersion Primary Function: Tlamatiloni īca Tlaocoyaliztli

Book Text: In Tlein Amo Yolic Tlapaloliztli, in yehhuatl tlamatiloni īca tlaocoyaliztli īnpampa in telpōchtin īhuān ichpōchtin in miquiliaya īntlazohhuān. In tlamatiloni ītzintiliz ce āmoxtli tlein quimpalēhuia in ixquich pilhuān quichīhuaskeh īn nehnemilizneltiliztin īhuān quinemiliskeh in tlaocoyaliztli īca īnyōlchicāhuaca. Ce cōzcatl tēoyōtl mochīuh īca in tlaīxtli in āquin tlazohtli mopolōca, achto mochīuh 3D īca PLA, zātēpan mochīuh īca teōcuitlatl chīpāhuac. Ce iztac tilmahtli īca ichpāntli mahmāuhqui mochīuh, quipiya tlahcuiloliztli in āquin momiquilih, tlein huel mīxpantia in tlecualiztli tlein panōc 27 grados: in tlahtōltin monextia ihcuāc mahpalōlo. Nemiliztli tlamatilizpalēhuia in nehnemiliztli, quitemōa palēhuiliztli ihuān yōlchicāhualiztli zatēpan in miquetlaliztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Uncomfortable Immersion Primary Function: Tlamatiloni īca Tlaocoyaliztli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Uncomfortable Immersion Primary Function: Tlamatiloni īca Tlaocoyaliztli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Uncomfortable Immersion Primary Function: Tlamatiloni īca Tlaocoyaliztli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The project explores the way that our society deals with grief; particularly in adolescents. It considers the emotional complexities within grief and the socio-cultural misconceptions. Using Human-Centred Design, a grief book was created to guide the bereaving to construct ritual objects which help the adolescent process and comprehend at their own pace, while maintaining important metaphysical relationships with the deceased. Personal autonomy was strongly encouraged in their grief journey.
Huēyiliztli īhuān Tlacualtepēhualli: 'Without Expectation' by Chloe Marcela Coelho - Width 176 mm x Depth 5 mm x Height 250 mm
Signature Pendant - Width 35 mm x Depth 2 mm x Height 50 mm
Grief Scarf - Width 900 mm x Depth 0.5 mm x Height 900 mm
Tōcāitl: Grief, Death, Ritual, Empathy, Social Impact, Adolescence, Support, Mourning, Pendant, Scarf
Tlachīhualiztli Māchiyōtl: The companion artefact to the grief book, 'Without Expectations', was a pendant made from the signature of a loved one which was 3D printed in PLA and cast in sterling silver. The grief scarf uses a unique black thermochromic ink that becomes transparent above 27C. This was infused into silk containing a printed letter from their lost loved one, that only appears with the ritualistic gesture of touch. The novel manufacturing process for the resultant scarf required many iterations to perfect.
Tlanāhuatīlli Nētēcahuilīztli: Institutionalized death has misconstrued grief in our society. Grievers are expected to avoid emotional depth and showing vulnerability, especially for teenagers. This alienates and discourages teenagers from dealing with grief in a healthy manner. During vast physical and mental changes, reworking identities and shifting parental dynamics, a loved one's death is crushing. While initial support around the funeral is crucial, support is often scarce months after a death when it's needed most.
Tlatēmōliztli: Uncomfortable Immersion uses human-centred and service design ideas to provide an empathic toolset for grieving adolescents. Extended research into existing literature, interviews about loss and evaluation from psychologists and deathcare specialists provided a foundation for new concepts around grief care. The project has been heavily requested and discussed in relation to personal memorials and discourse in deathcare field. As well allowing exploration of my personal experience of loss.
Tēyōllālīliztli: Grief is a universal aspect of the human condition that is rarely discussed in western society, which often frames grief as a 'stage' for people to overcome with most support occurring during the funeral. However, new frameworks suggest that grief is an ongoing process. This leaves long-term grievers without support or agency, creating unnecessary suffering. Embracing my personal experience of losing my mother at thirteen has shown me that grief is not something to be rushed or prescribed.
Tēquitl Cāhuitl: The project was started in March 2018 as part of the Honours Project in Bachelor of Industrial Design (Honours) at RMIT University (City Campus). The project was completed in November of 2018.
Tēquitl Ōhuitl: Without Expectation is a practical guide for adolescents in a time of loss. It approaches the subject with sensitivity, that respects the maturity and hardship the teenager has unwittingly embarked upon. Through the use of approachable stories about grief and transformation, the user is informed of harmful fallacies that are common in western society. It promotes concepts of death literacy and ritualism in mourning, including a memorial pendant and a scarf with handwriting from the deceased.
Patentēmeh: Copyrights belong to Chloe Marcela Coelho, 2019