Shany Abdallah Naji Primary Function: Mndandanda wa Zojambula za Graphic ndi Shany Dvora

Dizayini ya Shany Abdallah Naji Primary Function: Mndandanda wa Zojambula za Graphic ndi Shany Dvora ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2021 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zithunzi, Zojambulidwa ndi Kulumikizana Mwazithunzi.

SilivaZithunzi· 2021

Shany Abdallah Naji Primary Function: Mndandanda wa Zojambula za Graphic

ndi Shany Dvora

Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Zithunzi

36,695

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #121320

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Shany Abdallah Naji Primary Function: Mndandanda wa Zojambula za Graphic

Shany Abdallah Naji ndi mndandanda wa ntchito za graphic zomwe zimatsitsimutsanso mwambo wa kutchula mayina m'banja. Mwambowu, womwe unatha pamene banjali linasamuka kuchoka ku Iraq kupita ku Israeli, unkapatsa mwana wobadwa kumene dzina loyamba kenako kutsatiridwa ndi mayina a bambo ake ndi agogo ake. Mndandandawu unapangidwa pambuyo popeza mapepala akale a kusamuka kwa banjali. Ntchito zisanu zosakaniza zida zosiyanasiyana, zinayi zomwe zili masentimita 50 ndi 70 ndipo imodzi yomwe ili masentimita 75 ndi 70, zimaluka zithunzi mkati mwa zolemba zokongola za Chihebri zochokera ku zolembedwa pamanja za Chihebri zochokera ku Iraq, Yemen ndi Morocco zopangidwa pakati pa zaka za m'ma 1100 ndi 1400.

Chidziwitso

Za Mphoto ya Siliva ya A' Design Award

Shany Abdallah Naji Primary Function: Mndandanda wa Zojambula za Graphic ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. Shany Abdallah Naji Primary Function: Mndandanda wa Zojambula za Graphic akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Shany Abdallah Naji Primary Function: Mndandanda wa Zojambula za Graphic ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Miyezo ndi Kuphimba: 4 works 50*70 cm
1 work 75*70 cm
Zizindikiro: Calligraphy, Typography, Hebrew, Eastern
Teknoloji Yopangira: Mixed Media
Vuto la Dizayini: -
Kafukufuku: For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Chilimbikitso: In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Nthawi ya Polojekiti: 2018-2019, Israel
Mdondomeko ya Ntchito: -
Petensi: -
Mamembala a Gulu: -
Mwini Zithunzi: Shany Dvora