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Rhythm Ntchito Yaikulu: Zosema Zoyimba Zambiri ndi Zhuoyun Xiao

Dizayini ya Rhythm Ntchito Yaikulu: Zosema Zoyimba Zambiri ndi Zhuoyun Xiao ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2025 Mphoto ya Chitsulo ya A' Design Award mu Gawo la Mpikisano la Luso Lapadera ndi Mapangidwe a Zoyikidwa za Luso.


ChitsuloLuso Lapadera· 2025

Rhythm Ntchito Yaikulu: Zosema Zoyimba Zambiri

ndi Zhuoyun Xiao

Kasitomala: Zhuoyun Xiao

Wopambana pa Mphoto ya Chitsulo ya A' Design Award mu Gawo la Luso Lapadera

18,689

Mitundu

Kapangidwe

Za Rhythm Ntchito Yaikulu: Zosema Zoyimba Zambiri

Mawu a Bukhu: Rhythm ndi mndandanda wa zosema zoyimba zomwe zimasandutsa mayendedwe a kuvina kukhala zithunzi zosakhazikika. Mndandandawu wapangidwa ndi zidutswa zisanu za mtengo wa cherry wokhala ndi kutalika kwa 150, 200, 250, 300 ndi 350 milimita, ndipo gulu lonse limayeza 600 mpaka 800 mpaka 300 milimita. Mitundu yakuda, yoyera ndi yofiira imasonyeza malo osinthira. Mtengowu umadulidwa mosamalitsa, umapukutidwa ndi manja ndipo umakonzedwa ndi zomaliza zopanda poizoni. Kusiyanasiyana kwa kutalika ndi mayikidwe a gulu limapanga mzere wa nyimbo wowoneka. Owonera amayenda mozungulira ntchitoyi kutsata kutsatizana kwa mayendedwe.

Chidziwitso

Za Mphoto ya Chitsulo ya A' Design Award

Rhythm Ntchito Yaikulu: Zosema Zoyimba Zambiri ndi mmodzi mwa opambana a Mphoto ya Chitsulo ya A' Design Award, kuzindikirika kolemekezeka komwe kumaperekedwa kwa mapangidwe abwino omwe amakwaniritsa zofunika za akatswiri ndi za makampani zomwe zimayembekezeka kuchokera ku zolengedwa zopangidwa bwino. Opambana a Chitsulo amaonetsa luso lalikulu, ukatswiri wapamwamba, kumvetsetsa kwa akatswiri ndi mphamvu yolenga ya opanga awo. Rhythm Ntchito Yaikulu: Zosema Zoyimba Zambiri akuyembekezeka kukhala cholengedwa choyamikiridwa kwambiri, chosirira ndi chokondedwa chomwe ndi chothandiza ndi chatsopano. Mapangidwe opambana Mphoto ya Chitsulo ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a makampani ndipo ali ndi makhalidwe a ukadaulo oyenerera olumikizidwa ndi chidziwitso ndi luso. Rhythm Ntchito Yaikulu: Zosema Zoyimba Zambiri amalemekezedwa chifukwa cha kusamala kwake ndipo anapangidwa kuti apereke kukonza kwa moyo kumene kumathandiza kusandutsa dziko kukhala malo abwino.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera
"Rhythm" transforms dance movements into five cherry wood sculptures. The series captures clown performance dynamics through exaggerated forms and strategic spatial arrangement. Using black, white, and red color accents, these varying-height sculptures (150-350mm) create visual cadence. The work translates abstract body movements into tangible forms, merging traditional performance art with contemporary visual expression.
Miyezo ndi Kuphimba
Set dimensions: 600mm×800mm×300mm (complete installation of five pieces)
Individual heights: 150mm, 200mm, 250mm, 300mm, 350mm
Material: Cherry wood
Color system: CMYK (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0)
Finish: Hand-polished surface with specialized wood treatments
Weight: Approximately 4.5kg for complete set
Installation configuration: Sequential arrangement with specified spacing (120mm between pieces)
Environmental standards: Non-toxic finishes, sustainable harvested wood.
Zizindikiro
Grotesque Aesthetics, Dance Visualization, Cherry Wood Installation, Rhythmic Form, Visual Movement, Clown Performance, Deconstructed Motion, Dynamic Sculpture, Spatial Sequence, Color Contrast
Teknoloji Yopangira
Cherry wood crafted through precision cutting and hand-finishing. Five distinct sculptural elements (150-350mm) form a complete set (600×800×300mm). Used deconstruction methodology to translate clown movements into static forms. CMYK color system (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0) applied through specialized wood treatment. Spatial arrangement creates visual rhythm through varying heights and geometric relationships.
Vuto la Dizayini
The primary challenge was translating dynamic clown movements into static wooden forms while preserving rhythmic essence. Historical perspectives on grotesque aesthetics required careful integration with contemporary design language. Social perspectives on clown performance interpretation varied widely, necessitating extensive research to identify universal movement patterns. Material limitations of cherry wood demanded precise calculations to achieve proper balance while maintaining visual fluidity across the five-piece sequence. Technical difficulties emerged in achieving gradual height transitions (150-350mm) that conveyed motion. The color scheme implementation required multiple prototypes to determine optimal placement of black and red accents against natural wood to emphasize transitional moments without overwhelming the subtle form language.
Kafukufuku
The research explores grotesque aesthetics in dance movement visualization. It aims to decode rhythmic patterns in clown performances, translating them into visual language. Using deconstruction and reconstruction methods with digital media analysis of body movement trajectories, five cherry wood pieces of varying heights (150-350mm) were created with a black-white-red color scheme. The work dynamizes static elements through exaggerated forms, strong color contrasts, and dramatic arrangements that reinterpret traditional performance art. This research breaks visual language boundaries, demonstrates innovative fusion of traditional and modern art, and offers new approaches for public space art installations.
Chilimbikitso
Inspired by the rhythmic movements in dance performances, particularly the exaggerated expressions of clowns. Research focused on transforming dynamic movement into static forms while preserving energetic qualities. The project explores the intersection of traditional performance art and contemporary sculpture, using wood as a medium to capture fluidity and tension in physical space.
Nthawi ya Polojekiti
The project "Rhythm" was created by Zhuoyun Xiao at Nanjing University of the Arts, China, between 2023 and 2024.
Mdondomeko ya Ntchito
Viewers circle the installation to discover how each piece captures a distinct dance moment. Varying heights create visual rhythm, guiding the eye through the sequence. Black and red accents mark transition points. The arrangement transforms static forms into perceived motion, engaging viewers in completing the dance sequence mentally. Spatial relationships between pieces amplify the dynamic quality of frozen movement.
Mwini Zithunzi
Images#All: Designer and photographer Zhuoyun Xiao, Rhythm Installation View, 2024.

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