Prologue in Ink Kapangidwe ka Mkati mwa Nyumba Yokhalamo ndi Yi Hsuan Lee

Dizayini ya Prologue in Ink Kapangidwe ka Mkati mwa Nyumba Yokhalamo ndi Yi Hsuan Lee ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Mkati mwa Nyumba ndi Mawonekedwe.

BronzeMkati· 2026

Prologue in Ink Kapangidwe ka Mkati mwa Nyumba Yokhalamo

ndi Yi Hsuan Lee

Kasitomala: Yan Design

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Mkati

5,209

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #182055

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Prologue in Ink Kapangidwe ka Mkati mwa Nyumba Yokhalamo

Prologue in Ink ndi kapangidwe ka mkati mwa nyumba yokhalamo ya masikweya mita 132.2 pa sitima ya khumi ndi zisanu ndi imodzi ya nyumba yayitali. Mitundu yake ikuyang'ana kwambiri pa matabwa oyaka ngati inki okhala ndi mizere yachilengedwe yowoneka bwino, yophatikizidwa ndi miyala, titaniyamu, magalasi ndi zikopa. Khoma lalikulu la kanema wawayilesi limaphatikiza miyala ndi zokongoletsera zachitsulo, pomwe khoma la chipinda chowerengera limaphatikiza mashelufu akuda ndi mapanelo owala. Chipinda chowerengera chotseguka chimalumikizana ndi chipinda chochezera, kupanga mzere wopitilira womwe umagwirizanitsa malo ochezera, owerengera, odyera ndi ophikira. Magetsi a mizere ndi osawoneka mwachindunji amasonyeza malire ndi kufewetsa mitundu yakuda.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Prologue in Ink Kapangidwe ka Mkati mwa Nyumba Yokhalamo ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Prologue in Ink Kapangidwe ka Mkati mwa Nyumba Yokhalamo akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Prologue in Ink Kapangidwe ka Mkati mwa Nyumba Yokhalamo amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: The home's personality is embodied in the TV feature wall and open study backdrop. The TV wall combines bold stone with titanium, glass, and leather, creating a layered, sleek facade. The study wall pairs dark display shelving with light panels, balancing rationality and curiosity. Linear lighting highlights edges, while a minimalist ceiling with grooves and negative space emphasizes the walls’ presence, giving the space refined order and dimensional focus.
Miyezo ndi Kuphimba: The 132.2 m2 16th-floor residence integrates social areas for fluid daily use. The open study connects to the living room, creating shared zones for work, reading, and interaction. Expanded kitchen storage and prep areas form a continuous axis linking living, study, dining, and kitchen spaces. The layout balances solitude and interaction, achieving both practical usability and visual refinement.
Zizindikiro: Dark Tone, Material Contrast, Open Study, Modern Design, Smart Home, Cool Tone, Eco-Friendly Materials
Teknoloji Yopangira: The palette centers on ink-toned wood veneer, preserving natural grain to reveal layered depth under reflected light. Stone, titanium, glass, and leather add material complexity, while selective warmer tones and bright finishes balance cooler hues. Linear and indirect lighting subtly defines boundaries, creating gentle grayscale transitions. The resulting interior feels composed, intellectual, and restrained, projecting refinement without coldness.
Vuto la Dizayini: Construction focused on precise interface integration and tolerance control. The TV wall demanded coordination of heavy stone, structural supports, and AV systems, balancing aesthetics, safety, and function. Study sliding cabinetry required meticulous hardware and panel alignment for a seamless façade. Flooring was corrected on-site to match the intended tone and texture, ensuring the ground plane reinforced the designed spatial atmosphere.
Kafukufuku: The 132.2 m2 residence uses 'ink' as a thematic framework, combining deep wood, stone, metal, glass, and leather to filter visual noise and clarify spatial order. The living room integrates an open study for reading, work, and social interaction along a shared axis, while kitchen storage and prep are optimized. Linear lighting layers dark tones, balancing refinement and warmth. 'Ink' grounds the space, 'prologue' organizes it, and daily life becomes its expressive language.
Chilimbikitso: 'Prologue in Ink,' a 132.2 m2 high-rise residence, uses 'ink' as a design foundation, guiding materials, light, and lines with disciplined order. Daylight illuminates deep wood veneer and stone textures forming the structural framework, while metal, glass, and leather provide refined accents. The design achieves composure and gravitas, creating a space that feels present and elegant without heaviness, balancing material richness with everyday livability.
Nthawi ya Polojekiti: The project finished in June 2023 in Taiwan.
Mdondomeko ya Ntchito: Occupants' feedback most clearly emphasizes flexibility. The ink-toned environment does not feel rigid or cold. Instead, through calibrated material warmth and layered light transitions, it overturns conventional perceptions of dark interiors. In daily life, the social area can shift between calm and lively states. Whether reading alone, hosting friends, or simply reclining on the sofa, the atmosphere adapts naturally. The space maintains quality and composure without feeling formal. It understands how to allow life to enter.
Mamembala a Gulu: Wei-Hsuan Chan
Mwini Zithunzi: Yan Design