Shany Abdallah Naji Seria dzieł graficznych by Shany Dvora is a highly esteemed winner of the very prestigious 2021 Srebrna Nagroda A' Design Award in Grafika, Ilustracja i Komunikacja Wizualna Competition Category.
SrebrnaGrafika· 2021
Shany Abdallah Naji Seria dzieł graficznych
by Shany Dvora
Srebrna Nagroda A' Design Award Winner in Grafika Category
Verified Award Winner
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About Shany Abdallah Naji Seria dzieł graficznych
Shany Abdallah Naji to seria prac graficznych, która przywraca do życia rodzinną tradycję nadawania imion. Tradycja ta, zakończona wraz z przeprowadzką rodziny z Iraku do Izraela, polegała na nadaniu noworodkowi imienia, po którym następowały imiona ojca i dziadka. Seria powstała po odnalezieniu starych rodzinnych dokumentów imigracyjnych. Pięć prac wykonanych w technice mieszanej — cztery o wymiarach 50 na 70 centymetrów oraz jedna o wymiarach 75 na 70 centymetrów — splata obrazy z hebrajską kaligrafią inspirowaną hebrajskimi manuskryptami z Iraku, Jemenu i Maroka, powstałymi między XII a XV wiekiem.
The Recognition
About the Srebrna Nagroda A' Design Award
Shany Abdallah Naji Seria dzieł graficznych to laureat Srebrnej Nagrody A' Design Award, niezwykle prestiżowego wyróżnienia przyznawanego przepięknym, imponującym projektom z najwyższej półki. Laureaci Srebrnej Nagrody to niezwykle błyskotliwe i wyjątkowo twórcze dzieła, które ukazują wybitną wiedzę, talent i przenikliwość ich twórców. Shany Abdallah Naji Seria dzieł graficznych ma być wspaniałym, reprezentacyjnym dziełem, które jest niezwykle profesjonalne i głęboko innowacyjne. Ten projekt nagrodzony Srebrną Nagrodą A' Design Award to bardzo godny uwagi, podziwiany wynalazek, który przynosi korzyści i przesuwa granice sztuki, nauki, designu i technologii. Shany Abdallah Naji Seria dzieł graficznych to dzieło, któremu wielu zazdrości, które budzi pragnienia, wprowadza pozytywne uczucia oraz wzbudza zdumienie i zachwyt.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimensions & Packaging
- 4 works 50*70 cm
1 work 75*70 cm - Tags
- Calligraphy, Typography, Hebrew, Eastern
- Production Technology
- Mixed Media
- Design Challenge
- -
- Research
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiration
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Project Duration
- 2018-2019, Israel
- Operation Flow
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- Patents
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- Team Members
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- Image Credits
- Shany Dvora
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