Great Blue Hole Naszyjnik by Jung Ki Min is a highly esteemed winner of the very prestigious 2026 Brązowa Nagroda A' Design Award in Biżuteria Competition Category.
BrązowaBiżuteria· 2026
Great Blue Hole Naszyjnik
by Jung Ki Min
Brązowa Nagroda A' Design Award Winner in Biżuteria Category
Verified Award Winner
Verify Award Status for #182523The Design
About Great Blue Hole Naszyjnik
Great Blue Hole to naszyjnik inspirowany morską głębiną krasową o tej samej nazwie w Belize. Projekt przekłada rozległy naturalny krajobraz na noszoną formę rzeźbiarską. Warstwowe metalowe elementy osadzono na drutach o różnej długości, aby stworzyć przestrzenną objętość i głębię. Do zbudowania form i faktur powierzchni wykorzystano piłowanie, odlewanie, emaliowanie, oprawianie kamieni oraz techniki cyzelowania i repusowania. Naszyjnik ma 130 mm szerokości, 15 mm głębokości i 75 mm wysokości, a sznur pereł mierzy 450 mm. Ruch ciała sprawia, że światło przesuwa się po warstwach.
The Recognition
About the Brązowa Nagroda A' Design Award
Great Blue Hole Naszyjnik to laureat Brązowej Nagrody A' Design Award, wysoce prestiżowego wyróżnienia przyznawanego znakomitym projektom wyróżniającym się kreatywnością, pomysłowością i przenikliwością. Laureaci Brązowej Nagrody to w pełni utalentowane i uderzająco twórcze artefakty, które poświadczają ogromne doświadczenie, wyobraźnię i zaradność ich twórców. Great Blue Hole Naszyjnik ma być wysoko cenionym, podziwianym i drogim sercu przedmiotem, który jest wyjątkowo profesjonalny i innowacyjny. Ten projekt nagrodzony Brązową Nagrodą A' Design Award łączy najlepsze praktyki w sztuce, nauce, designie i technologii oraz jest doskonały dzięki dbałości o szczegóły. Great Blue Hole Naszyjnik znakomicie zaspokaja potrzeby, porusza pragnienia, czaruje uczucia i przemawia do ciekawości.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
- Dimensions & Packaging
- Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm - Tags
- silver, necklace, jewelry, natural
- Production Technology
- This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
- Design Challenge
- The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
- Research
- This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
- Inspiration
- Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
- Project Duration
- The project started in August 2018 in New York, USA, and was completed in May 2019.
- Operation Flow
- Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
- Image Credits
- Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.
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