Ruud Winder

On my 6th birthday I changed my name from Rudy to Ruud, a logical step for me, although my family had to get used to it. But my first rebranding was a fact. Fascinated by logos and brands, I went to study graphic design at the Gerrit Rietveld Academy in Amsterdam...

After more than 25 years I rebranded my company BUREAU GRAS to REBRANDT®. We rebranded more than 100 companies and products over the decades. Now we also got a name that works! Just like we allways create for our clients!

Complete identities, from brandstory to logos and building the basics of the new brand. And the more complex the assignment is, the better.

I do not have one specific favorite design. But Woonwaard, DearBytes and Youall have a special place in my heart, just like the designs we're making at this moment. The exiting thrill of working on the 'not yet' born brand, is my favorite part.

Thats' a long time ago, I think brochures we're the first, but soon followed by websites, and many corporate identities.

I'm allways exited by new and unexpected use of technics and materials. The most unexpected, but retrospective the most logic choice of material or technic is what I search for.

Not in the morning (till 10:00). Rest of the day is perfect even at night.

Searching for the exclusive and unique design that fits the brand.

A little bit anxious, it is nevertheless the launch of a thought that has to come true at that moment. You think you know how the brand will be picked up, but you only know when the time has come. Fortunately, so far it has always worked out as predicted.

1. When the soul of the company can be represented by the visual identity. 2. When the visual identity is used consequent and in line with the guidelines.

1. Don't lie. Like we say in Dutch: "Don't sell sell apples as lemons". 2. And know what the impact can be of your design, allways ask yourself, do I stand for this product and company.

In a society that is slightly moving backwards, become more conservative, the designfield should be jumping the other direction of innovate, experiment. I see designers jump in this direction, but many don't. You need balls to be successful in the future.

As a brand designer I don't expose the work as artworks. It's not what it is.

Travelling (recently though Spain and Austria), reading and visiting art expositions like Bienalle Venice.

In my search I always look for the ultimate unique image that tells the story in a split second, accessible and simple. No superfluous shapes or frills. Always looking for a clear, fresh form that dares to stand for the content. In my early days I thought I shouldn't have a style. That's still my goal. After all, it is my job to design the appropriate identity for the client in question. But despite the aspiration to have no style, it was visible, looking back over a range of successful rebrandings. All different, but with its own way of interpreting, the humor and the clear form language.

At the Rietveld Academy in Amsterdam I started to develop as a designer. The obvious fact that there must be a good concept behind everything you make and an elaboration with the aim to keep it clear and dry can be called typically Dutch and can certainly be found in my own work.

I developed a complete system to be able to get all necessary information for the design process. The last 10 years we also develop the brand story. That's a part that definitely should be at the designers side. Otherwise you're working on the interpretation of others, then you can't feel the soul of the brand.

Check the work first. But above all, invite the designer for a video call or (if possible) for a drink. Get to know him/her. The process of a rebranding is intense.

I will publish my system in 2022 so more designers will be able to get a clear view on the DNA of the company. Finding the unique character and discribe it. And don't try to force the brand into one of the limited pre-baked archetypes. This removes the special qualities that make a brand so special. The Rembrandt method is based on a psychological treatment when Schizophrenia is diagnosed.

1. A poster by Anton Beeke — exhibition for Kazimir Malevich 2. A poster by Bas Oudt — Rietveld exposition 3. A poster of the Tate Gallery, by tube 4. Citrus press by Philippe Starck - Alessi 5. Chairs of Stark

Starting in the morning at 9:00 / 9:30. Organizing, preparing, planning, calling and mailing till 11:00 and then grabbing the project that is planned and jump into it. Talk with collegues and clients for feedback and go all the way till it's really good.

Dare to outline a clear division of tasks for you and the client. The customer must feed the designer with good information, the visual translation is the domain of the designer, the client may not interfere with this. If the client is not satisfied, check in a pragmatic way where the difference may have arisen between the DNA description / brand story and the final elaboration, take the entire design back and come back after 2 weeks with a much better design. And one more tip. Work towards only 1 design to present.

'Creating' gives a lot of satisfaction. Nothing comes without some rainfall, but you know what rises after...

My black sketchbook is allways in my reach. Just like by bookshelfs with a big amount of inspiring books. Digitally I like to work with Pinterest and Adobe Illustrator.

Work through in the evening. And more importantly, don't mind that.

From brandstory till the first design presentation 1 months. 1. Brandstory — 1 month 2. New name developement – 1 month 3. Registration proces — 3-6 months 4. Designproces logo + basic elements — 1 month 5. Finalizing the design basics — 1 month

Never ever worked at an other company, started my own company straight from school. As a result, I was not polluted by "that's the way it goes" and other habits and I had to look for my own way of working.

Education & Research — Eindhoven schools combination | Dutch Courses Amsterdam | Delfland Water Authority | Kanhetanders.nl | Kenniscentrum | Mediacollege Amsterdam | sQuare — Healthcare & Social Services — Day of the Dialogue | National Disaster Fund | IJsterk | Omring | Roger That Foundation | Sociaal.nl | UNHCR | Trimbos Research institute | Woonwaard — Government & Semi-Government — G4 | Dutch Public Prosecutor | Dutch Ministry of Economic Affairs | Development agenda Safety first | Province South-Holland | VNG risk management — IT & Cybersecurity — Attic | C∂n | Cyber Central | Dearbytes | KPN | ING | PayU | Sm^rt Principles | Solvinity | Zolder — Travel & hospitality — Australian Backpackers | Australian Holidays | Balinova | Dream Resort | Else Globe | PeasePro | Puur Nieuw Zeeland | Scandinavian | Schiphol — Retail — Biga Brix | MecMedic | Theo Groothuizen | Verdonk Keukens | Youall — Media & Culture — GAA | Hellen van Meene | Het Nederlands BACH Consort | Jurjaanz | Metis_NL | Mondriaan fonds | Monika Auch | Art Library Foundation | Stimuleringsfonds | The Box music television — B2B — BK Group | Koopmans | Primavera | PrimaveraQuint | Saturday Socials | Weconnect

(Re)brandings. Each brand I design can't be pushed back, it exists and will never be forgotten, They are all, as it were, my children.

More (re)brandings, more international (easy now with the videocall-habit), companies but also products... You can call me anytime +316 22841710

My company REBRANDT is a network of 100& independant creatives in all kinds of disciplines; programmers, stylists, photographers, copywriters, all aspects covered with the best for the (re)branding proces.

Sorry our clients doesn't allow me to talk about this at this moment. But if you go to www.rebrandt.com you'll see the latest projects.

1. By phone: +31 622841710 2. By mail: ruud@rebrandt.com 3. By visiting: You can visit us in The Hague, Amsterdam, Rotterdam or Alkmaar 4. And don't forget to check our website: www.rebrandt.com

If you want an Awardwinning (re-)branding call us! REBRANDT | Dutch Masters in Rebranding.

Actually, I've been rebranding since I was 6 years old. On my birthday I made it clear to everyone that from that moment on I would no longer be called Rudy but Ruud, everyone adapted to this and my first rebranding was history. As a child I already collected work from Total Design, saved stamps from certain designers from whom I later took lessons at the Rietveld Academy. There I discovered my conceptual side and fell completely in love with the profession of Graphic Design. After completing my studies, I immediately started bureau gras, together with my colleagues Bart Keuzenkamp (text / copy) and Marius Hettema (programmer). The agency grew quickly, too quickly in my opinion, and in 2007 I changed the business model to a fully networked agency. This made the quality and speed of work much better, and not unimportantly, the pleasure in the work returned completely. I have now been working for more than 15 years with my loyal and wonderful network of independent experts. In 2018, we rebranded bureau gras to Rebrandt, as a remotely organized organization with a full focus on burning and rebranding.

Inspired by the work of Total Design, Grapus and Anton Beeke, I fell more and more in love with the Graphic Design profession. Making posters, good advertising, cool books, that's what I dreamed of. But when the internet came up as a gift during my graduation, I grabbed this opportunity with both hands. A new medium to play with as a designer. The pioneering of technology had begun, resulting in a series of apps, interactive campaigns and hundreds of sites.

I've always said that as a designer I didn't want to have a 'style'. Just like an actor that plays a role in a movie, the designer should play the right role for the specific client, regardless of my preference for a design language. A nice statement, and when I look back I also recognize a breadth, but certainly also a 'style', or rather a way of working. And well, an actor also interprets the role in his own specific way. Objectivity is not something for designers, leave that to AI *;-), how wonderful it is that as a designer you can give your own personal interpretation to an assignment that makes what you make special.

During my design process, after I have completely cleaned up everything around me, I sink into a kind of trance; sketching, associating, looking for images, making tests, everything with an almost manic focus until the sublime concept is written down on paper. And don't let me drive a car after this, my body feels completely drunk afterwards.

I was never able to perform well in primary and secondary school, I managed, but I had many difficulty getting my diplomas. At the age of 13 I felt more or less 'rejected'. A very bad feeling and it's painfull to see that this is still felt today by many advantaged young people, purely by measuring a very selective number of skills within the current school system. However, it eventually brought me to where I am today. Been "rejected" brought me autonomy, self-reliance and the 'F#ck it' mentality that has brought me a lot in my career as a designer. I am always open to comments, but as a designer you must also be able to stand up for your own ideas and believe in them. And that is not always easy in a world where everyone thinks they know everything. Fighting until it finally becomes what I really support as a designer. I therefore believe in the power of the individual, innovation, optimization, it is in ourselves, we just have to want to listen to it and go for it.

After hundreds of rebrandings, I can still warm to beautiful passionate organizations, large or small. An organization or brand can grow strongly through rebranding, which is always nice to see how entrepreneurs flourish when they are surrounded by the right communication tools and branding. For a rebranding, no matter how complicated, you can always call me awake at night.

Determine the quality level yourself and do not let it be influenced by the sometimes lower level of the client.

I never really start very early, build up slowly, arrange practical actions first and then switch to 1 project, which I spend my full time on, through brainstorming sessions with colleagues, or sketches, detached from the world outside. No mobile phone nearby, always full focus on the problem.

I don't. I live, read, see and experience and pick those things from life that inspire me, regardless of whether this is hot or not. I don't like hypes, then you can be sure that you are not making anything new.

A design is successful when it achieves what was intended. And since we already get so many stimuli around us, it is nice if the design is consistent and fitting in all its expressions and forms.

The moment when I decide, yes this is it, I almost leave it until the next morning. I then judge with a fresh look whether it is good. In most cases I then continue to refine it, and in the end there is a presentable model, which after presentation still withstands some fine tuning, even though it was approved. Until the same moment will come the next morning.

I am proud of many designs. Some were created in headwinds, others during enjoyable collaborations, and sometimes a design falls out of the blue and it feels like you didn't do much about it. I experience the latter as the most magical. And if you ask me which were these, the first METIS_NL booklet, with the flipped cover that made it a bag instead of a book (Red Dot Award 2015). PrimaveraQuint's house style remains one of my favorites, but unfortunately this fantastic company no longer exists and is nowhere to be seen. And more recently the house style of Koopmans, SYNQ, Roger That and the Letizia Battaglia book production still give me a warm feeling.

What my favorite designers are... I mentioned them earlier, my inspiration started at: Anton Beeke, Frank Beekers (Wild Plakken), GRAPUS (Paris) and the old Total Design.

I do not live a conscious lifestyle or according to a certain culture, I live consciously, look critically at the world and at myself, make choices, ask myself every time whether the decisions taken were okay and that is how I develop myself in my life. A lifestyle or culture is not a starting point, but a consequence, a consequence of the choices you make.

With the reorganization in 2007 from a classic agency model with staff and management to a 100% creative independent network, was one of the best decisions of my life. In the end, it's about under what conditions you can do the job well and keep it up. The way our team works together, I could happily continue it past 90.

Our team helps cultural and socially relevant organizations with strong branding, for which they would normally never have had the budget. We spend about 1 project per year on a good cause, usually free of charge.

It is nice to also make contacts outside the Netherlands with organizations for which you can also work remotely. Borders are fading, with our NL time (CET) we can serve many countries between 8:00 AM and 10:00 PM. And when this is more convenient, we travel to the client, it's a small world afterall. *;-)