Nontawat Charoenchasri

I hold dual bachelor’s degrees in Architecture and Graphic Design. Since university, I’ve always aimed to become a multidisciplinary designer—someone who doesn’t define himself as solely an architect, graphic designer, or creative director, but rather someone who blends disciplines into hybrid design practices.

I founded DUCTSTORE the design guru in 2001. The name “DUCTSTORE” comes from “Product” and echoes the sound of “Drugstore,” reflecting our aim to make every design a product of value. “The design guru” refers to knowledge and expertise. In 2016, I established THE OTHERS, our architecture-focused practice, to clearly distinguish the architectural vision from our broader design work.

Any kind that allows me to apply a wide range of skills—architecture, exhibition design, graphic design—they’re all interrelated and equally exciting to me.

Recently, my favorite works are in architecture and exhibition design. I enjoy exploring creative possibilities within constraints—creating thoughtful designs that meet user needs, work within budget, and avoid unnecessary waste.

In 2001, my debut project was designing the album cover for an indie music band in Thailand. It was a graphic design job.

Material : Steel Platform: www.iameverything.co, our own content platform Technology: Midjourney and AI tools.

When I’m sipping coffee on a day off or while road-tripping with my family.

It was fun, like playing without any rules — a way to twist and turn my own thinking.

Pride. It’s fulfilling to see something come to life from scratch.

Designer vision, client involvement, marketing objectives, and ultimately its commercial or social impact.

To help improve urban livability or make a meaningful contribution to society in some way.

AI is increasingly integrated into design, speeding up processes. But if overused or unbalanced, it may diminish originality.

My last exhibition was at Architect Expo 2024 in Bangkok. I hope to hold the next one in 2026.

Fashion, music, lifestyle, and travel—they constantly fuel my creativity.

I call it Graphictecture—a blend of graphic and architectural design. It’s a form of hybrid design that plays with 2D and 3D spaces. My approach is always multidisciplinary, aiming to merge dimensions and disciplines.

I live in central Bangkok. Thai culture is a unique blend of past and present, tradition and modernity, and that definitely influences my work. The pros are flexibility and adaptability; the cons are occasional conservative mindsets, but those can be worked around with clear target audiences.

We provide Total Communication services—covering everything from branding and architecture to media and experience design. We can work in modules or as a complete package, depending on what the client needs.

Choose a designer whose expertise matches your project—and most importantly, trust their vision.

• Start by receiving the brief and understanding the client’s needs. • Evaluate which services we can offer. • Clarify the scope of service and align expectations. • Check chemistry between both parties. • Understand why the client is interested in us. • After agreement and pricing, we move forward with the design phase and deliver according to timeline and budget.

-Land Rover Defender 110 -MINI Cooper S R53 2006 -Chair One By Konstantin Grcic -Ak47 Philippe Starck Table Gun Lamp By Flos -Louis Vuitton Mini Trunk Damoflage Limited Edition By Pharrell Williams

10:00 AM – Wake up 12:00 PM – Lunch 1:00–7:00 PM – Work 8:00 PM – Dinner 12:00 AM – Sleep

Don’t rush to define what kind of designer you should be. The world today doesn’t have the clear-cut boundaries it used to. You don’t need to pick just one label—graphic designer, architect, or creative. What you really need to decide is: What do you truly want to do? What’s your passion? What matters is that you stay hungry. Dare to step out of your comfort zone. Dare to be different—without trying to be like anyone else. Because that “difference” will eventually become your signature. Never stop questioning. Never stop experimenting. Face the pressure head-on. A spring compressed to its lowest point always rebounds the highest. And above all—always trust your instinct.

The positive: You get to do what you love. The negative: Your mind is always at work—you never stop thinking.

I plan my time systematically and avoid wasting energy on unnecessary things.

Sustaining a 25-year career in Thai design across various disciplines.

Large corporations in building materials, shopping malls, and lifestyle brands.

Architecture. Because it’s about designing spatial possibilities. I enjoy the challenge of defining the right balance and solution within constraints.

I want to launch my own fashion brand. It’s a completely new frontier for me.

I work as part of a team. My team has 37 members, including architects, interior designers, graphic designers, content creators, strategic planners, videographers, photographers, and more.

I’m currently designing my own fashion brand. It’s still in the concept and development phase and will be a long-term journey.

Email: ductstore@gmail.com, iameverything.design@gmail.com Or visit my content platform: www.iameverything.co

I believe everything has been covered. Thank you for the thoughtful questions—it’s a true honor to participate in the A’ Design Award Competition 2025 interview.

I hold dual bachelor’s degrees in Architecture and Graphic Design. From the beginning, my goal was to become a multidisciplinary designer—someone who doesn’t define himself strictly as an architect, graphic designer, or creative director. I’ve always wanted to create hybrid design solutions that blend across disciplines. I’ve been in the design industry since 1999. In 2001, I founded DUCTSTORE the design guru. My early works focused on music-related projects—album covers and music graphics. From 2005 to 2010, I served as Creative Director for Wallpaper Magazine (Thai Edition). In 2016, I founded THE OTHERS, an architecture-focused company specializing in architecture, interior design, and exhibition design. In 2018, I launched www.iameverything.co, a content platform focusing on design culture and creative communication. In terms of recognition: 2024 • iF Design Award 2024 • Red Dot Grand Prix: Jorakay Pavilion 2024 • Red Dot Best of the Best: Jorakay Pavilion 2024 • Red Dot Winner: EVERYTHING Magazine • Red Dot Winner: Collective by Cloud 11 • Red Dot Winner: Krungthai Bank: Money Expo 2024 2025 • German Design Award Winner: Jorakay Pavilion 2024 / Krungthai Bank: Money Expo 2024 / Kentucky Town Bangkok Pop-Up Store 2024 • iF Design Award Winner: EVERYTHING Magazine / Jorakay Pavilion 2024 • A’Design Award: • Gold Winner: Jorakay Pavilion 2024 • Gold Winner: Krungthai Bank: Money Expo 2024 • Bronze Winner: OB House

After graduating in 1997, Thailand was hit by the Asian Financial Crisis (Tom Yum Goong Crisis), and many architects—including myself—faced a difficult job market. I pivoted toward graphic design and started working on music-related visuals, including music graphics and magazine layouts. Eventually, I became involved with Wallpaper Magazine (Thai Edition), which marked a significant turn in my design career. Later, I returned to interior design and eventually to architecture. Over the past 25–26 years, my journey has always been guided by the idea of becoming a well-rounded designer in Thailand—someone who doesn’t box himself into being just an architect or a graphic designer. I define myself simply as a “designer”—complete, versatile, and distinct from

Three key priorities I follow are: 1. Addressing the client’s objectives across functional, conceptual, and emotional dimensions 2. Embedding my design signature—something I define as Graphitecture (Graphic + Architecture), a visual DNA of DUCTSTORE and THE OTHERS 3. Staying within budget constraints while delivering maximum value I primarily use digital tools such as SketchUp, 3D software, Illustrator, and even MidJourney for conceptual explorations. At times, we also build physical models for tangible spatial understanding. Every new project begins with clear timelines, defined roles, and iterative conceptual development—until we land on a direction we believe in and propose to the client.

The most thrilling moment is when a fresh idea clicks, and we transform it into something real that people trust and embrace. That sense of creative flow and the challenge of manifesting a new idea into the real world is incredibly fulfilling. It’s what pushes me to grow from one milestone to the next.

From a young age, I was deeply drawn to creative thinking and won numerous drawing competitions. That cultivated my interest in the arts early on. A few key influences were: • My architecture professor, who opened my mind and helped me discover my creative identity • A senior mentor in graphic design, who sparked my passion for visual communication • The cultural aesthetics of 1990s alternative music, punk fashion, and the philosophy of deconstructivism, all of which profoundly shaped my worldview and design thinking

I aim to launch my own fashion or design object brand rooted in graphic identity, architecture, and visual storytelling—work that reflects my personal statement. I’d like to be remembered as a Creator who can navigate multiple disciplines seamlessly. My dream project would be to design public architectural spaces that provoke thought, emotion, and shared experience.

Trust your instincts—no one knows your path better than you. Longevity in this field is not just about talent, but about consistently delivering work that clients return for. And most importantly: don’t waste time. Life is short. Design is eternal.

Never assume you’re better than others. Stay humble. Always be a learner. Keep improving. Keep evolving.

Coffee. Work. Social media. Rest. And when I need new inspiration, I take trips with my family to reset and observe the world with fresh eyes.

I don’t strictly follow trends—I believe designers should create them, not chase them. Inspiration is everywhere, embedded in daily life. I’m drawn to fashion but prefer to work through context and problem-solving rather than trend replication.

Good design begins with a clear objective and improves people’s lives. Bad design may look beautiful but lacks purpose or becomes indulgent without benefit. I always look for ideas that ask new questions and open new possibilities—solutions that go beyond limitations and move things forward.

As designers, we must learn to sense the moment of just right. That is when the design achieves its purpose, and refinement reaches its limit. That’s when I let it go.

I’m especially proud of JORAKAY Pavilion 2024. It was the second year working on the same brand, but I had to deliver something entirely new. The challenge was to express “Collective Language” as a spatial concept tied to the brand narrative and the overall theme of Architect Expo 2024 Bangkok. Designing something abstract yet clear enough to gain wide acceptance was a true test—and a rewarding one.

If I could choose only one, it would be Zaha Hadid. She embodied everything I admire in design—vision, boldness, rebellion, and futurism.

Thailand is rich in subcultures. Unlike the orderly systems of developed Western cities, Bangkok’s cultural chaos is often an inspiration in itself. Music, especially pop and alternative genres, heavily influence my design vibe, attitude, and lifestyle. Good design should improve lives. That is our mission as designers: to make sustainable progress through creativity.

My studios are built on collaboration—bringing together diverse creatives to co-create and explore new ideas. My business philosophy is simple: exceed expectations and deliver work that surprises and satisfies. When building a team, I look for passion and the joy of solving diverse design challenges. The biggest challenge in our field is keeping ideas fresh and avoiding formulaic thinking. We must stay curious.

I serve as a design juror at national-level competitions in Thailand, helping to elevate the quality of design across the country. I also lecture regularly at universities, mentoring the next generation of creatives. During crises—floods, natural disasters, political movements—I’ve participated in social and awareness campaigns. Designers have a voice. We should use it meaningfully.

I was thrilled to win three awards in 2025. It proved that our work meets international standards. The A’ Design Award helps push designers to elevate their work. It also provides global exposure for emerging talents. Awards like this boost client trust and serve as a strong KPI for any creative business. Being named “Designer of the Day” means a great deal to me. I’m truly honored. Thank you, A’ Design Award Italy, for this recognition.

I graduated with dual bachelor’s degrees in Architecture and Graphic Design. From the beginning, I knew I didn’t want to be confined to a single professional discipline. My goal has always been to craft my own path that integrates multiple branches of design into one.

Design has no fixed formula and no absolute right or wrong. I felt naturally drawn to this field—it’s where I feel most free to express my thoughts and stay true to who I am.

I chose it because I love it. No one forced me. Everything I do is driven by passion.

I work across architecture, exhibition, graphic design, branding, and even content platforms. What I want to do more of now is fashion—creating my own brand to express something new through clothing—and also furniture design.

Honestly, I don’t see myself as a legend. I’m still working. Legends are usually titles for those who’ve already stopped. I just keep doing what brings me joy. The results will speak for themselves someday.

A good designer delivers results. A great designer shapes influence that resonates throughout society.

Intention, meaning, and impact—not just visual beauty without substance.

Good design builds culture, changes behavior, and creates tangible value. It’s what distinguishes quality from mediocrity. It adds value beyond function.

I’d love to design urban spaces or public areas—projects that directly benefit communities and cities.

A mixed-use architectural project that introduces new lifestyle patterns through spatial programs.

Mies van der Rohe, Le Corbusier, Peter Eisenman, Sou Fujimoto, Rei Kawakubo (Comme des Garçons), Future Systems, David Carson, Marc Newson, Philippe Starck, Vivienne Westwood, and Virgil Abloh. These are people who broke design boundaries for me.

There are many, but Villa Savoye by Le Corbusier and the Neue Nationalgalerie by Mies van der Rohe stand out. They represent a sophisticated simplicity—a core system of architectural thinking that has deeply influenced me.

The Jorakay Pavilion 2024. It redefined the image of trade fair exhibitions by transforming them into abstract architecture that communicates across all levels.

Design is the act of discovering what doesn’t exist yet—and bringing it into being with meaning.

Myself, my family, my team, and the first few clients who believed in me before I had any portfolio to show.