xuechen chen

Hi, I'm Xuechen Chen, an architect and designer based in New York. My passion for architecture stems from a childhood fascination with art and a keen observation of urban transformations in China. After earning my B.Arch from Pratt Institute and an M.Design from the University of Pennsylvania, I've developed a multidimensional perspective that blends technical expertise with a deep appreciation for cultural richness and social impact. My designs aim to balance functionality and aesthetics, reflecting the evolving urban landscape and my dedication to purposeful design.

I currently work as an architect designer at Kohn Pedersen Fox (KPF), an architectural firm renowned for its innovative designs. My focus within the firm has expanded on a diverse range of projects, particularly on mixed-use and high-rise developments. Through this experience, I've gained a deep understanding of the intricate relationships between architecture and urban contexts. In addition to my role at KPF, I've recently started my personal studio, X.C Studio, specializing in civic and cultural projects. This endeavor allows me to apply my passion for architecture in a more personalized and specialized manner, focusing on projects that contribute to our communities' civic and cultural fabric. It represents a significant milestone in my career, enabling me to bring a distinctive vision to the forefront of architectural design.

To me, "design" is a purposeful blend of creativity and functionality aimed at shaping meaningful experiences and environments. It's about solving problems, evoking emotions, and translating cultural narratives into tangible forms. At its core, design is a dynamic language with the power to influence and inspire positive change.

My favorite kind of design incorporates cultural and social reflections. I am drawn to designs that prioritize people's interactions and experiences, fostering an approachable atmosphere. I admire projects that are dedicated to enhancing users' needs and interactions while maintaining high aesthetic standards.

In my life, I've been profoundly inspired by various artists and architects, including Chiharu Shiota, Zaha Hadid, Santiago Calatrava, Carlo Scarpa, and many others. They serve as my foundational inspiration, instilling in me the confidence to reimagine architecture, art, and philosophy uniquely and interconnectedly. These realms are never separate topics but deeply connected and intertranslatable, shaping my perspective and approach to creative expression.

The first project I designed for my own studio, X.C Studio, was the Hexa-Net proposal, a rethinking of the food delivery system and its urban impact. This project reimagines the food delivery system in urban environments, mainly focusing on New York City. It proposes using drone technology to create a comprehensive delivery network, enhancing efficiency and sustainability while fostering communal dining experiences within strategically positioned delivery centers. The Hexa-Net project embodies our studio's commitment to innovative design solutions that address contemporary urban challenges.

I find great inspiration in the diverse palette of materials available for architectural design, particularly enjoying the interplay between wood, metal, concrete, and glass. Each material brings its own unique qualities to a project, allowing for the creation of distinct atmospheres and experiences. In my works, which often focus on civic design, I prioritize materials that provide comfort and warmth and offer flexibility for various programming and events. This approach ensures that my designs are visually appealing, functional, and adaptable to the evolving needs of the community they serve.

My creativity is most inspired by the rich tapestry of my international background, which instills in me a deep reverence for the history and cultural connections that shape our design. Drawing from my Chinese heritage, emphasizing harmony with nature and the pursuit of balance, I find myself guided by philosophies that promote designs rooted in functionality and cultural resonance. This perspective enriches my approach, ensuring that my designs meet practical needs and harmonize seamlessly with their cultural and environmental context.

In my design process, I emphasize seamlessly integrating cultural and urban elements to create visually captivating and functionally efficient spaces. I prioritize facilitating fluid movement and interaction within my designs to enhance user experience. Furthermore, I meticulously incorporate materials and spatial arrangements that reflect the cultural context of each project, thereby honoring the heritage and identity of the locale. This holistic approach results in thoughtful, culturally sensitive designs that foster community, connection, and a profound sense of belonging for users.

A mix of emotions. I feel deeply inspired by the creative possibilities that each project presents, fueling my enthusiasm and driving me to explore innovative solutions. However, there are moments of stress as well, particularly when navigating complex design problems or tight deadlines.

When my designs are realized, I feel a profound sense of fulfillment. Witnessing concepts transformed into tangible spaces or structures brings a deep satisfaction, knowing that my vision has been actualized and will positively impact those who interact with it. This culmination of creativity, effort, and collaboration reinforces my passion for design and motivates me to continue pushing boundaries in my work.

I believe that good design prompts reflection on the intricate relationships between people and products, products and space, and space and the city. This interconnected chain forms a continuous influence, profoundly shaping various aspects of our lives. It should demonstrate a profound understanding of cultural and social nuances, fostering inclusivity and connection. Additionally, I believe a successful design is measured by its capacity to evoke emotions, inspire contemplation, and positively shape how people interact with and perceive the world around them.

When assessing a design, my initial focus lies on two fundamental aspects: aesthetics and its capacity for social or public interaction. Aesthetics encompass the visual appeal and harmony of the design elements, while the potential for social interaction evaluates how effectively the design fosters engagement, connectivity, and inclusivity within its intended context.

Designers are profoundly responsible for society and the environment, as their work directly influences how spaces are perceived, experienced, and utilized. This influence carries considerable power, capable of impacting both environmental sustainability and social dynamics. Therefore, designers must approach their craft with mindfulness and consideration, striving to create designs that not only fulfill functional needs but also contribute positively to the well-being of communities and the preservation of our natural resources.

I believe a transformative evolution in the design industry through the integration of advanced technologies like AI, VR, and AR. These innovations will revolutionize decision-making processes, encompassing analysis, research, rendering, and model-making. This shift doesn't diminish the significance of traditional craftsmanship; instead, it opens new dimensions for designers to seamlessly blend artistry into the transitions between virtual and physical spaces. As designers take on the role of technology orchestrators, I am consistently eager to expand my knowledge within the creative process.

My art installation, "refacade," was recently selected for display at the Le Carrousel du Louvre Contemporary Art Exhibition 2024 in February. This project reimagines 18th-century church facades as modern sculptures, blending digital elements and aesthetics to sculpt timeless tales into tangible beauty. It offers viewers a visual journey through history, transforming tradition into a poetic fusion of design and craftsmanship. As for future exhibitions, I continue seeking opportunities to showcase my work refacade and some of my other visual art pieces.

My design inspiration stems from the dynamic interplay and diverse interactions between various scales, from the individual human experience to the broader urban context. Creativity is sparked by exploring the intersections and combinations of different materials, experiences, and cultural influences. By immersing myself in diverse environments, observing everyday interactions, and engaging with various artistic and architectural expressions, I continually feed my creativity and draw inspiration for my works.

My design style is deeply rooted in cultural and urban considerations. I aim to create spaces that are both visually appealing and functionally efficient. I prioritize a fluid experience within my designs, promoting seamless movement and interaction. Additionally, I integrate elements that reflect the cultural context of each project, whether through materials or spatial arrangements, to honor the place's heritage and identity. This approach results in thoughtful, culturally sensitive designs that foster community, connection, and a sense of belonging for users.

As a designer based in New York and born in China, my international background profoundly shapes my design process. I deeply appreciate the history and cultural connections that shape our world, instilled by both my Chinese heritage and my experiences living in diverse urban environments. Drawing from philosophies that emphasize harmony with nature and the pursuit of balance, rooted in my Chinese upbringing, I approach design with a focus on creating spaces that fulfill functional needs and harmonize with cultural and environmental contexts. While this perspective enriches my designs, allowing me to create meaningful and culturally resonant spaces, it also challenges the complexities of blending different cultural influences and addressing diverse user needs.

In my work with X.C Studio, I primarily focus on developing proposals and projects that are still in progress. However, collaborating with different consultants and subcontractors has been instrumental in bridging the gap between conceptualization and realization. Working closely with these partners has provided invaluable expertise and resources, allowing me to leverage their specialized knowledge in engineering, construction, and materials. This collaborative approach ensures that my designs are not only imaginative and innovative but also practical and feasible for implementation in the real world.

When working with a designer, I believe companies should prioritize effective communication, transparency, and goal alignment. Establishing clear objectives and expectations from the outset is essential, ensuring that both parties are working towards the same goals. Transparent discussions about budget constraints and project scope can help prevent misunderstandings and ensure that the final product meets functional and aesthetic requirements. Additionally, selecting a good designer involves considering their portfolio, expertise, and track record of delivering successful projects. Companies should seek designers who possess the creative talent and demonstrate a deep understanding of their industry, target audience, and project constraints.

My design process begins with setting clear goals and conducting thorough research. I then explore initial ideas through sketches and brainstorming sessions. These ideas are refined into coherent concepts during the preconcept and concept phases. From there, I develop detailed designs through schematic and design development, collaborating with consultants and subcontractors as needed. The final stage involves producing comprehensive construction documentation.

Choosing just five favorite design items from my home is a challenge, especially with the wealth of intricate designs found in Chinese culture. I welcome you to explore my website to experience the beauty and diversity of Chinese design firsthand. From delicate porcelain vases to intricate silk brocade pillows, each item tells a story and reflects the rich cultural heritage of China. I believe experiencing these designs in person is the best way to appreciate their craftsmanship and beauty.

My day starts with planning. I then head to work, balancing creative tasks with designs and project meetings. Throughout the day, I take short breaks to recharge. If I get off work early in the evenings, I unwind with family, hobbies, or relaxation activities, hopefully prioritizing a healthy work-life balance. Yet, as an architect designer, deadlines are always the top priority.

in the design industry, practical experience is crucial; therefore, I recommend actively working on real projects to gain hands-on knowledge and hone architectural and design expertise. Studying influential design books and participating in design communities for networking and feedback can provide valuable insights and continuous learning opportunities.

One of the greatest positives of being a designer is the constant inspiration that surrounds us, fueling our creativity and pushing us to innovate. However, this abundance of ideas can also lead to stress as we navigate the overwhelming array of possibilities. It's a delicate balance, but ultimately, the opportunity to turn inspiration into tangible creations makes the journey worthwhile.

I use software and applications to bring my ideas to life. Key tools include Rhino, Enscape, AutoCAD, Revit, and the Adobe Suite, which provide the necessary tools for 3D modeling, rendering, drafting, and graphic design. Apart from digital tools, I also draw inspiration from books, architectural publications, and online resources, immersing myself in diverse design perspectives and ideas.

I prioritize tasks, set realistic deadlines, and break down larger projects into smaller, manageable tasks to manage my time effectively. Additionally, I sometimes take breaks to recharge and prevent burnout. Taking short vacations or breaks allows me to step away from work, clear my mind, and return refreshed and rejuvenated, ready to tackle challenges with renewed energy and focus.

Every job experience is essential to me. I have worked in different companies on different scales, ranging from small-scale firms to international corporations, and my projects have spanned diverse areas, from residential developments to high-rise towers. Each experience has enriched my skillset, broadened my perspective, and reinforced my passion for design. As a result, I value the lessons learned and insights gained from every job, recognizing their collective contribution to my journey as a designer.

I find great fulfillment in civic design, as it allows me to create spaces that directly benefit and enrich the lives of the broader community. Whether designing public parks, cultural centers, or urban infrastructure, civic design allows me to contribute to society's collective well-being and vitality.

I’m currently working on a residential project in China and am looking forward to this project.

Here’s my working email: xchenc.studio@gmail.com and my personal email: xchenc016@gmail.com

Hi, I'm Xuechen Chen, an architect and designer based in New York. My passion for architecture stems from a childhood fascination with art and a keen observation of urban transformations in China. After earning my B.Arch from Pratt Institute and an M.Design from the University of Pennsylvania, I've developed a multidimensional perspective that blends technical expertise with a deep appreciation for cultural richness and social impact. My designs aim to strike a balance between functionality and aesthetics, reflecting both the evolving urban landscape and my dedication to purposeful design.

What motivates me to design is the deep belief that spaces can profoundly impact people's lives. Growing up in China, I saw firsthand the rapid urban reconstruction and how it affected our cultural and social landscapes. I watched as people were often confined into concrete boxes, losing the comfort and warmth of their original lifestyles. This experience gave me a strong appreciation for the power of design to influence how we interact with our surroundings and with each other.

Becoming an architect and designer felt like the natural path for me since I was young. When I was growing up, I always had deep appreciation for art and witnessing the urban reconstruction process in China has strongly influenced my personal aspiration of becoming an architect. By witnessing the ignorance of the cultural and human aspects of the reconstruction, I recognized the power of creativity to extend beyond purely function or purely aesthetics. It resonates deeply with our human experiences, emotions, and our connection to the urban landscape. Balancing both function and aesthetics in my designs, I aim to blend creativity with practicality, reflecting both the evolving urban relationship and my dedication to purposeful design.

My favorite kind of design revolves around incorporating cultural and social reflections. I am drawn to designs that prioritize people's interactions and experiences, fostering an approachable atmosphere. I admire projects dedicated to enhancing users' needs and interactions while maintaining high aesthetic standards. I especially wish to design more civic and cultural projects, as they have the potential to create meaningful, inclusive spaces that enrich communities and reflect their unique identities.

Embrace every opportunity to learn and explore new ideas. Stay open-minded, seek diverse experiences, and continuously challenge yourself to grow and innovate.

A great designer focuses on human experience and the impact of their design, rather than just its aesthetic appeal. They have a unique vision that pushes boundaries and sets new standards. While good designers meet existing expectations, great designers create something that resonates deeply with people. Ultimately, a great designer's work goes beyond looking good; it inspires, influences, and leaves a lasting positive impact on the community and the industry. Their designs are about creating meaningful experiences and making a difference in people's lives.

When considering what elevates a good design to a truly exceptional one, I find that it's about seamlessly integrating cultural and social elements. I'm particularly drawn to designs that prioritize human interactions and experiences, creating environments that feel approachable and inviting. For me, a key aspect of evaluating good design is its ability to enhance the needs and interactions of its users while upholding impeccable aesthetic standards. In essence, I admire projects that not only reflect cultural and social reflections but also prioritize the well-being and experiences of those who interact with them.

The value of good design extends far beyond aesthetics; it has the power to profoundly impact individuals, communities, and society as a whole. Investing in good design means prioritizing thoughtful and intentional creations that go beyond mere functionality. It's about transforming how users perceive and experience the world around them, fostering connections, enhancing well-being, and ultimately enriching lives. Good design has the potential to shape behaviors, inspire creativity, and contribute to a more harmonious and inclusive society. Therefore, everyone should invest in good design to create spaces and experiences that elevate the human experience and leave a positive legacy for future generations.

My design style is deeply rooted in cultural and urban considerations, aiming to create spaces that are both visually appealing and functionally efficient. I prioritize a fluid experience within my designs, promoting seamless movement and interaction. Additionally, I integrate elements that reflect the cultural context of each project, whether through materials or spatial arrangements, to honor the heritage and identity of the place. This approach results in thoughtful, culturally sensitive designs that foster community, connection, and a sense of belonging for users.

The dream project I have yet to realize involves architectural designs that explore the intricate relationship between robotics or machines. Given the rapid advancements in technology, I am eager to delve into projects that focus on integrating these innovations into our built environment thoughtfully and purposefully. I believe that designing spaces that effectively utilize technology can greatly enhance functionality, efficiency, and overall user experience.

My design philosophy centers on the exploration of scale, ranging from the human scale to that of the city and culture. I deeply consider the civic experience and functionality of spaces, viewing design as an endless exploration. Architects must respond to these varied elements, and I believe architecture should serve as the intermediary for balancing these scales. Each decision is made with a profound understanding of how it affects the human experience within the context of the broader cityscape and cultural fabric.

In my life, I've been profoundly inspired by various artists and architects, including Chiharu Shiota, Zaha Hadid, Santiago Calatrava, Carlo Scarpa, and many others. They serve as my foundational inspiration, instilling in me the confidence to reimagine architecture, art, and philosophy in a unique and interconnected manner. For me, these realms are never separate topics but deeply connected and intertranslatable, shaping my perspective and approach to creative expression.

I find inspiration in a wide range of designs, but recently, I've been particularly drawn to those that incorporate Chinese elements. These designs beautifully blend traditional Chinese zen culture with modern aesthetics, creating a captivating fusion that resonates with me deeply. I admire how they seamlessly integrate ancient wisdom and symbolism into contemporary living spaces, offering a harmonious balance between tradition and innovation.

One of my most significant designs is "The Museum of Uncertainty," situated in the La Brea Tar Pits of Los Angeles. This project holds special significance to me due to its deep connection to the site's rich history. From the outset, my goal was to honor and elevate this unique location into a dynamic hub for exploration. Crafted from wood and concrete, the museum comprises three distinct structures that seamlessly blend modern architecture with prehistoric elements. It offers visitors a captivating journey through the tar pits' history, with exhibition spaces designed to showcase fossils and excavation findings. What sets this design apart is its ability to provide an immersive experience while reinterpreting the narratives of the tar pits' past. Another notable project is the multifunctional community center with a college sports field. Inspired by the site's diverse topography, characterized by varying slopes, the design incorporates folding elements to emulate and enhance these natural features. These folded elements not only mirror the site's topography but also contribute to the project's unique aesthetic qualities, creating a harmonious blend of functionality and visual appeal.

Be confident at your work and do not be afraid to reach out to your professors or other mentors for professional advices. And always eager to learn more.

For me, design is about reactivating and discussing the intricate relationships between humans and their urban environments, experiences, and social roles. Through design, we can address and respond to society's evolving needs, creating beautiful and purposeful environments.

My parents have been my biggest supporters, helping me reach where I am today. Ever since I was a kid, they've been there for me, always encouraging and guiding me. Their constant belief in me and my dreams has made all the difference in my journey as a designer.