Michel Ghostine

Specialized in Cultural Heritage Design.

Michel Ghostine

About Michel Ghostine

Michel, a Lebanese architect, runs NG Studio, an architecture, landscaping, and interior studio in Brazil. Driven by a mission for societal change, he volunteers with Missionaries of Charity in Ethiopia and supports social initiatives in Brazil. Through his designs, Michel aspires to make a meaningful impact on the world, aiming not only for visual inspiration but also for positive societaltransformation.

  • Winner of the A' Design Award.
  • Specialized in Cultural Heritage Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs
  • Cultural Heritage
The Afterlife Cultural Space

The Afterlife Cultural Space

Cultural Heritage Design


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Interview with Michel Ghostine

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
Growing up in the world of design due to my father's profession as an architect, I naturally gravitated towards art and creativity. My architectural studies at the Holy Spirit University of Kaslik, Lebanon, further nurtured this passion. However, my interest in various art forms, particularly music, has been a lifelong pursuit. Playing multiple instruments has provided me with a unique perspective on design and a deep appreciation for artistic expression.
Can you tell us more about your company / design studio?
NG Studio, which I co-founded with two partners, specializes in architecture, landscape, and interior design. With a focus on international clientele, we offer comprehensive services from conception to material selection. Our approach emphasizes collaboration, ensuring tailored solutions that exceed expectations
What is "design" for you?
Design, to me, is the essence of creativity and functionality intertwined. It serves as the blueprint for how we interact with our environment, shaping our experiences and influencing our lives. Much like writing a script, design dictates the narrative of our daily existence, from the spaces we inhabit to the products we use. It's not just about aesthetics; it's about crafting meaningful experiences and finding beauty in functionality.
What kinds of works do you like designing most?
I find fulfillment in designing a wide array of projects, ranging from residential spaces to hotels and restaurants. However, if I were to pinpoint my favorite, it would undoubtedly be religious and spiritual architecture. These projects transcend the ordinary realms of design, allowing me to create spaces that evoke profound emotions and connections. Designing places of worship offers a unique opportunity to blend aesthetic beauty with spiritual significance, shaping environments that inspire and uplift the human spirit.
What is your most favorite design, could you please tell more about it?
The Saint Charbel Chapel in Sao Paulo, Brazil, is my favorite design project. It's a serene sanctuary symbolizing the journey from materiality to enlightenment. Wooden arches guide towards a stone altar, with a concrete floor grounding the space. Water features evoke renewal. Each element is meticulously chosen for its symbolism, inviting contemplation. Working on this project was deeply meaningful, blending design with spirituality to create a sanctuary of peace and inspiration.
What was the first thing you designed for a company?
The first project I designed for a company was a residential house nestled in the mountains of Lebanon. Inspired by its natural surroundings, we integrated the home seamlessly into the landscape using a combination of stone walls and concrete slabs. This design approach not only enhanced the aesthetic appeal of the house but also ensured harmony with the environment. It was a gratifying experience to see how thoughtful design could create a space that felt both rooted in its surroundings and tailored to the needs of its inhabitants.
What is your favorite material / platform / technology?
My favorite material would undoubtedly be corten steel. Its rustic charm and weather-resistant properties make it incredibly versatile for architectural applications. In terms of platforms, SketchUp 3D holds a special place for me. Its intuitive interface and robust tools allow for seamless visualization and design exploration. As for technology, AI for rendering has revolutionized the design process for me. The ability to generate realistic renderings quickly and efficiently using AI algorithms has significantly enhanced the presentation and communication of design concepts.
Which aspects of a design do you focus more during designing?
I focus primarily on the conceptual phase of design, as it lays the groundwork for the entire project. This stage involves generating and refining key ideas, understanding client needs, and exploring creative solutions. By prioritizing this phase, I ensure that the design is both innovative and meaningful, guiding decisions throughout the process.
What kind of emotions do you feel when you design?
When I design, I initially feel a bit stressed. I approach each project as a unique challenge, striving to create something innovative and meaningful. This initial stress, however, quickly gives way to excitement and anticipation as I immerse myself in the creative process. The thrill of exploring new ideas and pushing the boundaries of design fuels my passion and drives me forward.
What kind of emotions do you feel when your designs are realized?
The satisfaction of overcoming challenges and bringing a vision to life fills me with a profound sense of fulfillment and joy.
What makes a design successful?
What makes a design successful, in my view, is the ability to distill complexity into simplicity. I resonate deeply with Antoine de Saint-Exupery's sentiment that "Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away." A successful design is one that embodies this principle—where every element serves a purpose and contributes meaningfully to the whole. It's about striking the perfect balance between functionality, aesthetics, and clarity of purpose, while eliminating anything extraneous. In essence, it's the art of refining and distilling until only the essential remains, resulting in a design that is both timeless and transcendent.
When judging a design as good or bad, which aspects do you consider first?
When evaluating a design, particularly in the context of an architectural project, the first aspect I consider is the designer's attitude towards the site. This initial approach sets the tone and direction for the entire project. How well does the design respond to the site's unique characteristics, such as topography, climate, and surrounding context? Is there a thoughtful integration of the built environment with the natural landscape? Additionally, I examine whether the design fosters a sense of harmony and coherence with its surroundings, enhancing the overall experience for users and visitors. Ultimately, the site attitude serves as a critical lens through which I assess the success of a design.
From your point of view, what are the responsibilities of a designer for society and environment?
Designers have a responsibility to prioritize sustainability, accessibility, and inclusivity in their creations. They must consider the broader social and environmental impact of their designs, uphold ethical standards, and engage with communities to ensure their needs are met.
How do you think the "design field" is evolving? What is the future of design?
The design field is evolving with advancements in technology, a focus on human-centered design, sustainability, and inclusivity. The future of design will likely see greater integration of technology, increased emphasis on sustainability, and a commitment to designing for diverse and inclusive communities.
When was your last exhibition and where was it? And when do you want to hold your next exhibition?
My last exhibition took place a few years ago at the Holy Spirit University of Kaslik. Currently, we're in the process of planning an exhibition in Sao Paulo, hopefully within the next month.
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
My design inspiration comes primarily from human experience. While I appreciate the creativity of others, I draw inspiration from diverse sources such as cinema, music, literature, and everyday life. I believe true creativity arises from understanding the human condition and connecting with the world around us.
How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
My design style is versatile, adapting to each project's unique story. I believe in keeping the human experience at the center of design, prioritizing understanding people's needs and shaping spaces to enrich their lives.
Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
Living in Sao Paulo, with roots in Beirut, I'm deeply influenced by the rich cultural heritage of both cities. Beirut's multi-layered history, shaped by the passage of many civilizations, has instilled in me a deep appreciation for diverse cultural influences. The cultural heritage of my country profoundly affects my designs, enriching them with a blend of historical influences and contemporary perspectives. I draw inspiration from the vibrant streets of Beirut and the dynamic energy of Sao Paulo, infusing my designs with a sense of cultural richness and diversity. However, there are challenges as well. Political instability and socioeconomic factors in Lebanon can pose constraints on the design process, such as limited access to resources or uncertainty about project timelines. Despite these challenges, I view them as opportunities for innovation and resilience, pushing me to find creative solutions and adaptability in my designs.
How do you work with companies?
I approach collaborations with companies very selectively, prioritizing those that align with my values and design ethos. I value open communication and mutual respect, seeking partnerships with companies that foster a collaborative environment and appreciate creative input. When working with companies, I emphasize the importance of shared values and goals. I believe that successful collaborations are built on trust, transparency, and a shared commitment to excellence.
What are your suggestions to companies for working with a designer? How can companies select a good designer?
Companies should prioritize designers who share their values and demonstrate adaptability. Look for designers with portfolios showcasing creativity and experience, and emphasize effective communication and collaboration throughout the project.
Can you talk a little about your design process?
My design process involves thorough research and understanding of project requirements, followed by conceptualization and design development. Collaboration and feedback are integral throughout, leading to implementation and execution. Evaluation and iteration ensure continuous improvement in future projects.
What are 5 of your favorite design items at home?
1. Dining table designed by Lina Bo Bardi 2. Side tables by Nagi Ghostine, my father 3. Sculpture by Lebanese sculptor Naim Doumit 4. Paintings, my own creations 5. Lighting elements by Gader Almeida
Can you describe a day in your life?
My day typically starts with a boxing session to energize and focus my mind. In the morning, I tackle challenging meetings and site visits, addressing any pressing issues and ensuring that projects are on track. The afternoon and evening are dedicated to design work, where I immerse myself in creative exploration, conceptualization, and design development
From your perspective, what would you say are some positives and negatives of being a designer?
Being a designer offers the unique advantage of experiencing life through a creative lens, finding inspiration in the smallest of details and appreciating the thought behind every object's design. However, this immersion in creativity comes with its challenges. Designers often find themselves consumed by their work, thinking about projects around the clock, which can lead to burnout if not managed carefully. Moreover, the line between professional and personal life becomes blurred as designers live and breathe their craft, underscoring the importance of maintaining a healthy work-life balance.
What is your "golden rule" in design?
My "golden rule" in design is finding the point of equilibrium where no addition or subtraction can enhance the design further. This state signifies a timeless design, where every element serves a purpose and contributes harmoniously to the whole. This principle, inspired by Antoine de Saint-Exupery's quote, guides my pursuit of simplicity, elegance, and enduring beauty in all my creations.
What skills are most important for a designer?
The most crucial skill for a designer lies in their ability to effectively apply conceptual design. This encompasses a spectrum of proficiencies, from creativity and critical thinking to technical prowess and problem-solving.
Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
My design toolbox includes essential tools such as my iPad, which I favor for sketching due to its versatility and portability. In terms of reference materials, I draw inspiration from books like "Yes is More" and "Hot to Cold," which offer valuable insights into architectural design. For software, I rely on SketchUp for its intuitive 3D modeling capabilities, allowing me to bring my concepts to life with ease and precision. Additionally, I draw inspiration from a variety of sources, including nature, art, and cultural influences, which inform and enrich my design process.
Designing can sometimes be a really time consuming task, how do you manage your time?
I'm not really good at that. Design consumes my entire life but I try do balance my life with cultural activities and boxing
How long does it take to design an object from beginning to end?
The duration of designing an object varies based on its complexity and scope. Typically, we allocate about one month for the conceptual phase, during which ideas are generated and refined. Following this, the project moves into the execution phase, where the timeline may vary depending on factors such as project size, client requirements, and collaboration with other stakeholders. While each project is unique, this timeline provides a general framework for the design process from beginning to end.
What was your most important job experience?
My most important job experience was at an architecture office in Lebanon, where I honed my skills in project management and learned to trust my instincts. Handling multiple projects simultaneously taught me valuable lessons in time management, prioritization, and decision-making. Additionally, learning to trust my instincts enabled me to navigate complex design challenges with confidence and creativity, ultimately shaping my approach to design and leadership in profound ways.
Who are some of your clients?
We work with a diverse range of clients across sectors including restaurants, religious institutions, and residential properties. Due to confidentiality agreements, we can't disclose specific names, but we've had the privilege of collaborating with many clients who've entrusted us with their visions, allowing us to create impactful and innovative designs tailored to their unique needs.
What type of design work do you enjoy the most and why?
I find joy in all types of design, but I'm particularly drawn to projects that focus on human experience and carry a meaningful message. Whether it's designing spaces for religious institutions, residential properties, or restaurants, I'm intrigued by the opportunity to create designs that resonate deeply with people and enhance their lives. These projects allow me to blend creativity with purpose, shaping environments that evoke emotions, inspire connections, and leave a lasting impact on those who experience them.
What are your future plans? What is next for you?
My future plans include venturing into furniture design and launching my own collection. Building upon my expertise in architecture, interior, and landscape design, I aim to explore new creative avenues and bring innovative furniture designs to life. This expansion will allow me to further express my design philosophy and passion for creating meaningful and impactful experiences in the built environment.
Do you work as a team, or do you develop your designs yourself?
While architects often have individualistic tendencies, I prioritize teamwork in my approach to design. While I contribute to the development of designs myself, I recognize the value of collaboration and actively involve my team in the creative process. I believe that diverse perspectives enrich the design process and lead to more innovative and holistic solutions. Therefore, I am always open to hearing my team's ideas and encourage a collaborative environment where everyone's contributions are valued and respected.
Do you have any works-in-progress being designed that you would like to talk about?
I'm currently involved in an intriguing project in Lebanon that involves restoring a 200-year-old house, which was unfortunately demolished during the war. The unique challenge of this project lies in preserving the historical integrity of the original structure while designing a new house within its old walls. It's a fascinating blend of restoration and innovation, where we're tasked with honoring the heritage of the past while creating a modern and functional living space for the present. I'm excited to see how this project unfolds and how we can breathe new life into this historic site.
How can people contact you?
Instagram: ngstudio.arch my email: michel@ngstudio.com.br My phone number: +5511973337777

Designer of the Day Interview with Michel Ghostine

Could you please tell us about your experience as a designer, artist, architect or creator?
I graduated from the Holy Spirit University of Kaslik (USEK) with a master degree in architecture. With 10 years of experience in the industry, I've had the opportunity to work with several prominent companies and clients, honing my skills and cultivating a passion for design. Along the way, I've collaborated with various architectural firms, gaining valuable insights and expertise in the field. However, my most significant achievement has been founding my own company, NG Studio, in Sao Paulo. Through NG Studio, I've had the privilege of working on diverse projects and serving a wide array of clients, contributing to the vibrant architectural landscape of the region.
How did you become a designer?
My father, an architect and landscaper, inspired my journey into design. Accompanying him to work ignited my interest. Additionally, my lifelong passion for music, playing multiple instruments, instilled in me a deep appreciation for artistic expression. These influences drove me to pursue a career in design, blending creativity with functionality to shape meaningful experiences.
What are your priorities, technique and style when designing?
In my design process, I prioritize research, the conceptual phase, and execution. Each project is approached as a unique challenge, with careful consideration given to understanding the context and client needs. We begin by sketching ideas on pen and paper, then leverage technology and AI-powered rendering for further development. While digital tools are essential, I value the initial hands-on approach for its tactile and intuitive qualities. This blend of traditional and modern methods allows for a comprehensive exploration of ideas, leading to innovative and impactful design solutions.
Which emotions do you feel when designing?
When designing, I initially feel a sense of stress, as I approach each project as entirely new, with its own set of challenges and opportunities. However, the conceptual phase is where I experience the most excitement, delving into research and exploring human experiences to inform the design process. Witnessing my concepts come to life during this phase is particularly gratifying. Ultimately, the culmination of the project, when we have a final product or finished project, brings a deep sense of fulfillment. Seeing the tangible result of my creative vision realized in the physical world is immensely rewarding and fuels my passion for design.
What particular aspects of your background shaped you as a designer?
As a designer, I've found adaptability, communication, and problem-solving skills crucial to my success. Beyond design, my influences stem from various art forms like literature, cinema, and music, not solely architecture. This diverse background enriches my creative perspective and enables me to craft designs that resonate deeply with clients and users, elevating the human experience in the built environment.
What is your growth path? What are your future plans? What is your dream design project?
My growth path involves expanding beyond architecture, landscape, and interior design to launch my own collection of furniture design. Additionally, I aspire to venture into various art projects, potentially exploring music as a creative avenue. Looking ahead, I aim to be remembered as a versatile designer who not only shapes physical spaces but also creates meaningful experiences through innovative and impactful designs. My future plans revolve around pushing the boundaries of creativity, pursuing new design opportunities, and leaving a lasting legacy in the world of design.
What are your advices to designers who are at the beginning of their career?
Indeed, drawing inspiration from all forms of art and human experience is invaluable advice for young designers. Embracing this mindset allows for a rich and multifaceted approach to design, where insights from various disciplines converge to create truly innovative and impactful solutions. By immersing themselves in diverse sources of inspiration, young designers can cultivate a deeper understanding of the human condition and unlock boundless creative potential in their work.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
be bold, brave and passionate. If you are following trends, you are already late. "Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away." - Antoine de Saint-Exupéry
What is your day to day look like?
My day typically starts with a boxing session to energize and focus my mind. In the morning, I tackle challenging meetings and site visits, addressing any pressing issues and ensuring that projects are on track. The afternoon and evening are dedicated to design work, where I immerse myself in creative exploration, conceptualization, and design development
How do you know if a product or project is well designed? How do you define good design?
"Architecture should speak of its time and place, but yearn for timelessness." - Frank Gehry. While design trends may fade with time, there are some interesting trends to explore. However, I always aim to focus on the human experience and create designs that stand the test of time, rather than simply chasing what's trendy.
How do you decide if your design is ready?
Deciding if a design is ready involves reaching a point where it feels balanced, cohesive, and aligned with the project's objectives. While a design can always be improved, there comes a moment when further iterations risk diminishing returns or overcomplicating the concept. I keep Saint-Exupéry's quote in mind, aiming for simplicity and clarity in my designs. When every element serves a purpose and there is nothing left to remove without sacrificing functionality or aesthetics, I know the design is complete. However, I remain open to feedback and opportunities for refinement, recognizing that success is measured by the design's ability to resonate with its audience and fulfill its intended purpose.
What is your biggest design work?
The Saint Charbel Chapel in Sao Paulo, Brazil, is my favorite design project. It's a serene sanctuary symbolizing the journey from materiality to enlightenment. Wooden arches guide towards a stone altar, with a concrete floor grounding the space. Water features evoke renewal. Each element is meticulously chosen for its symbolism, inviting contemplation. Working on this project was deeply meaningful, blending design with spirituality to create a sanctuary of peace and inspiration.
Who is your favourite designer?
Peter Zumthor is definitely a standout designer for me. His approach to architecture is both thoughtful and poetic, emphasizing the sensory experience of space and materiality. If given the chance to converse with a deceased designer, I would choose Ludwig Mies van der Rohe. His minimalist approach and emphasis on "less is more" have had a profound impact on modern architecture and design. As for the most iconic designer of all time, it's difficult to pinpoint just one, but figures like Le Corbusier, Frank Lloyd Wright, and Charles and Ray Eames have left an indelible mark on the field. Overall, I admire designers who push boundaries, challenge conventions, and create work that resonates on both a functional and emotional level.
Would you tell us a bit about your lifestyle and culture?
My lifestyle and culture are deeply intertwined with my creative process. Beirut holds a special place in my heart as a favorite and inspiring city, with its rich history and multicultural influences. Music is a fundamental part of my creative journey, as I am a musician myself, drawing inspiration from its rhythms and melodies. Growing up in Beirut, a city shaped by multiple civilizations, has profoundly influenced my design aesthetic and perspective. Although I currently reside in Sao Paulo, my roots in Beirut continue to inform my work, imbuing it with a sense of cultural richness and diversity. I believe that good design is essential for the advancement of society, as it has the power to shape environments, improve lives, and foster connections. Personally, design has inspired small but positively incremental changes in my life, from incorporating sustainable practices into my daily routine to creating more functional and aesthetically pleasing living spaces.
Would you tell us more about your work culture and business philosophy?
At our office, teamwork is paramount, with a team of 20 architects collaborating closely on projects. Shared values and a constant pursuit of perfection are foundational to our business philosophy. When selecting business partners or hiring team members, we prioritize individuals who demonstrate a strong work ethic, adaptability, and a commitment to translating theoretical concepts into practical solutions. Our corporate culture emphasizes open communication, creativity, and a collaborative spirit. However, the core challenges of our profession include balancing creativity with practicality, meeting client expectations, and navigating complex project requirements. As architects, we are responsible for conceptualizing and executing design projects, with a keen focus on observing, analyzing, and translating ideas into built environments. Ultimately, a good designer, artist, or architect should possess traits such as creativity, attention to detail, problem-solving skills, and the ability to effectively communicate and collaborate with others.
What are your philanthropic contributions to society as a designer, artist and architect?
As a designer, artist, and architect, I am deeply committed to giving back to the community through philanthropic contributions. One notable project is the WARKA water project, where we designed a structure to gather rainwater and convert it into potable water, addressing critical water scarcity issues in remote areas. Additionally, our design of Saint Charbel's Chapel in Sao Paulo serves as both a contribution to society and a symbol of solidarity with the Lebanese Christian community in Brazil. Personally, I have volunteered with the Missionaries of Charity in Ethiopia, leveraging my skills and expertise to support humanitarian efforts
What positive experiences you had when you attend the A’ Design Award?
Attending the A’ Design Award was a rewarding experience. It allowed us to showcase our work internationally, gain inspiration from fellow designers, and potentially be recognized for our efforts. Participating in design awards offers exposure, feedback, and networking opportunities, contributing to professional growth and recognition. Design competitions are important for promoting creativity and excellence in the industry, serving as a platform to celebrate and elevate outstanding design achievements. Being named Designer of the Day would be a great honor, highlighting our commitment to innovation and design excellence.

Extended Interview with Michel Ghostine

Could you please tell us about your experience as a designer, artist, architect or creator?
I pursued my education in architecture at the Holy Spirit University of Kaslik in Lebanon, earning a Master's degree in Architecture. Inspired by my father's work as an architect and landscaper, I developed a passion for design from a young age. Throughout my academic journey, I've continuously sought to expand my knowledge and skills, drawing inspiration from various art forms and cultural experiences to inform my design practice.
How did you become a designer?
Growing up in a family deeply rooted in architecture and design, I was exposed to the transformative power of creativity from an early age. Alongside this influence, my immersion in music, playing several instruments, has shaped my perspective on design.
What are your priorities, technique and style when designing?
Becoming a designer was a choice I made willingly, driven by my inherent passion for creativity and innovation. Growing up in an environment where design was celebrated, I was inspired to pursue a career in the field. Rather than feeling forced, I embraced design as a natural extension of my interests and talents, motivated by the opportunity to make a positive impact through thoughtful and purposeful design.
Which emotions do you feel when designing?
I design various architectural projects, including residential, commercial, and cultural spaces. However, I'm particularly drawn to the idea of venturing into furniture design and developing my own collection. Creating tangible pieces that blend functionality with aesthetic appeal is an exciting prospect for me. With my background in architecture and design, I believe I can bring a fresh perspective to furniture design, infusing each piece with my unique vision and creativity.
What particular aspects of your background shaped you as a designer?
To become a design legend, remember this: following trends means you're already late. Instead, be bold, passionate, and, most importantly, human-centric in your approach. Aim for timeless design, focusing on creating works that transcend fleeting trends and resonate deeply with people's emotions and experiences.
What is your growth path? What are your future plans? What is your dream design project?
The difference between a good designer and a great one? Great designers constantly challenge their limits. Great designers are never satisfied
What are your advices to designers who are at the beginning of their career?
"Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away." - Antoine de Saint-Exupéry. That's the essence of evaluating good design—stripping away the unnecessary until only the essential remains.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
The value of good design lies in its timelessness. By investing in good design, individuals and organizations ensure that their creations withstand the test of time, remaining relevant and impactful for generations to come. Good design transcends fleeting trends, providing enduring value and enriching the lives of those who experience it.
What is your day to day look like?
If time were no constraint, I would design a state-of-the-art recording studio for Pink Floyd, my favorite band. Their music, with its layers of sonic landscapes and architectural compositions, serves as a profound source of inspiration. I envision a space that not only captures the essence of their music but also reflects the architectural complexity and depth of their sonic journeys. Every aspect of the studio would be meticulously crafted to mirror the immersive experience of their music, creating a harmonious fusion of sound and space unlike any other. It would be a dream project, blending my passion for design with my admiration for their unparalleled musical legacy.
How do you know if a product or project is well designed? How do you define good design?
The secret ingredient to my success in design? It's all about storytelling. Every design should have a compelling narrative behind it, shaping the lives and experiences of those who interact with it. Design is akin to writing a script, where every element plays a role in crafting a meaningful and immersive journey for people. By infusing each project with a rich narrative, I create designs that resonate on a deeper level and leave a lasting impact.
How do you decide if your design is ready?
Peter Zumthor and Dorte Mandrup are two design masters whose work I deeply admire and draw inspiration from. Zumthor's minimalist approach and focus on sensory experience resonate with me, while Mandrup's innovative and sustainable designs push the boundaries of architecture. Both exemplify excellence in their respective fields, and studying their work fuels my own creativity and passion for design.
What is your biggest design work?
Three designs that deeply inspire me are Peter Zumthor's Thermal Baths, Dorte Mandrup's Whale Museum, and Exile Museum. Zumthor's Thermal Baths exude serenity and contemplation, showcasing his mastery of materiality and atmosphere. In contrast, Mandrup's Whale Museum and Exile Museum captivate with their innovative designs and seamless integration with the surrounding landscape. Each design tells a unique story, inviting visitors to engage with history, culture, and the natural world in immersive and unforgettable ways.
Who is your favourite designer?
The Saint Charbel Chapel in Sao Paulo, Brazil, is my favorite design project. It's a serene sanctuary symbolizing the journey from materiality to enlightenment. Wooden arches guide towards a stone altar, with a concrete floor grounding the space. Water features evoke renewal. Each element is meticulously chosen for its symbolism, inviting contemplation. Working on this project was deeply meaningful, blending design with spirituality to create a sanctuary of peace and inspiration.
Would you tell us a bit about your lifestyle and culture?
To become a better designer, immerse yourself in all forms of art for inspiration. Human experience should be at the core of your designs, driving meaningful connections and resonating with emotions. Avoid the temptation to follow trends; instead, focus on authenticity and innovation. By staying true to your vision and drawing inspiration from diverse sources, you can cultivate a unique design perspective that sets you apart and elevates your work to new heights.
What are your philanthropic contributions to society as a designer, artist and architect?
Design, to me, is the essence of creativity and functionality intertwined. It serves as the blueprint for how we interact with our environment, shaping our experiences and influencing our lives. Much like writing a script, design dictates the narrative of our daily existence, from the spaces we inhabit to the products we use. It's not just about aesthetics; it's about crafting meaningful experiences and finding beauty in functionality.
What positive experiences you had when you attend the A’ Design Award?
My father and my family have been my biggest supporters, guiding and encouraging me every step of the way on my journey to success. Their unwavering belief in my abilities and their constant support have provided me with the strength and inspiration to pursue my passion for design and overcome challenges along the way. I am deeply grateful for their love, guidance, and encouragement, which have played a pivotal role in helping me reach the heights I have achieved in my career.

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