GCA Design Studio

Specialized in Packaging Design.

GCA Design Studio

About GCA Design Studio

GCA Design Studio is a design studio operating under GCA, a glass packaging manufacturer. It provides custom design services for food & beverage and spirits brands, creating solutions that enhance product identity and support functionality. With over 25 years of experience, GCA approaches glass packaging production with an emphasis on aesthetics, sustainability, and innovation. By considering the environmental impact of design, it creates products that are not only visually appealing but also functional and durable. Combining the power of design with the ability to shape the future, GCA Design Studio continues to develop projects that add value to the industry.

  • Winner of the A' Design Award.
  • Specialized in Packaging Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs
  • Packaging
Avoya Glass Packaging

Avoya Glass Packaging

Packaging Design


Good Design Deserves Great Recognition

Nominate Your Work for the A' Design Award.

Sign-Up

Interview with GCA Design Studio

Can you tell us more about your company / design studio?
GCA Design Studio is the creative hub of GCA – Gürallar Cam Ambalaj, one of Turkey’s leading glass packaging manufacturers with a strong international presence. Established to bridge design and manufacturing under one roof, our studio focuses on holistic packaging design, encompassing bottle structures, closures, and graphic design elements. Supported by Gürok Group’s 30+ years of manufacturing experience, we brings flexibility, aesthetics, and reliability to clients. We operate as a multidisciplinary team made up of industrial designersa and graphic designers. What makes our work unique is the seamless collaboration with in-house engineering, mold development, and production departments. This integrated approach allows us to ensure that every concept we develop is not only visually compelling but also production-ready and aligned with market demands. Our studio has been recognized for its innovative approach, most recently receiving an A’ Design Award in the Packaging Design category, which reflects our commitment to design excellence at both a creative and technical level. We primarily serve premium spirits, food and beverage sectors, working with both global brands and boutique producers. At GCA Design Studio, we view packaging not just as a container, but as a powerful medium for storytelling, brand differentiation, and sustainable innovation. Here, creativity is not an isolated phase—it’s part of a continuous dialogue between strategy, design, and manufacturing.
What makes a design successful?
A successful design is one that creates a meaningful connection between the brand, the user, and the context in which it exists. At GCA Design Studio, we believe success lies in the intersection of functionality, aesthetics, and purpose. In packaging design especially, success means more than just looking visually appealing. It must communicate the brand story clearly, stand out on the shelf, and function seamlessly—from the production line to the consumer’s hands. It should also consider sustainability, manufacturability, and cost-effectiveness without compromising quality or innovation. But perhaps most importantly, a successful design feels inevitable—as if it couldn’t have been designed any other way. It solves a problem, evokes emotion, and leaves a lasting impression. We measure success not only by market response or awards, but also by how well the design holds up over time—technically, commercially, and culturally.
When judging a design as good or bad, which aspects do you consider first?
The first thing I look for is clarity of intent—does the design serve its purpose effectively, and is it aligned with the brand’s values and target audience? A good design should communicate the right message at a glance, while also delivering a seamless user experience. Functionality comes next. Particularly in packaging design, a product might look beautiful, but if it’s not ergonomic, not feasible to produce, or doesn’t protect its contents well, it cannot be considered successful. I also evaluate the originality and coherence of the design. Does it offer a fresh perspective without being different for the sake of it? Do the form, material, and graphic elements feel unified and meaningful? Finally, I consider sustainability and scalability. A truly good design should be mindful of environmental impact and adaptable for real-world production conditions. In short, I look for a balance between strategic thinking, technical performance, and emotional appeal—when those elements come together, the design speaks for itself.
From your point of view, what are the responsibilities of a designer for society and environment?
As designers, we carry a significant responsibility—not only to the brands we serve but also to the society we design for and the environment we draw resources from. At GCA Design Studio, we believe that good design goes beyond aesthetics or functionality. It must also be responsible, inclusive, and sustainable. From an environmental perspective, our role is to minimize waste, prioritize recyclablity, and design with longevity and circularity in mind. Especially in packaging, every design decision—from form choice to weight, from production methods to end-of-life scenarios—has an environmental impact. We take this seriously, and as part of a manufacturing company, we have the opportunity to implement sustainable thinking directly into the industrial process. From a societal perspective, designers have the power to influence behavior, improve accessibility, and create emotional connections through the objects we create. That’s why we strive to design packaging that’s not only functional and beautiful but also communicates clearly, feels intuitive to use, and respects the cultural and ethical context it will live in. Ultimately, our responsibility is to design not just for today, but for the future—to create value without creating unnecessary harm.
How do you think the "design field" is evolving? What is the future of design?
The design field is undergoing a significant transformation—becoming more interdisciplinary, more strategic, and more accountable. In the past, design was often seen as a finishing touch. Today, it’s recognized as a critical driver of innovation, sustainability, and brand differentiation. At GCA Design Studio, we observe that design is increasingly shifting from purely visual solutions to system-based thinking. Designers are now expected to navigate complex challenges—balancing aesthetics, user experience, environmental responsibility, and production feasibility—all within the same project. One of the biggest changes is the growing role of sustainability. The future of design demands that we move beyond superficial green claims to real, measurable impact. This means rethinking materials, minimizing waste, and considering the entire lifecycle of a product—especially in packaging, where design decisions directly affect recyclability and resource consumption. Technology is also reshaping how we work. AI-assisted design tools, rapid prototyping, and digital twins are accelerating workflows and enabling more experimentation early in the process. But alongside that, there’s also a growing appreciation for authenticity, craft, and storytelling. The most successful designs will be those that combine innovation with emotional resonance. In short, the future of design will belong to those who can think across disciplines, act responsibly, and design not just for today—but for the world we want to live in tomorrow.
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
Inspiration for us comes from a wide range of sources—both structured and spontaneous. At GCA Design Studio, we closely follow global packaging trends, innovations, and consumer behavior shifts, within the food and beverage sector, with a strong focus on premium spirits. We regularly visit trade fairs and design weeks which help us stay in tune with both creative movements and technical advancements. Internally, we maintain a dynamic visual archive and material library, where the team shares inspiring references, samples, and case studies. One of our key internal tools is Eclectic, our own trend magazine that we curate to explore sector news, global launches, emerging materials, and evolving aesthetics. It serves as both a creative archive and a source of strategic foresight for our team and our clients. We also draw inspiration from art, architecture, nature, and cultural heritage—anything that offers a meaningful narrative through form, texture, or symbolism. Our design process is further enriched through cross-functional collaboration. Conversations with clients, engineers, and marketing teams often unlock unexpected ideas, especially when we’re balancing creative ambition with technical feasibility. Lastly, we believe that creativity requires space and discipline. We encourage time for sketching, prototyping, research, and observation—whether through internal workshops or simply stepping back to see things differently. Creativity isn’t a one-time spark; it’s something we continuously cultivate through curiosity and connection.
How do you work with companies?
At GCA Design Studio, we believe that successful design outcomes are rooted in strategic collaboration. Our process begins by understanding the company’s brand values, market positioning, and technical needs. Whether we’re designing a bespoke bottle, closure, or complete packaging system, we approach each project with a tailored mindset. We typically start with a discovery and briefing phase, where we align with the client’s expectations, target audience, and commercial goals. From there, we move into concept development, supported by market data, visual research, form exploration. At every key stage, we share visuals, mock-ups, and presentations for feedback—ensuring that the client remains actively involved throughout the journey. One of our strengths is being embedded in a production-driven environment. This means we collaborate not only with brand teams, but also directly with our technical, marketing, and manufacturing departments, ensuring that the final design is both compelling and feasible for mass production. Whether the company is launching a new product or refreshing an existing one, our goal is to act as both a creative partner and a strategic guide, helping bring ideas to life in a way that’s aesthetically strong, technically sound, and aligned with the brand’s long-term vision.
Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
My first piece of advice would be: stay curious and stay humble. Design is not just about having good taste or mastering software—it’s about asking the right questions, understanding real-world needs, and constantly learning from your surroundings. Be open to feedback, observe how things are made, and try to understand the constraints as much as the possibilities. Secondly, don’t be afraid of the “boring” parts of the process—technical drawings, feasibility meetings, or revisions are just as crucial as mood boards and sketches. Great design happens when creativity meets real-world application. Also, try to build a strong foundation in both form and storytelling. Especially in fields like packaging, it’s important to create something that not only looks good but communicates meaning and creates connection. Surround yourself with people who challenge and inspire you. Collaboration will teach you as much as solitude, and both are needed. Finally, remember that your work has an impact. Whether it’s through sustainability, accessibility, or emotional resonance, design is a tool for change. Use it consciously.
What skills are most important for a designer?
From my perspective, one of the most critical skills for a designer is the ability to think holistically—balancing creativity with functionality, and aesthetics with feasibility. Especially in packaging design, it’s essential to understand not only form and visual communication but also how materials, production methods, and user experience come together in the final product. Beyond technical proficiency in design tools, strong communication and collaboration skills are key. Designers need to be able to listen, interpret brand needs, and work across disciplines—from marketing teams to engineers and production experts. At GCA, we also place a high value on curiosity and adaptability. The landscape of materials, sustainability standards, and consumer expectations is constantly evolving, and a great designer stays ahead by asking questions, embracing change, and never losing sight of the end user. Ultimately, successful design stems from the ability to translate strategy into emotion—creating something that not only looks good, but feels right and performs well.
Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
I see our toolbox as a blend of digital precision, tactile experimentation, and conceptual exploration. On the technical side, we use industry-standard softwares such as SolidWorks and Rhinoceros 3D for structural design, and Adobe Creative Suite—particularly Illustrator and Photoshop—for graphic design and label development. For advanced visualization and realistic renders, we also rely on tools like KeyShot. In terms of hardware, we frequently use 3D printers, CNC prototypes, and mock-up techniques to test form, ergonomics, and production feasibility. Physical modeling still plays an important role in our process—it allows us to evaluate scale, proportion, and texture in ways screens can’t always capture. But our toolbox goes beyond just software and machines. We draw creative inspiration from material libraries, trend reports, art and design books, museums, and even field visits to production lines. Understanding manufacturing capabilities firsthand is essential for us. Additionally, we keep a close eye on global packaging innovations, particularly in premium spirits, beauty, and gourmet food sectors, to stay aligned with international trends and sustainability movements. Lastly, we believe that conversation is a tool in itself—whether it's with our clients, engineering teams, or fellow designers. A successful project often starts with the right questions.
Designing can sometimes be a really time consuming task, how do you manage your time?
Design by nature is iterative—it requires exploration, refinement, and at times, stepping back to see the bigger picture. To manage this effectively, we work with clearly defined project timelines, milestones, and review checkpoints, which allow us to structure the creative process without compromising its depth. Internally, we prioritize early alignment with all stakeholders—clients, engineers, and production teams—to reduce revisions and prevent delays later in the process. I also encourage the team to adopt a modular mindset: breaking down complex design challenges into manageable stages and addressing each with focused intent. Personally, I make space for both deep work and quick feedback loops throughout the week. Creative work needs periods of uninterrupted focus, but it also benefits from moments of collaboration and input. I’ve found that managing energy is just as important as managing time—knowing when to push, when to pause, and when to let an idea evolve naturally. Ultimately, good time management in design is not about rushing—it’s about knowing where to spend your time to create the most meaningful impact.
How long does it take to design an object from beginning to end?
The duration of a design project can vary significantly depending on the scope, complexity, and the level of customization required—but generally, at GCA Design Studio, a full packaging design process takes anywhere from 6 weeks to several months. We begin with a discovery phase, which includes understanding the brand, market positioning, technical requirements, and production constraints. This is followed by concept development, where we explore form, functionality, and graphic elements in parallel. After internal reviews, we align with the client at key milestones through structured presentations and feedback rounds. Depending on the pace of client approvals and the number of iterations, this creative phase typically takes 4 to 8 weeks. Once the design is finalized, we move into technical detailing and production feasibility studies, where we collaborate closely with our engineering and manufacturing teams. This stage ensures the concept can be efficiently produced at scale and meet performance requirements. Including mock-ups or 3D prototypes, the full timeline may extend to 10–16 weeks for a complete, production-ready solution. Ultimately, we see time not just as a schedule to follow but as a framework to ensure both creativity and precision are given the space they need to result in a successful, brand-aligned product.
Who are some of your clients?
At GCA Design Studio, we are proud to collaborate with a range of distinguished clients across the beverage and spirits industries, as well as other premium sectors. Our portfolio includes partnerships with leading companies such as Mey Diageo, and brands like VOSS where we’ve contributed to high-profile packaging projects that emphasize quality and innovation. We also work with both established global brands and emerging craft producers, helping them translate their unique stories into impactful design solutions. While we maintain confidentiality agreements with many of our clients, our ongoing relationships reflect the trust placed in us to deliver premium, functional, and market-relevant packaging designs.
What are your future plans? What is next for you?
At GCA Design Studio, we’re entering an exciting phase of growth and ambition. Looking ahead, one of our key priorities is to expand our presence internationally, both through global collaborations and by positioning ourselves more prominently in the premium spirits design landscape. This is an area where we see strong synergy between craftsmanship, storytelling, and material innovation—and we believe we have a unique contribution to make. We also aim to participate more actively in international design award programs, as a way to benchmark our work, gain visibility, and engage with the global design community. Recent recognitions, like the A’ Design Award, have encouraged us to continue pushing the boundaries of what we can achieve as a cross-functional design and production team. In parallel, we plan to deepen our investment in sustainable design practices, material innovation, and trend research, as well as expand the reach of our in-house publication, Eclectic, which has become a valuable tool for both inspiration and strategic insight. Ultimately, our vision is to grow as a recognized creative partner for global brands, especially in the premium packaging space—delivering designs that are not only visually impactful but also forward-thinking and responsible.
Do you work as a team, or do you develop your designs yourself?
As the lead of our design processes, I guide the creative direction and ensure alignment between the client’s vision and our design strategy. However, our work is very much team-based. At GCA Design Studio, we operate as a multidisciplinary team composed of experienced product and graphic designers who collaborate closely throughout every stage of development. We also work hand-in-hand with our production and engineering departments, which is a critical part of our process. This cross-department collaboration ensures that our concepts are not only visually impactful but also technically feasible and optimized for large-scale manufacturing. Additionally, we involve our clients at key milestones, valuing their input and ensuring that each design genuinely reflects their brand identity and market positioning. This integrated approach is what allows us to deliver cohesive, high-quality packaging solutions that perform both aesthetically and functionally.
Do you have any works-in-progress being designed that you would like to talk about?
Yes, we’re currently engaged in a number of integrated packaging projects for the premium spirits sector—designing the bottle, closure, and label as a unified system. These projects are particularly exciting as they allow us to approach packaging holistically, ensuring every component works together to reflect the brand’s identity and elevate the overall consumer experience. Sustainability is also a key focus. We're exploring refined glass forms and responsible material choices that not only meet aesthetic and technical expectations but also align with the growing demand for environmentally conscious design. While the details are still under development, these works-in-progress represent a thoughtful balance between craftsmanship, functionality, and long-term impact.
How can people contact you?
You can reach GCA Design Studio by emailing Sule Esra Cetinkaya at suleesra.cetinkaya@gca.com.tr. We're always happy to connect regarding design collaborations, packaging projects, or any creative inquiries. You can also learn more about our work through www.gca.com.tr.

Stay Updated with Latest Design News

By clicking Sign-Up, you are opting to receive promotional emails from A' Design Awards, World Design Rankings, World Design Consortium and Designers.Org You can update your preferences or unsubscribe any time.

You are now at the right step

Join Designers.org & Start Promoting Your Design Worldwide.

Create an Account