Colin Heston

My background in art and design is rooted in a lifelong curiosity and love for creating. I didn’t always know I wanted to be a designer—early on, I struggled to focus in school and wasn’t sure which path to take. But over time, my passion for solving problems, combining form and function, and exploring new materials and technologies grew stronger. That curiosity led me to pursue formal education in industrial design, where I learned the skills and mindset needed to turn ideas into tangible, impactful products. Becoming a designer felt like a natural way to blend creativity with purpose.

We are focused on creating innovative, sustainable products that blend advanced technology with thoughtful craftsmanship. We specialize in exploring emerging manufacturing methods—like 3D knitting—to reduce waste and push the boundaries of what’s possible in soft goods and accessories. Our philosophy centers on purposeful design: every piece aims to solve real problems while respecting the environment and the people who use them. We’re passionate about bringing manufacturing back to the USA through automation and labor reduction, creating quality products with a smaller footprint.

Design, for me, is the art of solving problems through creativity and purpose. It’s about shaping ideas into tangible solutions that improve lives, connect with people emotionally, and respect the world around us. Good design balances function, aesthetics, and sustainability—making everyday experiences better while inspiring innovation and responsibility.

I’m most passionate about designing products that blend technology, sustainability, and everyday functionality—things that people use daily and that make a positive impact. I especially enjoy working on soft goods and accessories, like backpacks, where innovative materials and manufacturing can transform how we think about durability, waste, and style. Creating purposeful, forward-thinking designs that solve real problems motivates me the most.

My favorite design is definitely my 3D knit backpack. It represents years of passion, experimentation, and innovation. What makes it special is how it combines sustainability with advanced manufacturing—using zero-waste 3D knitting to eliminate material waste and reduce labor. The backpack’s minimalist aesthetic, functionality, and thoughtful construction reflect my values as a designer. It’s more than just a product; it’s a statement about responsible design and the future of manufacturing.

I started off designing environments, stage design, and tradeshow booths in my early professional design life.

My favorite technology is 3D knitting because it merges innovation with sustainability in a powerful way. It allows for seamless, zero-waste construction and opens up new possibilities for design complexity and durability. This platform lets me experiment with form and function while minimizing environmental impact—making it a perfect fit for the future of responsible product design.

I feel most creative when I’m immersed in nature or working hands-on with materials—those moments spark fresh ideas and new perspectives. Early mornings or quiet late nights, when distractions fade and my mind can wander freely, are also prime creative times. Being curious and open to experimentation fuels my best work.

During design, I focus most on functionality, sustainability, and user experience. I want the product to solve real problems efficiently while minimizing environmental impact. At the same time, the design needs to feel intentional and intuitive for the user. Balancing these aspects with clean aesthetics and durable construction guides my process from concept to final product. Constant iteration is also key. I think to be successful, you must be constantly iterating, prototyping, and collecting feedback to further inform your design.

When I design, I feel a mix of excitement, curiosity, and sometimes frustration. Excitement comes from exploring new ideas and seeing concepts take shape. Curiosity drives me to experiment and learn constantly. Frustration pops up during challenges or when things don’t work as planned—but that’s part of the process, pushing me to problem-solve and improve. Overall, designing feels like a rewarding journey of discovery and creation.

When my designs are realized, I feel a deep sense of fulfillment and pride—seeing an idea transform from concept to tangible product is incredibly rewarding. There’s also excitement and gratitude, knowing that the hard work, iterations, and challenges have paid off. It’s a moment that fuels my passion to keep pushing boundaries and creating meaningful work.

A design is successful when it solves a real problem effectively, meets the needs of its users, and does so with thoughtful aesthetics and sustainability in mind. It should feel intuitive, durable, and add value without unnecessary complexity. Success also means the design respects its environmental and social impact, standing the test of time both functionally and emotionally.

When judging a design, I first consider how well it solves the problem it’s meant to address. Functionality and usability come before anything else. Next, I look at how efficiently it uses materials and resources, reflecting sustainability. Finally, I assess the aesthetic clarity and emotional connection—does it feel intentional, meaningful, and well-crafted?

To create products that are not detrimental to society or the environment. I still believe that being an "designer" is the most dangerous and toxic profession on earth, as everything we make will eventually die in a landfill somewhere. Designers have a critical responsibility to create solutions that benefit society and minimize environmental impact. This means designing products that are sustainable, ethical, and accessible—considering the full lifecycle from materials sourcing to disposal. Designers should also raise awareness about social and environmental issues through their work and push industries toward more responsible practices. Ultimately, good design should improve lives without compromising the planet or future generations.

The design field is evolving rapidly, driven by advancements in technology, sustainability, and shifting consumer values. We’re moving toward more integrated, data-informed, and environmentally conscious design—where digital tools like AI and 3D manufacturing enable personalized, zero-waste products. The future of design will focus on creating meaningful, responsible solutions that balance innovation with ethics, emphasizing circularity, accessibility, and emotional connection. Designers will become problem-solvers and stewards of both society and the planet.

I haven’t had a formal exhibition yet, but it’s something I’m excited to pursue in the future. When the time is right, I’d love to showcase my work—especially the 3D knit backpack and upcoming product offerings—in a setting that highlights innovation, sustainability, and craftsmanship. Hopefully, my next exhibition will bring together like-minded creatives and conscious consumers who appreciate thoughtful design.

Mostly nature. I love outdoor activities like fly fishing and rock climbing. These activities free my mind more than anything else. My design inspiration comes largely from the outdoors—nature’s forms, textures, and cycles constantly fuel my creativity. Spending time in natural environments helps me see how things are built to be efficient, durable, and sustainable. I also draw inspiration from emerging technologies, fashion, and everyday objects that blend function with style. To feed my creativity, I stay curious, experiment often, and give myself space to observe, reflect, and explore new ideas.

The main characteristics of my style include streamlined silhouettes, technical construction methods, and a deep respect for sustainability and craftsmanship. I'm especially interested in how emerging technologies, like 3D knitting, can push boundaries and replace outdated, wasteful processes. My approach to design is research-led and hands-on. I prototype constantly, learn through trial and error, and let materials and processes guide creative decisions. Every design starts with a problem, and my goal is to solve it as elegantly and efficiently as possible.

I live in the United States which is a melting pot of culture and ideas, for better or worse.

Whether contributing as a designer, consultant, or creative problem-solver, I’m hands-on and collaborative. I listen carefully, ask the right questions, and bring a fresh perspective. My goal is always to help companies push their product offering forward while staying grounded in purpose-driven design.

Start with shared values. Look for designers whose philosophy aligns with your company’s mission—whether that’s sustainability, innovation, or craftsmanship. Good design goes beyond visuals; it should reinforce your brand’s core purpose.

My design process is hands-on, iterative, and deeply research-driven. It always begins with understanding the problem—whether that’s a functional need, a sustainability challenge, or a gap in the market. I ask questions, study user behavior, and look closely at materials, manufacturing methods, and environmental impact. From there, I move into sketching and rough prototyping—quick mock-ups, paper models, and material tests to explore form and function early. This helps me stay flexible and test ideas before committing to final directions. As the concept evolves, I transition into digital development, including 3D modeling, rendering, and technical drafting. For complex soft goods like my 3D-knit backpack, I integrate pattern work, material trials, and machine programming to refine structure and performance. Throughout the process, I iterate constantly—testing, failing, adjusting, and improving. I’m always balancing aesthetics with usability, and I let the limitations of materials and technology guide innovation, rather than fight against them. Ultimately, my goal is to design with intention—making products that are not only visually strong but also functional, sustainable, and relevant to how people live today.

Honestly, I can't afford most of the design items that I would want in my home.

A typical day starts with a 9-to-5 job that keeps me grounded and focused. Outside of work, I dedicate my free time to designing—sketching ideas, researching materials, or working on prototypes—while balancing family responsibilities. I often find inspiration outdoors, whether it’s a quick walk or fly fishing trip, which helps clear my mind and spark creativity. Evenings are a blend of quiet focus and recharging, preparing me to keep pushing my design projects forward.

Find a good mentor. Fall in love with the process and no the outcome. Learn how things are made. Constantly stay curious.

Some positives of being a designer include the joy of creating meaningful solutions, constantly learning new skills, and the satisfaction of seeing ideas come to life. It’s a career that blends creativity with problem-solving, allowing for personal expression and impact. On the flip side, challenges include dealing with tight deadlines, balancing creative freedom with client demands, and sometimes facing barriers like limited resources or access to advanced technology. It can also be tough to maintain focus and motivation, especially when juggling other responsibilities. But the rewards make it worthwhile.

The most important skills for a designer are problem-solving, creativity, curiosity, research, communication, empathy, and strong communication. You need to understand user needs and translate them into functional, beautiful solutions. Technical skills like sketching, CAD, and prototyping are essential, but so is adaptability—being open to feedback and iteration. Lastly, having a good grasp of sustainability and material knowledge is increasingly crucial for responsible design.

My design toolbox is a mix of traditional and digital tools. On the software side, I use Adobe Creative Suite for visualization and graphics, 3D modeling software for detailed product development, and specialized knit design software to explore textile possibilities. I also rely on hand sketching and paper mock-ups to quickly iterate ideas.

Designing definitely takes time and focus, so managing it well is crucial. I set clear priorities and break projects into smaller, manageable tasks. Since I work a 9-to-5 and have family responsibilities, I dedicate specific pockets of free time—early mornings, evenings, or weekends—to design work. I try to minimize distractions during those periods and use tools like calendars and to-do lists to stay organized. Regular breaks and stepping back to recharge also help keep my creativity fresh and prevent burnout.

It really varies depending on the project’s complexity and scope. Some designs can take a few weeks, while others—like my 3D knit backpack—can take several years of prototyping, testing, and refining. The key is allowing enough time for iteration, learning new technologies, and ensuring the design truly solves the problem it’s meant to address. Rushing often compromises quality and innovation.

The most frequently asked question I get is usually: “Where do you get your inspiration from?” People are curious about what sparks ideas and how I keep creativity flowing. It’s a great question because inspiration can come from so many places—nature, technology, fashion—and it’s a big part of the design process.

My most important job experience has been developing the 3D knit backpack and securing a patent for it. This project pushed me to master new technologies, navigate complex prototyping, and deeply understand sustainable manufacturing. It was a pivotal moment that combined my passion, skills, and vision, and it continues to shape my approach to design and innovation.

Soft goods, luggage, bags, and accessories. I love every part of the process. I enjoy designing products that blend innovation, sustainability, and everyday utility the most. Creating something that’s both functional and environmentally responsible feels rewarding. I’m drawn to projects like the 3D knit backpack because they challenge me to explore new technologies and materials while addressing real-world problems. It’s fulfilling to design pieces people can use daily that also have a positive impact.

My future plans center on expanding the reach of the 3D knit backpack and pushing the boundaries of sustainable manufacturing. I want to explore new materials and automation techniques to bring more products into local, eco-friendly production. Beyond that, I’m excited to collaborate with brands that share my values and continue innovating in both design and technology. A key next step is launching a product line built around the same principles of sustainability, innovation, and functionality. This line will expand beyond backpacks to include complementary everyday carry gear designed with zero-waste 3D knitting and smart manufacturing techniques. The goal is to offer consumers a cohesive collection that supports conscious living without sacrificing style or performance. Ultimately, my vision is to create thoughtful, impactful designs that resonate globally while promoting responsible production and consumption.

I work both ways—sometimes independently, sometimes as part of a team. Developing ideas on my own lets me explore personal vision and experiment freely. But collaboration is equally important, especially when projects require specialized skills or technical expertise. Working with a team brings fresh perspectives, accelerates problem-solving, and helps turn concepts into fully realized products. So, I value the balance between solo creativity and teamwork.

Yes! I’m currently focused on refining the 3D knit backpack along with additional product offerings, pushing its design and functionality even further. This work-in-progress involves experimenting with new sustainable materials and improving the manufacturing process to make it more efficient and scalable. It’s exciting to see how the concept continues to evolve, and I’m eager to share updates as it moves closer to launch.

I studied industrial design at Thomas Jefferson University with a focus on textiles and soft goods. I have been practicing designer for 8 years.

I wanted to make a difference in the world and I believe that through good design, I am able to have a lasting effect on this world.

When designing, my priorities center around three core principles: sustainability, functionality, and intentional aesthetics. I believe that great design starts with purpose—every detail must serve a clear function, reflect a conscious material choice, and contribute to a lasting product experience. Ultimately, my approach is about creating products that are honest, efficient, and forward-thinking—designed not just to be used, but to be valued.

When I’m designing, I experience a mix of emotions—each tied to a different stage in the process. It’s a dynamic and personal journey that blends curiosity, frustration, excitement, and flow. Design, for me, is emotional because it’s an act of intention. You’re creating something from nothing—with the hope it will serve someone else meaningfully. That’s a powerful motivator.

My formal training in industrial design taught me how to approach problems from a human-centered perspective. I learned how to think critically about form, function, and usability. Growing up with a deep appreciation for the outdoors instilled in me a respect for the environment. That connection made me aware of how design impacts the world around us. Together, these influences shaped my approach: practical, intentional, forward-thinking, and always grounded in solving real-world problems through smart, sustainable design.

My growth path as a designer is focused on deepening my impact at the intersection of sustainability, advanced manufacturing, and intentional design. I’m committed to pushing the boundaries of what’s possible with new technologies like 3D knitting, automation, and localized production—while staying grounded in human-centered design principles. Ultimately, my goal is to use design as a tool for systemic change—creating high-performance products that are better for people and the planet, while inspiring the industry to shift toward smarter, more sustainable models.

Be curious, learn to make things, be patient with the process, don't wait for permission, be humble, find your mission...most of all keep learning, stay hands-on, and never stop building. The best designers are lifelong students and relentless problem-solvers.

n the end, whether you're building a chair, a sneaker, a skyline, or a system—design is about care. Care for the user, the planet, the process, and the people it touches. Keep leading with that, and your work will matter.

My day-to-day is a careful balancing act between work, family, and creative pursuit. I work a full-time 9 to 5 job, so most of my design work happens during the early mornings, late evenings, or weekends—any window of free time I can carve out between family responsibilities. It’s not always easy, but I’ve learned to be intentional with my time. Whether I’m sketching concepts, prototyping, or researching materials, I work in focused bursts. I treat my design practice like a long-term investment—progress over perfection. Every hour I put in outside of my day job is part of building something meaningful. Juggling these responsibilities keeps me grounded, but also fuels my creativity. Being a parent and working full time forces me to be efficient, resourceful, and deeply motivated. It’s a reminder that good design isn’t about unlimited time or resources—it’s about clarity of vision and commitment to the process.

I keep up with the latest design trends by regularly engaging with a mix of sources: design blogs, industry publications, social media channels like Instagram and LinkedIn, and by attending webinars or virtual talks whenever possible. I also follow innovative designers and studios whose work I respect to see how they’re pushing boundaries. However, while I stay informed, I don’t chase trends blindly. Design trends can offer valuable inspiration and reflect shifts in culture or technology, but they shouldn’t dictate the core of your work. For me, trends matter only insofar as they align with a product’s purpose and user needs. The best designs balance timeless functionality with thoughtful, subtle nods to what’s current—so they feel fresh without becoming quickly outdated. Ultimately, I believe in designing with intention and longevity. Trends come and go, but strong design built on clear values and real-world problem-solving endures.

I know a product or project is well designed when it effectively solves a real problem while feeling intuitive, functional, and meaningful to the user. Good design isn’t just about aesthetics—it’s about function meeting form in a way that makes life easier, better, or more enjoyable. To me, good design is problem-solving made visible. It addresses a clear need or pain point with thoughtful solutions, considering everything from usability and materials to sustainability and emotional connection. When a design works seamlessly without unnecessary complexity, respects resources, and delights the user, that’s when I call it truly good design. In essence, if a product solves its intended problem elegantly and stands the test of time—both functionally and culturally—it’s a success.

I know a design is ready when it effectively solves the core problem and performs reliably through testing. The details are refined, every element is purposeful, and user feedback confirms it works beyond my own perspective. It also needs to be technically feasible within realistic production constraints. While no design is ever perfect, readiness comes when further changes offer little improvement and the product is polished enough to move forward confidently. There’s always room for iteration but there comes a point where further refinement yields diminishing returns.

Marc Newson...I admire how he blends organic forms with cutting-edge technology, creating pieces that feel both futuristic and timeless. His ability to design across such diverse fields—from furniture to transportation—while maintaining a strong, recognizable aesthetic is remarkable. Newson’s work embodies the perfect balance of innovation, craftsmanship, and emotion, which is something I strive for in my own design journey.

I’m an American with a deep connection to both culture and nature. Spiritually, I find a lot of grounding and inspiration from being outdoors—it’s where I recharge and connect with something bigger than myself. As an avid fly fisherman and conservationist, I’m passionate about protecting natural environments and promoting sustainability in every aspect of life, including my design work. This lifestyle shapes how I approach creativity: with mindfulness, respect for resources, and a desire to create things that last. Balancing a modern design practice with a love for nature keeps me centered and fuels my commitment to purposeful, responsible design.

My work culture centers on collaboration, integrity, and continuous learning. I believe great design happens when diverse perspectives come together in an open, respectful environment where ideas can flow freely. I prioritize clear communication and a solutions-oriented mindset, making sure every project moves forward efficiently without sacrificing creativity. My business philosophy is rooted in purpose-driven design—creating products that not only look and perform well but also contribute positively to society and the environment. I’m committed to transparency, ethical manufacturing, and pushing for innovation that reduces waste and improves quality of life. At the core, I see design as a responsibility, not just a craft, and I strive to build partnerships and products that reflect that ethos.

As a designer, artist, and architect, I view philanthropy as an essential part of my responsibility to society. I contribute by focusing my work on sustainability and ethical practices, aiming to reduce environmental impact and promote conscious consumption. Beyond my projects, I support initiatives that advance education and accessibility in design, helping emerging creatives gain access to tools and knowledge. I also engage with community programs that encourage environmental conservation and cultural preservation, often volunteering time or expertise to causes aligned with those values. Ultimately, I believe giving back means using design not just to create products, but to foster positive change that benefits people and the planet.

Receiving recognition for my work felt validating, not just personally but as a signal that sustainable, technology-driven design is gaining global attention. I hope for this exposure to open doors to new collaborations and spark fresh motivation to continue pushing the limits of what’s possible. This experience has been a powerful reminder of the impact thoughtful design can have.

I have a background in Industrial Design, with a Bachelor of Science degree from Thomas Jefferson University. My education gave me a solid foundation in product development, design thinking, and user-centered design.

What motivates me to design is the opportunity to solve real problems in meaningful ways. I’ve always been drawn to the intersection of creativity, utility, and human experience—where design isn’t just about how something looks, but how it works, feels, and impacts the world.

I design soft goods, with a focus on bags, backpacks, and everyday carry (EDC) gear—products that blend functionality, durability, and thoughtful aesthetics. I’m especially drawn to pieces that are used daily, where small design choices make a big difference in performance and user experience.

Good designers meet expectations. Great designers challenge assumptions, ask better questions, and uncover deeper problems worth solving.

A really good design goes beyond just looking great or functioning well—it creates a seamless connection between the user, the product, and the context in which it’s used.

The value of good design goes far beyond aesthetics; it influences functionality, user experience, efficiency, and even sustainability.

My only greater obsession outside of design is fly fishing. I would love to work with brands like Orvis on next generation fishing gear.

My secret ingredient to success in design is balance—specifically, the balance between creativity, functionality, and empathy.

Marc Newson...I admire how he blends organic forms with cutting-edge technology, creating pieces that feel both futuristic and timeless. His ability to design across such diverse fields—from furniture to transportation—while maintaining a strong, recognizable aesthetic is remarkable. Newson’s work embodies the perfect balance of innovation, craftsmanship, and emotion, which is something I strive for in my own design journey.

Douglas Davidson from The Brown Buffalo who design the Conceal Pack which is one of my favorite backpacks.

The Luma backpack...it represents the perfect intersection of function, sustainability, and personal expression. It’s a product that’s deeply woven into our everyday lives—something we carry with us, depend on, and often overlook. That made it the ideal canvas to explore innovative construction methods like 3D knitting and to challenge traditional manufacturing norms. What makes this backpack special to me is how it embodies everything I care about as a designer: responsible material use, advanced technology, minimalist aesthetics, and lasting utility. It’s not just a bag—it’s a statement about how we can rethink everyday objects to be better for people and the planet.

To become a better designer, people need to commit to continuous learning, curiosity, and self-awareness. Ultimately, becoming a better designer is about being intentional, open-minded, and always hungry to improve—not just your craft, but your impact.

For me, design is the intentional act of solving problems with purpose, empathy, and creativity. It’s not just about how something looks—it’s about how it works, how it’s made, and how it makes people feel. Design is the bridge between ideas and reality; it's where function meets emotion, and where innovation meets human need. At its core, design is a tool for improving lives. Whether it’s a product, system, or experience, good design makes the complex feel simple and the ordinary feel meaningful. It’s a way of thinking, a lens through which I see the world—constantly asking how things could be better, more efficient, more sustainable, or more beautiful.