Tihana Miksa nisqap Past at Last Wiñaypaq Kawsay P'acha diseñon

Tihana Miksa nisqap Past at Last Wiñaypaq Kawsay P'acha diseñonqa Churana Kamay Atipanakuy T'aqapi 2021 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiChurana· 2021

Past at Last Wiñaypaq Kawsay P'acha

Tihana Miksa rurasqa

Mañakuq: Tihana Mikša

Churana T'aqapi A' Design Award Qullqi Premiu Atipaq

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Taripasqa Premio Atipaq

#113802 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Past at Last Wiñaypaq Kawsay P'acha nisqamanta

P'acha ruwaykunapiqa aswan riqsichisqa kanku sumaq, pukllaypaq llamp'u kayninkunawan, mana tupan llimp'ikunawanpas. Chaymi p'achakunaqa tupan rurasqa, mana sasa hinaspa wichq'asqa rikch'ayniyuq kanku, mana ima sasa tikraykunata nisqa sayayninman. Kay rurasqakunaqa qawarin rikuy kayta, llamk'ay kayta, imamanta rurasqa kayta, kawsaq kuyuyta chaymanta awaykunapa sayachiy yachayninta. Llimp'ikunaqa pisi kallpayuq hinaspa yuq llimp'i kanku, manataq puka llimp'ikunachu t'ikrat'ikran kay yuq llimp'i kuskapi.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Past at Last Wiñaypaq Kawsay P'acha A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Past at Last Wiñaypaq Kawsay P'acha ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Past at Last Wiñaypaq Kawsay P'acha achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Etiquetakuna: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Ruway Tecnología: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Diseño Sasachakuy: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Kallpachay: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Llamk'ay Pacha: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Siq'i Hayñikuna: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.