Samiqman pasay
Sculpta nisqap Mora35 Wasipi Ukhu Kamachiy diseñon

Sculpta nisqap Mora35 Wasipi Ukhu Kamachiy diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2022 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.


FierruUkupi· 2022

Mora35 Wasipi Ukhu Kamachiy

Sculpta rurasqa

Mañakuq: Sculpta

Ukupi T'aqapi A' Design Award Fierru Premiu Atipaq

14,799

Llinphikuna

Diseñomanta

Mora35 Wasipi Ukhu Kamachiy nisqamanta

Mora35 nisqaqa huk wasi ukhu kamachiymi, 52 metros cuadrados apartamentopaq, 1955 watapi Bucharest, Romania llaqtapi sayarichisqa wasipi kaq. Iskay puñunawan wasiqa ñawpaq kikin kasqanta waqaychan, kunan pacha allin kawsayta yapaspa. Roble kaspi, brass metal, yuraq tukuchaykunawan uyakuna rikch'arinku. Huk brass sarunaqa pirqa pampawan tupasqanpi wist'usqa siq'ita rurayan, brass wataykunataq punkukunata muyuriyachin. Roble kaspimanta muebleskunaqa sapa wasichapaq rurasqa kanku. Huk KNX sistemaqa k'anchayta, q'uñichiyta, chiriyachiyta, hinaspa motor-wan puriq llanthukunatapas karumanta kamachin. Wasi allinyachisqa kaptin pampa q'uñichiyqa yapasqa karqan.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Mora35 Wasipi Ukhu Kamachiy A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Mora35 Wasipi Ukhu Kamachiy sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Mora35 Wasipi Ukhu Kamachiy yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta
A small space, hidden in a postwar building in an aristocratic residential neighborhood defined by the aesthetic and cultural vision of the elites of the mid-twentieth century, was found by the architects untouched, the now yellowed walls, the dusty terracotta stoves, and the solid wood flooring keeping the air of yesteryear.

The client expressed his desire to transform the space into a home with a timeless aesthetic, a space that would preserve and enhance the value of the place through materiality while from a technological point of the view the apartment ought to have the comfort of a smart home.

In an attempt to define the spatiality of a two-bedroom apartment in just 52 square meters, the colors, textures and materials that could clutter and overburden the space have been limited, thus inviting the play of natural materials to take the center role. textures of wood, brass and white walls were to define the space.

At first sight, the interior decor is simple: white walls, white doors that carry only their own texture, a unifying wooden floor whose stereotomy emphasizes a careful design that honors each space by creating a continuous dialogue between them. The brass frieze inserts follow the line of the furniture, while the parquet boards turn to highlight passages.

Beyond the simple image, there are discreet details that give the space uniqueness. The brass plinth creates a negative space at the point where the wall usually meets the floor giving the feeling that it holds the weight of the wall while below, the horizontal plane moves freely, seemingly defying the limits of space. Light touching the plinth produces reflections that follow a continuous, perimetral path.

Doors made without sills stand tall with a slim profile, thus emphasizing the height of the space. Instead of the sill, on the outside of the lining, a small brass band outlines the door, meeting the brass plinth on both ends. White wooden windows are bordered by a perimetral sill outlining the windows as frames towards the outside. The direct relationship between the living room and the bedroom, often found in the living morphology of that period, was preserved and enhanced by the presence of a harmonic metallic door, whose lines metaphorically describe a "gate".

Brass sculpts its presence in the white front of the kitchen, the continuous play of reflections creating the feeling of depth and spatiality in a small space.

Beyond the aesthetics, the space is animated by smart-home technology that allows remote control, the lights, thermostats, roller shutters, the heating system and the cooling system being at the user's fingertips.

The solid oak wood furniture, sculpted for each space and place, comes to support the timeless character of the interior while sculptural lights and round motifs support the balance of elements, creating a hierarchy, avoiding conflicts of dominance. To the left of the bed, the tall luminaire, standing on a bedside table whose own legs are high, filiform, contrasts with a luminaire with the same expression, suspended as the dominant over a heavy volumetric bedside table.

In this permanent compositional dialogue, the elements communicate and support each other, the viewer is invited to discover his own balance in the interior.
Tupukuna & P'istuy
This small apartment measures 52 square meters.
Etiquetakuna
mora 35, luxury interior design, timeless interior design, brass interior design, brass kitchen
Ruway Tecnología
Oak wood, brass and white finishes have been been the main focus of the project.
In terms of technology, the small apartment features a KNX Smart Home System that can be controlled remotely.
Floor heating has also been retrofitted, a technical challenge for a building erected in 1955 and this and the entire HVAC apparatus, motorized shades included, can be controlled remotely.
Diseño Sasachakuy
Finding specialized workforce able to manipulate brass.
T'aqwiy
The simple objective of the project has been to create a very technologically advanced living environment with a timeless design inspired whilst keeping mind that the building in which it resides has been erected in 1955.
The team at sculpta researched the building typologies of the neighborhood and incorporated through modern means recurring elements such as brass, oak wood, white timber windows with exterior aluminum cladding especially produced in Italy to ensure the cohesion with the entire façade and protect and enhance.
Kallpachay
The age and modernist bones of the building inspired the timeless design it exudes today, through simple but rich in texture materials we brought the building in contemporaneity whilst honoring its age and heritage.
Llamk'ay Pacha
12 months, Bucharest, Romania
Purichiy Puriy
All the functions of the apartment, with the exception of the access control apparatus can be controlled remotely thanks to the KNX infrastructure.
Patentekuna
Copyrights belong to Vlad Patru & sculpta.ba | Cristina & Anton Giuroiu
Huñu Runakuna
arh. Cristina Giuroiu
arh. Anton Giuroiu
Siq'i Hayñikuna
Phototography by Vlad Patru
Image Courtesy of sculpta.ba | Cristina & Anton Giuroiu

Auspiciasqa

Designers.org nisqamanta Aswan Karuman T'aqwiy

Avisokunata qhawachiq yanapaqniykukunamanta productokunata, serviciokunatawan riqsiy.

Allin Diseñoqa Hatun Riqsiyta Meresen

A' Design Award nisqaqa tukuy suyukunamanta allin diseñopaq juradowan qhawasqa premiom. A' Design Award nisqapi yaykuy, meresisqa riqsiyta, sutiyuq kayta, hatunchayta, ruwayniykipaq riqsichiyta tarinaykipaq. Ruwayniykita A' Design Award nisqapaq akllasqa kachun, munasqa A' Design Prize nisqapaq atipanakunaykipaq.

Akllasqa Kachun