Vladimir Zagorac nisqap Bio Tiyana Kirpa diseñon

Vladimir Zagorac nisqap Bio Tiyana Kirpa diseñonqa Tiyarina Kamay Atipanakuy T'aqapi 2022 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiTiyarina· 2022

Bio Tiyana Kirpa

Vladimir Zagorac rurasqa

Mañakuq: Vladimir Zagorac

Tiyarina T'aqapi A' Design Award Burunsi Premiu Atipaq

16,383

Taripasqa Premio Atipaq

#140098 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Bio Tiyana Kirpa nisqamanta

Bio nisqaqa huk uray tiyana kirpakunam kay, kunan pachapi wasi ukhu kamachisqakunapi servichikunapaq rurasqa. Wasa qhipapi kicharisqan huk raphi utaq churullita yuyarichin, hinaspa hawa kantunman qayllaykuqtinsi rikchariynin tikrakun Calla aethiopica sisayuq pantaman rikch'akuq. Kay kanturi pisillamanta qhipaman kumuykun, hinaspa huk lawman wichariykun, chaywanmi mana kikin rikchayniyuq (asimétrica) lliw rikuchiyta ruwan. Kay mana kikin kayqa rikchaypa hawallan kantukunapi kanpuni, chayrayku samay allinlla hinaspa cuerpo phiñachinapaq allin churasqa kanan kawsan. Ruwasqa kanchik: molde ruwasqa plásticos rupanawan (thermoplastics), acero, cast aluminio, sacha oak, hinaspa qara (cuero) llank'anakunawan.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Bio Tiyana Kirpa A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Bio Tiyana Kirpa sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Bio Tiyana Kirpa mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Tupukuna & P'istuy: Width / Depth: up to 680mm, Height: 849mm (medium)
Etiquetakuna: Asymmetry, Natural, Bio-form, Growth, Stylization
Ruway Tecnología: Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Diseño Sasachakuy: The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
T'aqwiy: The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Kallpachay: Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Llamk'ay Pacha: The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Purichiy Puriy: Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Patentekuna: Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Huñu Runakuna: Designer: Vladimir Zagorac
Mentor: Marko Lukovic
Siq'i Hayñikuna: Vladimir Zagorac, Faculty of Applied Arts in Belgrade