Jesvin Yeo nisqap Fading Traditional Trades and Crafts Qillqa diseñon

Jesvin Yeo nisqap Fading Traditional Trades and Crafts Qillqa diseñonqa Qillqasqa Kamay Atipanakuy T'aqapi 2022 A' Design Award Quri Premiu nisqap ancha chaniyuq atipaqninmi.

QuriQillqasqa· 2022

Fading Traditional Trades and Crafts Qillqa

Jesvin Yeo rurasqa

Qillqasqa T'aqapi A' Design Award Quri Premiu Atipaq

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Taripasqa Premio Atipaq

#140455 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Fading Traditional Trades and Crafts Qillqa nisqamanta

Kay qillqapiqa kimsantin tuqyachisqa (3D embossing) nisqawan qillqasqa kachkan, Singapur llaqtapi unay ruwaqkunapa sumaqta llamk'asqan imakunata rikuchinapaq, raphimanta ruwasqa dragón wampukunamanta, Indio quri kaqkunakama, Peranakan cuentaswan sapatukunakama. Llimp'i raphikunaqa rikuchin unay llamk'aykunapa wicharisqanta chinkaynintawan, industria qallariynimpi (llantu) quri pachankama (q'illu) hinaspa pisi-pisimanta chinkasqankama (yuraq). Huk pastel tiza churasqa kachkan liyiqkunapaq raphikunata sombrayananpaq hinaspa tarinankupaq chinkaq ruwaykunata kay Singapurpa mana hapina cultura patrimonionmanta, imaraykuchus nuqaykulla runakuna waqaychayta, yanapayta, kutichiytawan atiykuman.

Riqsichiy

A' Design Award Quri Premiu nisqamanta

Fading Traditional Trades and Crafts Qillqa A' Design Award Quri Premiu mishak kan, ancha jatun yupaychay, kayta ñawpak kallari, sumak shinallatak mancharina diseñukunaman kun. Quri mishak kashkakunaka mushuk yuyay achka, ñawpakta rikuk shinallatak achikyaska rurashkakunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Fading Traditional Trades and Crafts Qillqa ashtawan alabashka, mushuk ñankunata churak shinallatak hatun valorta kuk yuyay kanata munanku. Kay Quri Premiu japishka diseñuka hanak, yupaychashka rurashka kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Fading Traditional Trades and Crafts Qillqa munayta kallarichin, yuyayta kallarichin, ruraytapash kallarichin shinallatak kuyaychin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: What makes this book unique is the use of the 3D embossing technique, not just embossing, to highlight the intricate details of the works meticulously crafted by traditional Singaporean artisans, from dragon boats to Peranakan beaded shoes. With the pastel chalk, the book encourages reader engagement by colouring pages to discover the lost art of our ancestors, as only we humans can help safeguard, support and bring attention to the significance of this intangible cultural heritage.
Tupukuna & P'istuy: Book Box: 145mm (width) x 305mm (height) x 52mm (thickness)
Book Box Sleeve: 540mm (width) x 220mm (height)
Book: 140mm (width) x 298mm (height) x 40mm (thickness)
Book Sleeve: 530mm (width) x 298mm (height)
Inside pages (accordion fold): 4350mm (width) x 290mm (height)
3 Hard Covers: Inside Cover, Front and Back Covers
Etiquetakuna: Traditional Artisans, Traditional Crafts, Cultural Artifacts, Intangible Cultural Heritage
Ruway Tecnología: The making of this book explores how to combine traditional book forms with new technologies, make traditional book forms more interesting through unusual structures and visual stimuli, and push the boundaries of book design. The book is of significance to the design field because it not only records the traditional crafts for future designers to explore and contribute to the local craft landscape but also examines book design as a form of vanishing traditional craft.
Diseño Sasachakuy: The project challenges were facing the covid-19 pandemic and the difficulty of making 3D embossed plates. Production of the book was delayed for 6 months due to the intricateness of the artefacts and further halted for 8 months due to the spread of the coronavirus. The team worked closely with the production houses to ensure things could move forward smoothly, and we are grateful that all challenges were managed well in the end.
T'aqwiy: Given the scarcity of available resources, the approach included analysing oral history data collected by the National Archives of Singapore under the Vanishing Trades project in the 1980s and conducting fieldwork with current and retired artisans to understand the current situation and future substantiate the findings. The aim of the project is to document Singapore lost or vanished traditional crafts so that future generations can learn about them even after they disappear.
Kallpachay: Working with traditional artisans, I learned that when our ancestors came to Singapore in the 19th century from Malaya, China and India, they brought their values and livelihoods with them. These livelihoods include various forms of traditional crafts that have largely enriched Singapore cultural heritage. Thus, it is essential to record these crafts, some of which have vanished or will vanish within the next 20 years, and trace their place to the roots of their meaningful beginnings.
Llamk'ay Pacha: The project started in May 2015 in Singapore and finished production in December 2021. The book is on sale from March 2022.
Purichiy Puriy: The colour pages of the book symbolize the rise and fall of traditional crafts, as the industry begins its developmental period (dull colour) to its golden age (yellow colour) and gradually fades (white colour). The pastel chalk is attached for readers to shade the pages and discover the lost arts of this intangible cultural heritage of Singapore.
Patentekuna: Copyrights belong to Jesvin Yeo, 2021
Huñu Runakuna: Jesvin Yeo
Alvin Ng.
Siq'i Hayñikuna: All images: Photographer Victor Gui, 2021 and 2022