Wei Ting Mou and Ze Li Peng - Puyu Design nisqap Light Field Ufisina Ukhu Kamachiy diseñon

Wei Ting Mou and Ze Li Peng - Puyu Design nisqap Light Field Ufisina Ukhu Kamachiy diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2025 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiUkupi· 2025

Light Field Ufisina Ukhu Kamachiy

Wei Ting Mou and Ze Li Peng - Puyu Design rurasqa

Mañakuq: PUYU Interior Design

Ukupi T'aqapi A' Design Award Burunsi Premiu Atipaq

9,065

Taripasqa Premio Atipaq

#168886 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Light Field Ufisina Ukhu Kamachiy nisqamanta

Light Field nisqaqa Taiwan llaqtapi huk ufisina ukhunmi, ñawpaqta hoja de lata rurana fabrica kasqan pachapi. Kay pacha 132.2 metro cuadrado tupuyniyuqmi, huk llamk'ana wasi hinapas, dueñonpa hatun k'aspi mueblekunata qhawachina wasi hinapas kanpuni. Huk yana anqas L-formayoq bar ima, q'illu tiyanakuna imapas chaskina k'uchuta rikuchin. Titanio-llimp'isqa metal armariokunam ufisina kamachiy k'uchuta, rimanakuna k'uchuta imapas rakin, chaywanpas ñawpaqhinallataq kicharisqa qhawarikun. Kikin-pallariq cemento mortero pisu, hatun ventanakunapas kay pachapi mast'arikuyta, k'anchayta chaskiyta yanapan. K'umu punkukunam huk k'uchumanta huk k'uchuman purinapaq pusan.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Light Field Ufisina Ukhu Kamachiy A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Light Field Ufisina Ukhu Kamachiy sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Light Field Ufisina Ukhu Kamachiy mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: To break the rigidity of conventional office layouts, the designers adopted a 'deconstructed circulation' approach, using non-linear visual axes for a dynamic spatial experience. The reception area features a bold blue L-shaped bar as the focal point, complemented by yellow seating, balancing vitality and rationality. Titanium-plated metal cabinets subtly divide office and discussion zones, maintaining openness while ensuring privacy. Large wooden furniture pieces from the owner's collection were placed to highlight their natural textures.
Tupukuna & P'istuy: The space spans approximately 132.2 square meters and initially had no clear layout plan. The designers employed a 'layered' approach to organize the flow, enabling visitors to transition gradually from the open entry area to the semi-private office, and further into the exclusive collection display area. Curved archways serve as transitional mediums, showcasing smooth lines that guide visitors seamlessly through the space. This unobstructed visual guidance also enhances the overall narrative of the space.
Etiquetakuna: Modern Design, Color Flash Design, Artwork, Crude Wood Furniture, Curved Elements, Bright Lighting.
Ruway Tecnología: The project skillfully balances contrast and harmony through diverse materials. Self-leveling cement mortar flooring enhances tactile delicacy and spatial continuity, while large glass windows maximize natural light, reducing the need for artificial illumination. Dark wooden desks complement wall art, establishing a stable, layered ambiance. The color strategy follows a 'warm-cool balance' principle, where the deep blue reception bar contrasts with the natural wood-toned office area, with gray-white flooring as a neutral bridge, creating a modern yet inviting atmosphere.
Diseño Sasachakuy: Integrating the owner's collection of large wooden furniture with modern design posed a challenge. The designers used materials like titanium-coated metal partitions and wooden tables to harmonize the old and new. Since the furniture varied in height and form, custom curved steps were created in the discussion area to adjust the furniture to ergonomic standards. Strategic lighting was used to highlight these steps, enhancing spatial dynamics and reinforcing the interaction between the host and visitors, ensuring comfort and functionality.
T'aqwiy: Interior design goes beyond functionality, engaging users through aesthetic narratives that reveal the space's fluidity under different lights and angles. Situated amidst open fields with a city view, the site presents an intriguing contrast. The designers embraced this by blending modern design with wooden furniture, embodying the theme of 'admiring art amidst scenic fields' the project's name, Light Field, Art View. Curved archways and a layered color scheme enhance depth, while a thoughtful lighting plan adds warmth and drama.
Kallpachay: Located amidst open fields, the site was once a tin sheet factory and has been carefully transformed into a workspace that balances functionality with artistic refinement. The owner, passionate about wooden artworks and contemporary design, envisioned the office as both a workspace and a gallery for their collection. The designers embraced an 'object-driven space' concept, using wood's texture, color, and form to unify the design. This approach blends traditional craftsmanship with modern architectural aesthetics, creating a space that embodies both creativity and practicality.
Llamk'ay Pacha: The project finished in November 2024 in Taiwan.
Purichiy Puriy: The owner highly praised the outcome, recognizing that the project successfully avoided the rigidity typical of conventional offices and created a work atmosphere that is both functional and sensuous through the layering of visual and tactile elements. Furthermore, the design also took into consideration the need for multifunctional use, including areas for immediate staff interaction, private meetings, and a relaxation zone, shaping an office that adapts to various scenarios.
Huñu Runakuna: Wei-Ting Mou, Ze-Li Peng
Siq'i Hayñikuna: PUYU Interior Design