Yuko Suzuki nisqap Life Forms of Colors Arte Digital diseñon

Yuko Suzuki nisqap Life Forms of Colors Arte Digital diseñonqa Paqariq Kamay Atipanakuy T'aqapi 2025 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiPaqariq· 2025

Life Forms of Colors Arte Digital

Yuko Suzuki rurasqa

Mañakuq: Civic Creative Base Tokyo (CCBT)

Paqariq T'aqapi A' Design Award Qullqi Premiu Atipaq

176,057

Taripasqa Premio Atipaq

#170854 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Life Forms of Colors Arte Digital nisqamanta

Kay llamk'ayqa kuyuchiy siq'ikunami, pixelkunapa t'aqakusqanta musuqmantawan rurakusqanta rikuchiq. Kay yuyayqa qallarirqa ch'uyanchaq ruraqmanta, paymi pachamamapa siq'in ch'uyanchana rurayta munarqa, chayraykum tapurikurqa sichus qillqay kamachiykunawan llimp'ikunata t'aqayta atikunman. Pixelkunaqa kawsay k'itikunahina rikukun, musuq rikch'aykunata llimp'ikunatawan paqarichinapaq kuyukuspa, Nihunmanta yuyaykuna Kasane (taqsakuy) Zurashi (astakuy) nisqakunata churaspa. Chaykunaqa runapaq imaymana tikraykunata rikhuchinku, tukuy llamk'aypi imaymana kayninta llamp'u kuyuynintawan qawarichispa, hinaspa ñawpaq kawsaykunawan kunan yachay llamk'aykunawan tinkinakuyta rikuchispa.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Life Forms of Colors Arte Digital A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Life Forms of Colors Arte Digital ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Life Forms of Colors Arte Digital achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
Tupukuna & P'istuy: LED screen 4m × 4m, 10 minutes 30 seconds
Etiquetakuna: Generative Art, Coding
Ruway Tecnología: This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together.
Diseño Sasachakuy: The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software.
T'aqwiy: This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value.
Kallpachay: The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
Llamk'ay Pacha: This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
Purichiy Puriy: This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
Siq'i Hayñikuna: Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].