Sebastián Ángeles nisqap Frequency Primary Function: Wasichana diseñon

Sebastián Ángeles nisqap Frequency Primary Function: Wasichana diseñonqa Tiyarina Kamay Atipanakuy T'aqapi 2026 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiTiyarina· 2026

Frequency Primary Function: Wasichana

Sebastián Ángeles rurasqa

Mañakuq: Sebastián Ángeles

Tiyarina T'aqapi A' Design Award Qullqi Premiu Atipaq

29,979

Taripasqa Premio Atipaq

#174011 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Frequency Primary Function: Wasichana nisqamanta

Book Text: Frequency nisqaqa pisilla ruwasqa wasichana huñumi, mayqinpas hawaykachina tiyana, k'anchana, tiyana, hinaspa kinray hampara nisqamanta hatarisqa, sapankan hampikuywan emocional kuskachaywan tinkisqa uyari frecuencias nisqamanta hatariq. Llusqa aluminiumanta ruwasqa, kay ruwasqakunaqa uyari rikuchiqkunawan digital modelado nisqawan wiñachisqa, hinaspa ñawpa cast ruwana yachaykunawan ruwasqa. Kay huñuqa mana hap'iy atina uyari q'aytukunata llamiy atina, sculptural rikch'aykunaman tikran, sentidukunawan rimanakuyta emocional tinkiytapas wahaspa.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Frequency Primary Function: Wasichana A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Frequency Primary Function: Wasichana ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Frequency Primary Function: Wasichana achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Frequency 2.0 fuses sound frequency aesthetics with sensory and emotional well-being. Featuring a lounge chair, lamp, chair, and side table, all crafted in polished aluminum, each piece reflects specific healing frequencies. The collection blends experimental design, artisanal tradition, and cutting-edge technology, creating sculptural objects that elevate emotional perception through tactile and visual resonance.
Tupukuna & P'istuy: 432Hz Lounge Chair: approx. 850 x 600 x 700 mm
741Hz Lamp: approx. 300 x 300 x 450 mm
396Hz Chair: approx. 760 x 550 x 530 mm
528Hz Side Table: approx. 470 x 180 x 210 mm
All pieces are made of aluminum and finished by hand.
Etiquetakuna: Healing sound design, Emotional resonance furniture, Cymatics in design, Aluminum craftsmanship, Mexican design heritage, Ergonomic sculptural pieces, Limited edition furniture, Wellness and design, Sound visualization, Sensory furniture interaction
Ruway Tecnología: The Frequency collection is an experimental design proposal that combines art and functionality, drawing inspiration from sound frequencies to promote healing and well being. Using advanced technology, such as sound visualizers, the ergonomic shapes of the pieces were designed to adapt to the body, creating a balanced emotional and physical experience. The use of aluminum, crafted with artisanal techniques, not only highlights the tradition of pre Hispanic metallurgy enriched by Spanish influence but also explores the contemporary possibilities of this noble material. These limited edition sculptural objects stand out for their technical precision and their ability to bring a sense of calm and harmony to the spaces they inhabit. This innovative collection reflects a balance between tradition and technology, achieving unique furniture pieces that connect design with profound emotions and cultural heritage.
Diseño Sasachakuy: The main challenge was materializing invisible sound frequencies into ergonomic and symbolic forms. Internally, the design had to balance cultural references and modern aesthetics. Externally, aluminum casting required precise execution to maintain both structural integrity and surface quality, blending experimental methods with traditional metalwork to achieve emotional resonance.
T'aqwiy: Experimental design research translated sound frequencies into visual and ergonomic forms using sound visualizers. Focused on emotional healing through interaction, the project mapped frequencies such as 432Hz and 741Hz into material patterns. Research participants reported enhanced sensory and emotional response. The study bridges aesthetics, psychology, and artisanal techniques for well-being through design.
Kallpachay: The idea is to explore how the intangible, like sound, can be transformed into a physical and perceptible form. Inspired by the transformative power of healing sound frequencies, Frequency 2.0 explores how resonance can be translated into physical form. Drawing from cymatics and spiritual acoustics, the project visualizes frequencies like 432Hz and 741Hz through sound visualizers, creating objects that channel emotional balance and clarity. The inspiration lies in creating emotional connections through sensory interaction and intentional form.
Llamk'ay Pacha: The project began in January 2024 and concluded in May 2025 in Mexico City. Frequency 2.0 was presented in June 2025 as a continuation of Sebastian Angeles’ exploration of the relationship between sound and matter.
Purichiy Puriy: Each piece invites tactile and emotional interaction. The chairs’ ergonomic shapes adapt to the body, offering comfort and symbolic resonance. The lamp creates ambient calm through diffused light, while the side table’s surface evokes harmony. Aluminum amplifies sensory cues with subtle vibrations, reinforcing the connection between user, space, and sound-based intention.
Huñu Runakuna: Sebastian Angeles
Siq'i Hayñikuna: Image #1: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #2: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #3: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #4: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #5: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.