Miao Ning Wang nisqap Como Tu Bar Ukhu Wasi Ruwaykuna (Diseño de Interior) diseñon

Miao Ning Wang nisqap Como Tu Bar Ukhu Wasi Ruwaykuna (Diseño de Interior) diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2026 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiUkupi· 2026

Como Tu Bar Ukhu Wasi Ruwaykuna (Diseño de Interior)

Miao Ning Wang rurasqa

Mañakuq: Moogur Studio

Ukupi T'aqapi A' Design Award Burunsi Premiu Atipaq

6,980

Taripasqa Premio Atipaq

#176727 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Como Tu Bar Ukhu Wasi Ruwaykuna (Diseño de Interior) nisqamanta

Como Tu nisqaqa huk bar ukhu wasin, Taipei llaqtapi ñawpa Dadaocheng suyupi tarikun. Kay kancha yaqa 62.8 metros cuadrados hina hatunmi. Q'iwisqa qhispi-ladrillo qhawaña p'unchawpi inti k'anchayta patachasqa siq'ikunaman t'ikrachin, tutataq hawaman k'anchan; chaywanmi pakasqa kaytapas rikuchikuytapas quykun. Ukhupitaq, yana q'umir tejakunawan ruwasqa bar hamp'ara acero inoxidable muyu tubukuna hawapi sayan, llamk'ana, servicio hinaspa qurpakuna kanchakunata rakispa. Terracota hina pampa tejakuna, kimsa pata textura llimp'i, waqaychasqa I-beam fierro hinaspa pakasqa k'anchaykunayuq q'iwisqa hanaq pirqa, mawk'a mosoq imakunatawan huñunku.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Como Tu Bar Ukhu Wasi Ruwaykuna (Diseño de Interior) A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Como Tu Bar Ukhu Wasi Ruwaykuna (Diseño de Interior) sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Como Tu Bar Ukhu Wasi Ruwaykuna (Diseño de Interior) mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The project's highlight is its curved glass-brick facade, which refracts light into layered patterns, maintaining privacy while sparking curiosity. At night, interior lighting spills outward, turning the corner into a romantic landmark. Inside, a dark green-tiled bar counter, supported by stainless steel tubes, is divided into work, service, and guest zones, with material and height variations allowing light and air flow. A curved ceiling with concealed lighting enhances openness within 62.8 m2. An exposed I-beam and layered wall treatments preserve history while blending retro and modern elements.
Tupukuna & P'istuy: The space measures approximately 62.8 square meters. During renovation, the original semi-open entrance was transformed into a curved facade, significantly enhancing visibility and identity. The interior is organized around the bar counter, with sofas and small tables arranged along the walls to accommodate both casual visitors and small group gatherings. Restrooms and storage are positioned at the rear, maintaining fluid circulation. The introduction of curved elements elongates sightlines and relieves the sense of constraint, ensuring a balance between commercial function and atmosphere.
Etiquetakuna: Glass-Brick Facade, Fusion of Old and New, Dadaocheng, Curved Design, Bar Atmosphere, Special Paint, Sustainable Materials
Ruway Tecnología: Material choices maintained continuity with original elements. The floor was relaid with terracotta-like tiles, honoring traditional methods. Walls feature three layers of special paint for mottled textures. The bar counter combines dark green tiles with stainless steel round-tube supports for lightness and durability. Portions of the ceiling and wood veneer were retained and stained to harmonize old and new. The palette of deep, steady hues fosters intimacy and immersion under soft lighting, evoking the warmth of enjoying a quiet drink at home.
Diseño Sasachakuy: The main challenge was the curved glass-brick wall. Heavy and costly, the bricks required carpenters to first create templates and stack them modularly, coordinating repeatedly with suppliers to achieve precise curvature, seamless joints, and structural stability. Uneven, warped original flooring had to be fully redone and leveled, increasing time and cost. Additionally, the client's commercial schedule demanded close collaboration between design and construction teams to complete the 62.8square meters project within just three months.
T'aqwiy: Located in Taipei's historic Dadaocheng district, the project centers on blending old and new. Light, shadow, and materials preserve heritage textures while redefining commercial space. The curved glass-brick facade refracts layered light by day and glows at night, balancing privacy and openness. The dark green tile and stainless steel bar counter organize work, service, and seating with lightness. A preserved I-beam and textured walls dialogue with history. Curved ceilings, concealed lighting, and terracotta-like flooring create intimacy in 62.8square meters, inviting visitors to pause and engage.
Kallpachay: Located in Taipei's historic Dadaocheng district, the project sits along a street where pedestrian activity has declined, but the textures of heritage buildings remain. Centered on 'fusion of old and new,' the design revitalizes the space while honoring traditional crafts. Inspired by observing passersby, it employs light, shadow, and materiality to invite pedestrians to pause and enter. The project preserves the existing structure, extends the cultural fabric, and redefines the commercial space through contemporary expression.
Llamk'ay Pacha: The project finished in May 2025 in Taiwan.
Purichiy Puriy: Both the client and patrons responded with strong approval. Many customers entered for the first time simply because they were drawn by the shifting light through the glass bricks, often returning to become regulars. The proportions of the bar counter were consistently praised for being just right, close enough to foster easy conversation with bartenders, yet sufficiently distanced to avoid pressure. The sofa area quickly became the preferred choice for groups of friends, offering a vantage point to view both the overall ambience and the bartending process, shaping a relaxed and story-filled experience.
Huñu Runakuna: Miao-Ning Wang
Siq'i Hayñikuna: Moogur Studio