Mto & Hwcd nisqap Cest Lavie Gallery Qhatuna Wasi Ukhu Allichay Ruway diseñon

Mto & Hwcd nisqap Cest Lavie Gallery Qhatuna Wasi Ukhu Allichay Ruway diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2026 A' Design Award Quri Premiu nisqap ancha chaniyuq atipaqninmi.

QuriUkupi· 2026

Cest Lavie Gallery Qhatuna Wasi Ukhu Allichay Ruway

Mto & Hwcd rurasqa

Mañakuq: Mto & Hwcd

Ukupi T'aqapi A' Design Award Quri Premiu Atipaq

40,000

Taripasqa Premio Atipaq

#177038 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Cest Lavie Gallery Qhatuna Wasi Ukhu Allichay Ruway nisqamanta

Cest Lavie Gallery nisqaqa Chengdu, China llaqtapi kawsay hinallataq arte club nisqapaq ukhu allichay ruwaymi. Kay kancha 3,800 metro cuadrado hatunkaraymi, hinaspa salqa sumaq kawsay (wild luxury) estilo nisqata qatin. Ruwaykuna rakisqa kasqanwan Francia estilo rimanakuy kanchakuna, Africa arte rikuchina kanchakuna, samana kanchakuna ima ruwakun, chaywanmi sapallan kanchakunamanta llapanpaq kanchakunaman sumaqta puriy atikun. Ruwana imakunaqa kanku: k'ullu qarancha (wood veneer), rumi, arte qhispi, metal, hawa llaqtamanta apamusqa awasqakuna ima. Munasqaman hina ruwasqa pachamama amachaq puka ladrillokuna hinallataq ruwasqa millwa llamkhaypi t'ikrayta yapanku. Pachamama llamkhaykuna hinallataq k'anchaymi watukuqkunaq purinan ñanta pusanku.

Riqsichiy

A' Design Award Quri Premiu nisqamanta

Cest Lavie Gallery Qhatuna Wasi Ukhu Allichay Ruway A' Design Award Quri Premiu mishak kan, ancha jatun yupaychay, kayta ñawpak kallari, sumak shinallatak mancharina diseñukunaman kun. Quri mishak kashkakunaka mushuk yuyay achka, ñawpakta rikuk shinallatak achikyaska rurashkakunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Cest Lavie Gallery Qhatuna Wasi Ukhu Allichay Ruway ashtawan alabashka, mushuk ñankunata churak shinallatak hatun valorta kuk yuyay kanata munanku. Kay Quri Premiu japishka diseñuka hanak, yupaychashka rurashka kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Cest Lavie Gallery Qhatuna Wasi Ukhu Allichay Ruway munayta kallarichin, yuyayta kallarichin, ruraytapash kallarichin shinallatak kuyaychin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Compared with similar commercial space designs, this project offers unique features and a fresh brand image. Crafted in a wild luxury style, it uses elegant eco-friendly materials to evoke a natural ambiance. Through functional zoning, it incorporates French-style artistic negotiation areas and African wild art exhibition areas, creating a stylish, understated luxury art club that fully embodies the spirit of wild luxury.
Tupukuna & P'istuy: The project covers an interior space of 3,800 square meters in Chengdu. Functional zoning includes French-style negotiation areas and African wild art exhibition areas. Main materials include wood veneer, luxury stone, artistic glass, metal, imported fabrics, and customized eco-friendly red bricks and artificial fur, ensuring both durability and alignment with the wild luxury style.
Etiquetakuna: Wild Luxury, Chengdu Culture, French-Style Negotiation, African Art Exhibition, Eco-Friendly Design, Recycled Materials, Luxury Stone, Artistic Glass, Contemporary Lifestyle, Sustainable Interior
Ruway Tecnología: The project primarily utilizes materials such as wood veneer, luxury stone, artistic glass, metal, and imported fabrics, while also incorporating customized eco-friendly red bricks and customized artificial fur materials. The selection and application of these various materials align with the project's overall style and functional requirements.
Diseño Sasachakuy: The hardest challenge was developing customized eco-friendly red bricks and artificial fur, requiring R&D from production to on-site installation. A tight four-month schedule added pressure across building optimization, construction, and customization. Internally, balancing international aesthetics with Chengdu's cultural identity posed creative risks; externally, limited time and technical constraints demanded close collaboration and process refinement.
T'aqwiy: This research was design-oriented, aiming to merge fashion, art, and commerce in Chengdu. Methods included cultural analysis, material research, and prototyping. Data were gathered through market studies, local cultural references, and material testing, with input from design teams, craftsmen, and clients. Results showed strong user resonance with wild luxury aesthetics. Insights reveal that eco-conscious material innovation can elevate commercial branding while enriching lifestyle experiences.
Kallpachay: The design inspiration of this project stems from three aspects: first, Chengdu's abundant natural resources and the surrounding environment of the project that is surrounded by mountains and waters; second, the new-type commercial lifestyle format presented by the project's name "Baiyu Ming" and its French counterpart "Cest lavie"; third, the current popular trend of wild luxury style and the project's demand for the expression of artistic life.
Llamk'ay Pacha: The project started in May 2025 and finished in August 2025 in China.
Purichiy Puriy: The gallery operates as a lifestyle and art club where visitors move through zones of negotiation, exhibition, and leisure. Natural textures and light guide interaction, while functional layouts allow seamless transitions between private and public areas. Customized materials enhance tactile experience, and the immersive atmosphere integrates art, nature, and commerce to deliver a refined, user-centered journey.
Siq'i Hayñikuna: Image #1: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #2: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #3: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #4: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #5: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.