Shanghai Yitong Cultural Communication Co.,Ltd. nisqap Suwen Guqin diseñon

Shanghai Yitong Cultural Communication Co.,Ltd. nisqap Suwen Guqin diseñonqa Taki Llamkana Kamay Atipanakuy T'aqapi 2026 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiTaki Llamkana· 2026

Suwen Guqin

Shanghai Yitong Cultural Communication Co.,Ltd. rurasqa

Mañakuq: Shanghai Yitong Cultural Communucation Co.,Ltd.

Taki Llamkana T'aqapi A' Design Award Burunsi Premiu Atipaq

15,175

Taripasqa Premio Atipaq

#180049 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Suwen Guqin nisqamanta

Suwen sutiyuq guqin, huk ñawpa chino cuerdayuq takina instrumentom, kunan pacha waqachiypaq musuqmanta ruwasqa. Rikch'aynin qatikun Horyuji Temple wasipi waqaychasqa Tang dinastiya qin nisqata. Uyanpi sonqonqa machusqa cedro utaq paulownia k'ullumanta ruwasqa, wasa ladutaq catalpa k'ullumanta. Siqi patachaqa taruka waqra uchphawan ch'uya lacawan chaqrusqa. Ukhunpi sumaqta yuyaywan ruwasqa uqu t'uqoqa huch'uy cuerpoman qun hatun instrumento hina waqayninta kallpantawan. Mana llipipiq laca tukuchayqa ch'aki, mana lluskha uyata paqarichin. Chupanpi anchachasqa cuerda hap'ichiqqa ruk'anakunapa kuyuyninta yanapamun qallariqkunapaq hinallataq huch'uy makiyuq waqachiqkunapaqpas.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Suwen Guqin A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Suwen Guqin sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Suwen Guqin mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
Tupukuna & P'istuy: 1100mm*150mm*45mm
Etiquetakuna: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
Ruway Tecnología: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
Diseño Sasachakuy: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
T'aqwiy: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
Kallpachay: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
Llamk'ay Pacha: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
Purichiy Puriy: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
Huñu Runakuna: Ding Liang