Isabelle De Mari nisqap Ebisu Qillqana Hampara diseñon

Isabelle De Mari nisqap Ebisu Qillqana Hampara diseñonqa Tiyarina Kamay Atipanakuy T'aqapi 2026 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiTiyarina· 2026

Ebisu Qillqana Hampara

Isabelle De Mari rurasqa

Mañakuq: Olho Moveis Autorais

Tiyarina T'aqapi A' Design Award Qullqi Premiu Atipaq

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Taripasqa Premio Atipaq

#181628 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Ebisu Qillqana Hampara nisqamanta

Ebisu nisqaqa wasipi llamk'anapaq qillqana hamparam, llamk'ayta wasi ukhu kawsayman t'inkinapaq ruwasqa. Chay chulla tupuninkuna hinallataq chaninchasqa geometrianwan, kay hamparaqa wasi ukhuwan kuska kawsanmi, mana chayta atipaspa. Qara qillqana pampaqa hamparap hawanman pampachasqa churasqam, huk mana p'akisqa llamk'ana pampata ruwaspa. Kay ruwasqaqa CNC makinawan llaqllasqa MDF nisqamantam, pau ferro sach'ap qaranwan p'istusqa, matte acrylic barnizwan tukusqa. Mawk'ayachisqa broncetaq patankunapi, cajón ukhu rakiqkunapi, huk sapaq electricidad churana kajapipas churasqa. Kablekunataq chakinkuna ukhupi pakasqam kachkan, hamparap ch'uya rikch'ayninta waqaychanapaq.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Ebisu Qillqana Hampara A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Ebisu Qillqana Hampara ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Ebisu Qillqana Hampara achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Ebisu is a residential writing desk conceived as a natural extension of the living environment. Its restrained proportions and balanced geometry allow it to engage with space rather than dominate it. A leather writing surface is structurally integrated into the top, forming a continuous and quiet work plane. Brass appears with precision in edges, internal dividers and a custom power box, while concealed wiring preserves formal clarity. Ebisu supports productivity without disrupting domestic harmony.
Tupukuna & P'istuy: Dimensions: 1800 mm x 700 mm x 760 mm
Weight: 85 kg
Structure: MDF core clad in natural pau ferro veneer
Finish: Matte acrylic varnish
Top: Integrated leather writing surface
Details: Aged brass cladding and internal brass dividers
Electrical: 2 sockets 127V 10A and 1 USB C port
Wiring: Concealed routing through legs
Assembly: Non disassemblable structure
Etiquetakuna: Residential desk, Writing desk, Contemporary furniture, Minimalist design, Brass details, Leather surface, Integrated power, Home workspace, Architectural furniture
Ruway Tecnología: Ebisu is fabricated using CNC machined MDF as structural core, clad in natural pau ferro veneer and finished with matte acrylic varnish. The legs are constructed through laminated MDF layers, precision shaped and veneered. The leather writing surface is integrated and flush mounted into the top. Brass sheets are cut, formed and aged for structural cladding and internal dividers. A custom power box is machined in brass, with concealed wiring routed through the legs.
Diseño Sasachakuy: The primary challenge was combining diverse materials such as brass, leather and natural veneer while preserving a cohesive, balanced and minimalist identity. Achieving visual lightness without compromising structural integrity required strict proportion control. The height of the desk top structural box was reduced to the minimum possible dimension while maintaining rigidity and functionality. Integrated elements were incorporated discreetly to preserve spatial harmony.
T'aqwiy: The project explored how work functions can be integrated into residential space without disrupting domestic comfort. Spatial studies and material testing guided proportion and structure. User observation informed storage and surface organization. Prototypes evaluated concealed technical solutions. The outcome improves usability and spatial coherence, proposing a more natural relationship between productivity and living environments.
Kallpachay: Ebisu reflects the transformation of contemporary living, where work has entered the intimate space of the home. Instead of importing corporate codes into domestic environments, the project explores how productivity can integrate into atmosphere rather than disrupt it. Inspired by Japanese structural restraint, where function and serenity coexist, the desk incorporates technology discreetly. Ebisu does not impose presence; it sustains continuity within the living space.
Llamk'ay Pacha: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
Purichiy Puriy: Ebisu operates as a seamless extension of the living space rather than a conventional work station. The integrated leather writing surface is structurally embedded into the top, eliminating the need for external accessories. Drawers with internal brass dividers organize materials with clarity and precision. A minimalist power box, crafted as part of the design language, allows connectivity without visual disruption. The desk performs by integrating productivity into the home while preserving spatial harmony.
Huñu Runakuna: Designer: Isabelle De Mari
Designer: Filipe Melo