Isabelle De Mari nisqap Tokyo Samana Tiyana diseñon

Isabelle De Mari nisqap Tokyo Samana Tiyana diseñonqa Tiyarina Kamay Atipanakuy T'aqapi 2026 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiTiyarina· 2026

Tokyo Samana Tiyana

Isabelle De Mari rurasqa

Mañakuq: Olho Moveis Autorais

Tiyarina T'aqapi A' Design Award Qullqi Premiu Atipaq

20,377

Taripasqa Premio Atipaq

#181979 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Tokyo Samana Tiyana nisqamanta

Tokyo nisqaqa huk samana tiyanam, Brasilmanta sucupira sutiyuq chuqru kullumanta ruwasqa. Tiyanapa tulluqa hinantin rikukun, kullukunapa tinkisqanta hinaspa llaqllasqa kullu partenkunatapas qawachispa. Marq'anankuna hinaspa wasa q'imiykunaqa makiwan pusasqa torno nisqapi muyuchispa ruwasqa, tukukuyninkunapi ukhuman llaqllasqa detallekunayuq. Sapa marq'ana samanamanpim natural qara churasqa kachkan, sirasqawan tukuchasqa. Tiyanapa hinaspa wasapa puñunankunaqa patachasqa poliuretano espumata phuru hunt'achisqatawan huñunku, ch'umpi lino awasqawan p'istusqa. Hawankunataqa makiwan lliwsichisqa hinaspa mana llipipiq barnizwan tukuchasqa kachkan. Kay diseñoqa Japonpa kullu llamk'ana yachayninkunata Brasilmanta materialman churachin.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Tokyo Samana Tiyana A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Tokyo Samana Tiyana ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Tokyo Samana Tiyana achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Tokyo asserts craftsmanship as structure and expression. Defined by its fully exposed wooden frame in solid Brazilian sucupira, the lounge chair reveals precision woodworking through manually operated lathe-turned arms with subtle concave detailing at the ends. An inlaid leather armrest refines the tactile experience, balancing substantial material presence with aesthetic lightness and disciplined form.
Tupukuna & P'istuy: Dimensions: 700 mm W x 800 mm D x 700 mm H.
Weight: approximately 30 kg.
Structure: solid sucupira wood.
Armrests with recessed natural leather inlay and stitching.
Seat and back cushions with layered foam and feather filling, upholstered in brown linen.
Finish: matte acrylic varnish.
Non disassemblable construction.
Etiquetakuna: Lounge chair, Solid wood furniture, Japanese craftsmanship, Brazilian sucupira, Exposed structure, Artisanal woodworking, Contemporary seating, Minimalist design, Leather inlay
Ruway Tecnología: Tokyo is manufactured in certified solid Brazilian sucupira hardwood. Structural components are precision machined, with arms and back supports shaped on a mechanically driven lathe under manual control. Armrests incorporate recessed detailing for flush leather inlay. Elements are hand sanded to refine concave terminations. The base is assembled from solid planks with radiused edges. Upholstery combines multi density polyurethane foam and feather filling. Finished with water based matte varnish.
Diseño Sasachakuy: The main challenge was achieving formal discipline while working with substantial volumes of solid wood. Balancing structural mass with refined proportion required precise control during lathe shaping and manual finishing. Internally, the project sought to reinterpret Japanese woodworking principles within a Brazilian material context. Externally, contemporary production constraints demanded efficiency without compromising craft integrity, requiring careful coordination between technique, material and artisanal execution.
T'aqwiy: Research focused on refining solid sucupira structure through controlled manual processes. The objective was to test how lathe shaped components and proportional studies could enhance structural precision. Methodology included full scale prototyping and ergonomic evaluation. Data was collected through physical mockups and material testing. Experiments centered on hand guided finishing. Results confirmed durability and refined surface quality, reinforcing craft driven production in contemporary furniture.
Kallpachay: Tokyo was inspired by the principles of Japanese woodworking, where precision, restraint and respect for material define construction. The project explores how substantial volumes of solid wood can achieve visual lightness through disciplined detailing and controlled form. By prioritizing hand guided processes, even when using mechanical tools, the design embraces an a mano approach, valuing the artisan gesture over automated production.
Llamk'ay Pacha: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
Purichiy Puriy: Tokyo is experienced as a balance between structure and comfort. The solid wood frame provides visual stability, while the layered cushions offer a soft and supportive seat. The recessed leather armrest enhances tactile contact, creating a refined resting point for the hands. Its proportions encourage a relaxed posture without excess, allowing the user to feel supported by craftsmanship rather than hidden structure.
Huñu Runakuna: Designer: Isabelle De Mari
Designer: Filipe Melo