Stefano I. Scarascia and Shyam F. Zonca nisqap Sestetto Parlantekuna Orquesta diseñonqa Iñikik Llamkana Kamay Atipanakuy T'aqapi 2017 A' Design Award Quri Premiu nisqap ancha chaniyuq atipaqninmi.
QuriRantikuk Iñikik· 2017
Sestetto Parlantekuna Orquesta
Stefano I. Scarascia and Shyam F. Zonca rurasqa
Mañakuq: Produzione IMpropria
Rantikuk Iñikik T'aqapi A' Design Award Quri Premiu Atipaq
Taripasqa Premio Atipaq
#56634 nisqapaq Premio Kayninta TaripayDiseñomanta
Sestetto Parlantekuna Orquesta nisqamanta
Huk parlantekuna orquesta cheqaq músicos hina kuska tuqyanku. Sestetto kan huk achka-ñañan uyariy sistema sapankankhu instrumento pistakuna sapaq parlanteskunapi tuqyanapaq, hukniray tecnologiakuna materialkuna ima específico tuqyay kasoman dedicasqa, ch'uya hormigón, q'ispi maderamanta tuqyaq tablakuna chaymanta cerámica cornetakuna chawpipi. Pistakuna t'aqakuna ima chaqrusqanqa kutimun uyarinapaq sitiopi aychamanta kaypaq, cheqaq concierto hina. Sestetto kan grabación músicaq cámara orquestanmi. Sestetto directamente kikinmanta ruwasqa diseñadorninkuna Stefano Ivan Scarascia chaymanta Francesco Shyam Zonca.
Riqsichiy
A' Design Award Quri Premiu nisqamanta
Sestetto Parlantekuna Orquesta A' Design Award Quri Premiu mishak kan, ancha jatun yupaychay, kayta ñawpak kallari, sumak shinallatak mancharina diseñukunaman kun. Quri mishak kashkakunaka mushuk yuyay achka, ñawpakta rikuk shinallatak achikyaska rurashkakunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Sestetto Parlantekuna Orquesta ashtawan alabashka, mushuk ñankunata churak shinallatak hatun valorta kuk yuyay kanata munanku. Kay Quri Premiu japishka diseñuka hanak, yupaychashka rurashka kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Sestetto Parlantekuna Orquesta munayta kallarichin, yuyayta kallarichin, ruraytapash kallarichin shinallatak kuyaychin.
Diseño Qhipanpi
Prensa Kit
Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.
- Sapaq Kayninkunamanta
- An orchestral ensemble of loudspeakers that play together like real musicians. Sestetto is a multi-channel audio system to play individual instrument tracks in separate loudspeakers of different materials and technologies dedicated to the specific sound case.
The HiFi concrete speaker is especially suitable for drums and basses.
The ceramic speaker can emphasizs wind instruments and voices through its ceramic horn.
The wooden speaker puts in vibration the wooden soundboard itself, for acoustic string instrument. Sestetto is directly self-produced by its designers Stefano Ivan Scarascia and Francesco Shyam Zonca. - Tupukuna & P'istuy
- Console (USB connection, multi-channel digital-analog converter, six separate 30W amplifiers with dedicate controls, passive and active outputs, dimensions 280 mm x 250 mm x 250 mm)
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Speakers (8 Ohm impedance, 30W power, dimensions 350 mm x 300 mm x 300mm)
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Concrete Speakers (polypropylene mid-woofer speaker,
tweeter speaker,
two-Way Crossover,
8 liters closed cabinet of reinforced concrete)
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Ceramic Speakers (midrange speaker,
ceramic horn in a case of reinforced concrete)
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Wooden Speakers (vibration transducer,
soundboard of fir and birch in a case of reinforced concrete) - Etiquetakuna
- multi-channel, audio, system, speaker, concrete, ceramic, wood, vibration, loudspeaker, orchestra
- Ruway Tecnología
- The console case is handmade and finished of fir, walnut and mahogany.
The speaker cabinets are molded in reinforced concrete.
The ceramic horns are turned by hand by a ceramic artisan, while the wooden soundboards and boxes are made of fir and birch. - Diseño Sasachakuy
- The hardest part of this design activity has been finding rapid solutions for the self-development and especially the self-production processes, while maintaining the design and aesthetic quality typical of Hi-Fi audio devices.
- T'aqwiy
- In the context of a deep self-production research at the Politecnico di Milano, the aim of Sestetto was to extend this approach also to the self-production of the listening experience. After investigating the alternative audio systems technical possibilities, it has been developed the electronic multi-channel device, in parallel to the typical sound properties of different materials and technologies for experimental sound combinations. The selected self-production processes massively influenced the final aspect of the product, with the aesthetic considerations on the historical audio devices and trends.
- Kallpachay
- Sestetto is the chamber orchestra of the recorded music: the mixing of tracks and parts comes back to be physically in the place of listening, like in a real concert. From the majesty of the ceramic horn, the heat of the wooden soundboard, the fidelity of the concrete cabinet, Sestetto incorporates in a set more diverse methods of sound reproduction, for a continuous musical experimentation also in the listening experience.
- Llamk'ay Pacha
- The project started in September 2012 in Milan, Italy and finished in February 2013. It was exhibited in Fuorisalone del Mobile in April 2009, in XXI Triennale from June to September 2016, in Lambrate Fall Edition in October 2016. It appeared in Domus, Ottagono, Case e Stili and Interni magazines and web-zines.
- Purichiy Puriy
- Connect the console to the computer through the USB port and just play the multi-channel tune with a common music player software. Try and choose different speaker connections to experiment surprising combinations with the materials and the technologies. Adjust the dedicated volume for each instrument or voice channel and feel free to locate the individual speakers in the whole space.
- Huñu Runakuna
- Stefano Ivan Scarascia
Francesco Shyam Zonca - Siq'i Hayñikuna
- Image #1: Photographer Marianna Milione, Stefano Ivan Scarascia, 2013.
Image #2: Photographer Francesco Shyam Zonca, 2013.
Image #3: Photographer Francesco Shyam Zonca, 2013.
Image #4: Photographer Francesco Shyam Zonca, 2013.
Image #5: Photographer Francesco Shyam Zonca, 2013.
VIDEO CREDITS: Shooting Beniamino Sulfaro / Video Editing Stefano Ivan Scarascia / Soundtrack Stefano Ivan Scarascia, 2013.
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