Wen Jenq Cherng nisqap Chair of Soul Tiyana diseñon

Wen Jenq Cherng nisqap Chair of Soul Tiyana diseñonqa Tiyarina Kamay Atipanakuy T'aqapi 2020 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiTiyarina· 2020

Chair of Soul Tiyana

Wen Jenq Cherng rurasqa

Mañakuq: Cherng's Work

Tiyarina T'aqapi A' Design Award Burunsi Premiu Atipaq

12,406

Taripasqa Premio Atipaq

#91651 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Chair of Soul Tiyana nisqamanta

Chair of Soul nisqa tiyana kaykan huk tiyana, kurpuykita allin sayasqa hawapi samachinanpaq. Tiyanapa sayaynin, wasapa qhipanpi kasqan hank'a wasapaq, chaymanta makinkunapaq samana pampakuna, uma kurpupa llasaqninta apanku. Pisillamanta kumusqa wasa-tiyaqinin kurpupa rikch'ayninta qatikun, hinaspa rikranpi, kunkapi, wasapi, chakikunapi makikunapipas ch'ipiykuyta hanllarichin. Ñawpa Ming Dynasty nisqa Chinapa muebleskunanmanta yachasqa kanku kay ch'ulla, sut'i tupuykunata. Sulawesi lawmanta Ebano k'ullu tiyanapa sunqun ruwan, chaywanpas kupri tubomanta chakikuna, morado color Nappa qara tiyanapaq. Mortise-tenon nisqa tinkusqakunawan tukuy partekuna huñusqa kanku, hinaspa huk kurwasqa ruway chakikunata tiyana pampawan tinkun.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Chair of Soul Tiyana A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Chair of Soul Tiyana sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Chair of Soul Tiyana mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Tupukuna & P'istuy: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Etiquetakuna: Product, Chair, Health, Oriental, Furniture
Ruway Tecnología: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Diseño Sasachakuy: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
T'aqwiy: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Kallpachay: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Llamk'ay Pacha: The project started in December 2016 and finished in December 2018.
Purichiy Puriy: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Huñu Runakuna: Designer: Wen-Jenq Cherng