Polonceau Railway Carriage Primary Function: Iyubakwa ry'Amashusho n'Amajwi na Pitch Creative Engineering Bureau

Umushinga Polonceau Railway Carriage Primary Function: Iyubakwa ry'Amashusho n'Amajwi wa Pitch Creative Engineering Bureau ni uwatsinze igihembo cyubahwa cyane 2021 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Umuco n'Umurage.

IfezaUmuco n'Umurage· 2021

Polonceau Railway Carriage Primary Function: Iyubakwa ry'Amashusho n'Amajwi

na Pitch Creative Engineering Bureau

Umukiriya: Russian Railway Museum

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Umuco n'Umurage

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #108633

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Polonceau Railway Carriage Primary Function: Iyubakwa ry'Amashusho n'Amajwi

Book Text: Polonceau Railway Carriage ni iyubakwa ry'amashusho n'amajwi ryakozwe ku bwa nzu ndangamurage y'ibisiga bya gari ya moshi. Iri yubakwa rihuza igisiga cya kera kidasanzwe n'urukuta rw'amashusho rufite ecran nyinshi runyeganyega hamwe na cyo. Urukuta rufite metero 4.2 z'uburebure, rufite ecran eshanu kandi rugenda hafi metero 22. Amashusho agaragaza imbere y'igisiga cyihariye cy'ubwiza bwo hejuru cyakoreshwaga n'abayobozi bakuru b'Abasoviyeti, harimo igikoni, uduce tw'aho baryamaga, icyumba cyo kwakiriramo abashyitsi n'icyumba cyo kwigiramo. Amashusho yafashwe ahujwe n'ubuhanzi bwa mudasobwa, kandi amashusho ahuzwa n'urukuta runyeganyega, ku buryo abashyitsi babona ibyabaye bishobora kuba byarabereye imbere.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

Polonceau Railway Carriage Primary Function: Iyubakwa ry'Amashusho n'Amajwi ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. Polonceau Railway Carriage Primary Function: Iyubakwa ry'Amashusho n'Amajwi biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Polonceau Railway Carriage Primary Function: Iyubakwa ry'Amashusho n'Amajwi ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The installation combines a rare carriage named after a French engineer Camille Polonceau with a multi-screen video wall moving along. The video demonstrates inner space of a private premium carriage used by prominent Soviet officials. Historically accurate shooting is combined with CGI. Video content is accurately synchronized with video wall movement, so that a physical carriage standing next to a visitor a provides a glance at one of historical episodes that may have happened inside.
Ibipimo n'Ipaki: The height of video wall is 4.2 m, it consists of 5 screens and covers a distance of about 22 m. Ensured accuracy for the whole travel path is 1 mm. As visitors follow the moving wall within easy reach, the installation is equipped with an industrial safety system.
Ibibazo Fatizo: historical railway carriage, multi-screen video wall, CGI, costume shooting
Ikoranabuhanga ryo Guteza Imbere: Video content was created with chroma key technique for compositing filmed action and CG. For proper realism and parallax effect we needed moving camera with precise repeatability for a 22 m travel path. Camera was mounted on a moving video wall. According to filming script a special program was written to control camera movement.
Ikibazo cy'Ishusho: The main production challenge was to create content with chroma key technique for compositing filmed action and CG. For proper realism and parallax effect we needed moving camera with precise repeatability for a 22 m travel path. It was impossible to rent such system for studio floor filming, so we placed historically accurate decorations behind the other installation we developed earlier for the same museum. Camera was mounted on a moving video wall. Due to digital motion control system and unique project pipeline no further adjustment, movement program correction or content re-rendering was needed afterwards.
Ibyatumye Habaho: The Russian Railway Museum is one of the world's largest railway museums and keeps a vast collection of rare and legendary steam trains, locomotives, electric locomotives, railcars and other rolling stock. We have striven to create an authentic visitor experience complementing historical artifacts by modern technologies. Historically accurate video content immerses visitors into the past and enables to witness some episodes that might have happened. This installation was created on request, under supervision and with help of the Museum's exposition general contractor, The Art Combine for Museums & Exhibitions LCC (KMVI LCC).
Igihe cy'Umushinga: The installation is available in the Russian Railway Museum permanent exhibition (St. Petersburg)
Uburyo bw'Imikorere: Moving along premium carriage Polonceau visitors observe Vyacheslav Molotov, notorious Soviet Minister of Foreign Affairs, on his typical business trip. Inner space of the carriage presents a kitchen, lavatories, compartments for porters and guards, drawing rooms, a study and Minister's private compartment. The episode was recreated by one shot filming with custom high accuracy motion control technology. The video provides some explanations for interior environment.
Abagize Itsinda: General contractor
Artistic endeavor
Architectural design |
The Art Combine for Museums & Exhibitions LCC (KMVI LCC)
Concept and Principal | Andrey Pazgalyov (KMVI)
Senior Art Director | Ivan Nikitin (KMVI)
Chief Architect | Rodion Pautov (KMVI)
Project Manager | Ivan Kuznetsov (KMVI)
Creative Director | Boris Kislitsin (Pitch)
Technical Director | Dmitriy Napolnov (Pitch)
Production Director | Maxim Chepukhalin (Pitch)
Project Manager | Danil Gerasimenko (Pitch)
Chief Engineer | Vladimir Makhnov (Pitch)
Designing Еngineer | Oleg Savitchev (Pitch)
Automation Engineers | Valeriy Kozhukhov, Alexandr Lukin (Pitch)
Multimedia Engineer | Sergey Pervakov (Pitch)
Art Director | Svetlana Golovchanskaya (Pitch)
Scriptwriters | Vadim Shtepenko, Liza Pejemskaya (KMVI)
Supervisor | Roman Kuligin (Pitch)
3d Artists | Rustam Arazov, Anton Khondoker (Pitch)
Filming Operator | Mikhail Vikhrov (Pitch)
Film Post-production | Frame Bakery