Takanabe Ninomaru Inzu Ndangamurage y'Amateka na Tomohiro Kaji

Umushinga Takanabe Ninomaru Inzu Ndangamurage y'Amateka wa Tomohiro Kaji ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cya Zahabu mu Cyiciro cy'Ihiganwa cya Umuco n'Umurage.

ZahabuUmuco n'Umurage· 2025

Takanabe Ninomaru Inzu Ndangamurage y'Amateka

na Tomohiro Kaji

Umukiriya: Takanabe Town Hall

Uwatsinze Igihembo cya A' Design Award cya Zahabu mu Cyiciro cya Umuco n'Umurage

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #167822

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Takanabe Ninomaru Inzu Ndangamurage y'Amateka

Inzu Ndangamurage ya Takanabe, yashinzwe mu 1986, yongeye gutekerwa mu buryo bushya kugira ngo ikemure ikibazo cy'abashyitsi bagabanuka kubera ibyerekanwa bishaje kandi bidahuje n'ibihe. Gushushanya byongeye byashingiye kuri JIN, filozofiya y'ubuntu, bigatuma ihinduka ikigo cy'umuco n'uburezi gikangura ishema ry'abaturage. Hakoreshejwe uburyo bwo kuvuga inkuru mu mashusho hamwe n'imigendekere y'umwanya, ivugurura ryazanye gutunganya bifite insanganyamatsiko zihariye, ibyerekanwa bifata abakireba, n'ibipande bya akrilike bigizwe n'uduce dunyuranye twerekana gukomeza kw'amateka. Yongeye kwiswe NINOMARU Inzu Ndangamurage y'Amateka, ubu ikaba ari umwanya ufatanya aho umurage, uburezi, n'umuryango bahurira.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Zahabu

Takanabe Ninomaru Inzu Ndangamurage y'Amateka ni uwegukanye Igihembo cya A' Design Award cya Zahabu, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo biri ku rwego rwa mbere, bitangaje kandi by'indashyikirwa. Abegukanye Zahabu ni ibihangano birimo udushya twinshi, bifite icyerekezo kandi bimurika, bigaragaza impano, ubwenge n'ubuhanga bw'ababihanze. Takanabe Ninomaru Inzu Ndangamurage y'Amateka biteganyijwe ko izaba igihangano gishimwa cyane, gishyiraho imigendekere mishya kandi gitanga agaciro katigeze kaboneka. Iki gishushanyo cyegukanye Zahabu ni umushinga utangaje kandi wubahwa ugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Takanabe Ninomaru Inzu Ndangamurage y'Amateka itera ibyifuzo bikomeye, ikangura ishyaka, ishishikariza guhanga kandi igatwara imitima yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: This design centers on the concept of a history of benevolence, creating a space that visually and intuitively conveys the region's heritage through storytelling. Located on the historic site of Takanabe Castle, the museum was renamed and redesigned as a cultural hub to rediscover the town's uniqueness and foster civic pride. From curation and visual identity to signage and narrative design, the space was fully reimagined to serve as an educational and inspiring environment.
Ibipimo n'Ipaki: Scale:
Site area: 7,763 meter square
Building area: 904.43 meter square
1st floor area: 461.58 meter square
2nd floor area: 442.85 meter square
Ibibazo Fatizo: historical museum, cultural heritage, exhibition design, storytelling, visual identity, graphic design, spatial design, civic engagement, SDGs
Ikoranabuhanga ryo Guteza Imbere: This exhibition uses graphic and spatial design to make history visually engaging. The entrance features a concept display with a tagline, while the first exhibition room includes zoning signs with symbolic designs. The second exhibition presents Takanabe Domain's history, the Meirindo school, and the 7th lord Akizuki Taneshige's SDGs-related policies. At the center, acrylic panels display successive lords and their policies, with a red gradient symbolizing historical continuity.
Ikibazo cy'Ishusho: The biggest challenge of this project was creating an engaging exhibition with limited historical materials and budget. From a historical and social perspective, extensive document research and discussions with experts were conducted to highlight the region's uniqueness, shaping the exhibition narrative around the culture of human development. As large-scale renovations were not feasible, we utilized graphic and spatial design to create a visually compelling and immersive exhibition.
Ubushakashatsi: This study aimed to revitalize a historical museum through design and narrative. The objective was to enhance visitor engagement, promote cultural heritage preservation, and foster civic pride. The methodology included comparative studies of museums and interviews with historians. We introduced content curation and visual solutions. By highlighting the region's unique history of human development, we proposed a narrative-driven exhibition design, enhancing historical understanding.
Ibyatumye Habaho: This project was inspired by the need to revitalize a declining local region by restoring its historical museum. Established in 1986 under the Akizuki domain, the museum's outdated exhibits led to a decline in visitor engagement. With the town's rich history in education and culture, revitalizing its significance was crucial. The goal was to transform the museum into a cultural hub where people can learn, connect, and take pride in their heritage and traditions.
Igihe cy'Umushinga: The project began in autumn 2023 in Miyazaki, Japana and finished in December 2024.
Uburyo bw'Imikorere: This exhibition utilizes visual storytelling to help visitors intuitively understand the region's history. The layout is designed for a sequential experience, guiding visitors through zoned spaces categorized by theme and era, ensuring a natural flow of information. The design creates an immersive experience where history is learned through narratives, while layered acrylic panels symbolize temporal connections, resulting in a visually engaging and easily comprehensible exhibition.
Abafotoye: Illustrations: Tomohiro Kaji
Image #1-#5: Photographer Kai Kanno (Nacasa & Partners)