Umushinga I am Nesia Uruhererekane rw'Ifotografiya wa Chris Slabber ni uwatsinze igihembo cyubahwa cyane 2021 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Ifotora.
IfezaIfotora· 2021
I am Nesia Uruhererekane rw'Ifotografiya
Umukiriya: Chris Slabber
Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Ifotora
Uwatsinze Igihembo Yemejwe
Emeza Uko Igihembo Gihagaze ku #123356Imigereranyo
Ibyerekeye I am Nesia Uruhererekane rw'Ifotografiya
Nesia ni njye ni uruhererekane rw'ifotografiya ruvuga ku ngaruka z'ihoterwa ryo mu mwaka wa 2020 ku roho y'umuntu. Buri shusho yakozwe mu guhindukiza icyerekezo cya lenzi mu cyerekezo kitari cyo, ku buryo ibisembure byahindutse ibibanza byoroshye by'amabara bisa n'amashusho yakozwe n'amabara y'amazi. Hanyuma hongerwaho ishusho yijimye kuri buri gishushanyo nk'ikigereranyo cy'ubwoba n'ihangayika, naho imiterere y'utubuto igasoza ibyakozwe. Uru ruhererekane rukorwa nk'amasanduku y'urumuri anini y'ingero za milimetero 1200 kuri 2000. Intego ni ukwandika igihe cy'ubushidikanye no kwerekana ko abantu bashobora kwihanganira ibihe no gutsinda.
Ishimwe
Ibyerekeye Igihembo cya A' Design Award cya Ifeza
I am Nesia Uruhererekane rw'Ifotografiya ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. I am Nesia Uruhererekane rw'Ifotografiya biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. I am Nesia Uruhererekane rw'Ifotografiya ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.
Inyuma y'Imigereranyo
Dosiye y'Itangazamakuru
Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.
- Ibintu Bidasanzwe
- This series of images is an interpretation of the effects that the recent lockdown had on the human spirit. It documents how loneliness effected human behaviour. The big uncertainty produced by the pandemic has seen a spike in anxiety and depression on a global scale. There was a blanket of fear draped across society. This is represented by the out of focus images and emphasised by the dark figure looming in the background.
- Ibipimo n'Ipaki
- The end product will be produced as large format light boxes. Width 1200mm x Height 2000mm. The light box will enhance the emotional value of the pieces.
- Ibibazo Fatizo
- colour scapes, landscape photography, lockdown, pandemic, out of focus, fear, challenge,
- Ikoranabuhanga ryo Guteza Imbere
- The idea was to create water colour scapes using photography. This was achieved by turning the focus completely in the wrong direction in order to manipulate pixels. While looking through the viewfinder, the idea was to find a good composition of colours instead of background, foreground and background elements. Afterwards the dark figure was inserted into the selected colour scapes in photoshop. Each piece was then finished with a grain texture to boost the emotional value of the pieces.
- Ikibazo cy'Ishusho
- The biggest challenge was to make a rather ominous theme come across as aesthetically pleasing. This was resolved by using well balanced colour palettes along with the right composition for each image. In most of the images there is a lot of sky. This gives the idea of space or the unknown. The dark figure is a metaphor for the fear and anxiety aspect of the lockdown, but this poses the question to the viewer. Will you run in fear or will you walk towards the figure and engage with your fear? To finish off the work, the light box will create movement and dynamics in the compositions.
- Ubushakashatsi
- To create these colour scapes I had to shift my focus from looking at landscapes in terms of foreground, middle ground and background. Instead the I had to find colour scapes. This meant that the compositions were dictated by the right balance of colours within the viewfinder. The end result should be a completely abstract interpretation of the actual landscapes. Each image should have its own emotional value, achieved by the colour palettes. This started to incorporate colour theory on a psychological level. Once produced as a light box, the work will reach a higher level of engagement on an emotional and visual level.
- Ibyatumye Habaho
- The moment of inspiration came when trying to photograph a moth against a dirty window. The actual photo of the moth didn't look great, but the out of focus background really evoked emotion. Using this as inspiration, I photographed various landscapes by opening up the aperture and cranking the focus all the way in the wrong direction. The end result was a photograph that looked like a blurry water colour painting. Instead of landscape photography, the exercise became colours cape photography.
- Igihe cy'Umushinga
- The was created in June 2020 during hard lockdown. I had to sneak out during curfew to take the photos.
- Uburyo bw'Imikorere
- The series was created as a reminder of the 2020 lockdown during the Covid 19 pandemic. The images is firstly meant to remind us of how uncertain our future became in a matter of months. It is a reminder of the fear felt on a global scale. Most important, it is there to remind us that we can prevail and adapt in order to survive and ultimately overcome the damage done by the pandemic. So even though the images might come across as dark, they are in fact a celebration of the human spirit.
- Abafotoye
- Image #1: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #2: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #3: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #4: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #5: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
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