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Orbit A Collection Icyegeranyo cy'Imitako na Suyu Chen

Umushinga Orbit A Collection Icyegeranyo cy'Imitako wa Suyu Chen ni uwatsinze igihembo cyubahwa cyane 2022 Igihembo cya A' Design Award cy'icyuma mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Amasaro.


IcyumaAmasaro· 2022

Orbit A Collection Icyegeranyo cy'Imitako

na Suyu Chen

Umukiriya: Suyu Chen

Uwatsinze Igihembo cya A' Design Award cy'icyuma mu Cyiciro cya Amasaro

15,062

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #131168

Amabara

Imigereranyo

Ibyerekeye Orbit A Collection Icyegeranyo cy'Imitako

Orbit A Collection ni urukurikirane rw'imitako ikorwa n'intoki, irimo ipini y'imitako (brooch) n'imikufi ibiri y'ijosi. Buri gice ni umwihariko utagira uwo gisa, kigizwe no guhuza ifeza nziza (sterling silver) n'imyenda ya plastiki, ibumba rya resin n'irangi. Ikintu kimwe cya plastiki gisubiramo nk'ishingiro ry'ibanze mu gukora ibishushanyo bitandukanye byo kwambara ndetse n'iby'ubuhanzi bw'igishushanyo. Uburyo gakondo bwo gukora imitako nk'ubwuma (soldering), gushushanya no gukora imikufi bukoreshwa, hamwe no gushyira hamwe plastiki ukoresheje ubushyuhe (plastic welding), gusiga no guha amabara. Iki cyegeranyo kigaragaza umubano uri hagati y'ubuhanga gakondo n'uburyo bugezweho bwo gukora ibintu byinshi ku rwego rw'inganda.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cy'icyuma

Orbit A Collection Icyegeranyo cy'Imitako ni uwegukanye Igihembo cya A' Design Award cy'icyuma, ishimwe ry'agaciro ritangwa ku bishushanyo byiza bihuza ibyo umwuga n'inganda bikeneye ku bihangano byashushanyijwe neza. Abegukanye icyuma bagaragaza ubuhanga bukomeye, ubumenyi bwihariye, imyumvire y'inzobere n'ubushobozi bwo guhanga bw'ababikoze. Orbit A Collection Icyegeranyo cy'Imitako biteganyijwe ko izaba igihangano cyubahwa, gishimwa kandi gikundwa, gifatika kandi gifite udushya. Iki gishushanyo cyegukanye icyuma gihuza uburyo bwiza bukoreshwa mu nganda kandi gifite ibiranga bya tekiniki bifite ubushobozi, bifatanye n'ubumenyi n'impano. Orbit A Collection Icyegeranyo cy'Imitako yubahwa kubera gukora neza, kandi yashushanyijwe kugira ngo inoze ubuzima, ifashe gutuma isi iba nziza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe
Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
Ibipimo n'Ipaki
Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm
Ibibazo Fatizo
jewelry, necklace, brooch, craft, mixed material, art jewelry
Ikoranabuhanga ryo Guteza Imbere
The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.

Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin)
Ikibazo cy'Ishusho
Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
Ubushakashatsi
By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
Ibyatumye Habaho
By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
Igihe cy'Umushinga
The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
Uburyo bw'Imikorere
This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
Abagize Itsinda
Suyu Chen
Abafotoye
Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020

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