Human Haus Tn Iduka ry'Imyenda na Minusplus Design

Umushinga Human Haus Tn Iduka ry'Imyenda wa Minusplus Design ni uwatsinze igihembo cyubahwa cyane 2024 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

BuronzeImbere y'Inyubako· 2024

Human Haus Tn Iduka ry'Imyenda

na Minusplus Design

Umukiriya: MinusPlus Design

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imbere y'Inyubako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #152964

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Human Haus Tn Iduka ry'Imyenda

Human Haus Tn ni imbere y'iduka ry'imyenda ryubatswe mu mujyi wa Tainan, muri Taiwan. Iduka riri ku gorofa ya mbere y'inzu imaze imyaka irenga mirongo itandatu, ifite igishushanyo kirebire kandi gito, hamwe n'igisenge cyubatswe mu buryo bugoramye. Ibice by'imbunda z'inkuta byakuwemo kugira ngo hagaragare inkuta z'amatafari akaraga y'ubwoko bwa kera, naho ibice by'ingorora byakuwe kugira ngo hagaragare imiterere ya kera y'ibiti byubatswemo igisenge. Ibikoresho birimo stucco, ibyuma, amatafari, n'ibiti bya oak byoroheje (oak veneer), hamwe n'ubwoko bw'ipentiro ririnda amazi bugira uruhare mu kurinda ubuso bwa kera. Umwiyubikire (staircase) hamwe n'igishushanyo giteye nk'isaha y'umucanga (hourglass shape) byagutse kugira ngo bongere ubugari bwo kureba. Hejuru y'inzu (mezzanine) harimo ahabikwa ibicuruzwa, naho imigozi ifasha mu kwimura no gutwara ibintu.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Human Haus Tn Iduka ry'Imyenda ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Human Haus Tn Iduka ry'Imyenda biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Human Haus Tn Iduka ry'Imyenda ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Combining the old and the new: There are many contrasting techniques in the space. The original wall panels that had been sealed up were broken down to reveal brick walls with traces of age. The ceiling panels were removed to reveal the former wooden roof structure in the new interior design. Took the concept of contrast to reveal the highlights.
Layout: The layout of the site is a common one in Taiwan. The narrow layout requires consideration of movement, sight, and experience. Used a staircase to create a vertical vision and an hourglass-loke look to create a horizontal axis.
Ibipimo n'Ipaki: The site has a total area of 52.8 square meters on the first floor and is over 60 years old.
The site is an old house built during the Japanese period. It has a narrow and long floor plan and a pitched roof ceiling. In the early days, people would use the triangular space of the pitched roof as a loft for storage. Following this idea, the design team arranged the clothing store's warehouse on the mezzanine floor and installed ropes to help the client efficiently when moving goods in and out.
Ibibazo Fatizo: Tainan, history, Japanese occupation era, clothing store, open plan, small space, solid wood, brick, stucco
Ikoranabuhanga ryo Guteza Imbere: Building materials: stucco, ironwork, brick, oak veneer stain, paint, topcoat, etc.
The project aims to prioritize preservation and avoids using complicated new materials. Instead, it emphasizes the restoration and preservation of existing materials.
To avoid moisture damage to the wood, the design team painted the brick walls, ceilings, window frames, and doors with a waterproof topcoat to ensure the antiques are preserved.
Ikibazo cy'Ishusho: The project places a strong emphasis on the 'contrast' between the old and the new, which involves carefully deciding what to preserve and what to discard. Keeping everything intact would not only defeat the purpose of revitalization but also fail to capture the essence of the old house. Conducted extensive deliberations and considerations, and eventually retained the most valuable elements. In the subsequent phase, the integration of modern elements became the focal point. Achieving a balance between the two elements was also a crucial aspect of the design that required meticulous planning.
Ubushakashatsi: The space holds a strong historical significance and a sense of time as it is located in Tainan, where the fashion industry thrived half a century ago.
The project's core is centered around the 'integration of the old and the new'. The old and the new are intertwined, bringing a new era of vitality through the story of history, while highlighting the strong textures of the past through the minimalist style. Through contrasting techniques in color, style, and visual effects, such as new and old, dark and light, and rough and smooth, the project makes the space more vivid.
Ibyatumye Habaho: The site is in Tainan, which is known as Castletown. Tainan has a rich and interesting story, and the site is near the Lin Department Store, which was the essence of the early development of the local fashion industry. The design team historical objects in the space, including brick walls, roof tiles, wood veneer, and layout, and restored them with new designs to find the perfect balance between new and old. Moreover, the vintage colors give visitors a new meaning that is different from the common clothing stores.
Igihe cy'Umushinga: The project finished in December 2022 in Taiwan.
Uburyo bw'Imikorere: The convenience of the space is more interesting than the client thought because the site has several conditions that cannot be changed. First, it has a slope; second, it has a long and narrow layout; and third, the space has non-modifiable storage space on both sides and above.
Used a staircase and hourglass style plan to create a spacious visual experience. In the storage, they installed preserved wood pieces where the view level is visible to enhance the nostalgic atmosphere. For the loft above, the vertical route was too steep, and ropes are installed to facilitate the goods in and out.
Abagize Itsinda: Yu-Hsuan Chu, Yu-Chen Chang
Abafotoye: Minusplus Design