Matsu Biennial 2023 Iserukiramuco ry'Ubuhanzi na Chun Ming Wang, Hou ching Lee and Han Wu

Umushinga Matsu Biennial 2023 Iserukiramuco ry'Ubuhanzi wa Chun Ming Wang, Hou ching Lee and Han Wu ni uwatsinze igihembo cyubahwa cyane 2024 Igihembo cya A' Design Award cy'icyuma mu Cyiciro cy'Ihiganwa cya Ibikorwa.

IcyumaIbikorwa· 2024

Matsu Biennial 2023 Iserukiramuco ry'Ubuhanzi

na Chun Ming Wang, Hou ching Lee and Han Wu

Umukiriya: Lienchiang County Government and The General Association of Chinese Culture

Uwatsinze Igihembo cya A' Design Award cy'icyuma mu Cyiciro cya Ibikorwa

43,208

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #155697

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Matsu Biennial 2023 Iserukiramuco ry'Ubuhanzi

Matsu Biennial ni gahunda y'imyaka icumi igizwe n'ibice bitanu igamije gushyiraho urufatiro ruhoraho rw'igishushanyo mbonera rusange. Ibikorwa byayo mirongo irindwi by'ubuhanzi bw'ibinyabupfura bitandukanye hamwe n'ibihangwa bikomatanya amashami menshi bikozwe mu mishinga icyenda y'abayobozi b'ibyerekwa by'ubuhanzi, bikemura ibibazo by'iterambere rihoraho ry'akarere. Imyobo y'igihe cy'Intambara y'Ubutabazi, ububiko bw'ibyanditswe ku ntambara, imigenzo ya Eastern Min, imyubakire, n'ururimi byerekana imiryango magana abiri ikomeza umuco wo gutunganya divayi, bigatuma haba insanganyamatsiko itwa Ruby Red After Summer. Ibirori bya Matsu Biennial bihindura ubuhanzi bukaba imizi ituma amajwi yacecekerejwe aravuga maze Matsu ikagira ishingiro ry'ubuhanzi n'igishushanyo mbonera.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cy'icyuma

Matsu Biennial 2023 Iserukiramuco ry'Ubuhanzi ni uwegukanye Igihembo cya A' Design Award cy'icyuma, ishimwe ry'agaciro ritangwa ku bishushanyo byiza bihuza ibyo umwuga n'inganda bikeneye ku bihangano byashushanyijwe neza. Abegukanye icyuma bagaragaza ubuhanga bukomeye, ubumenyi bwihariye, imyumvire y'inzobere n'ubushobozi bwo guhanga bw'ababikoze. Matsu Biennial 2023 Iserukiramuco ry'Ubuhanzi biteganyijwe ko izaba igihangano cyubahwa, gishimwa kandi gikundwa, gifatika kandi gifite udushya. Iki gishushanyo cyegukanye icyuma gihuza uburyo bwiza bukoreshwa mu nganda kandi gifite ibiranga bya tekiniki bifite ubushobozi, bifatanye n'ubumenyi n'impano. Matsu Biennial 2023 Iserukiramuco ry'Ubuhanzi yubahwa kubera gukora neza, kandi yashushanyijwe kugira ngo inoze ubuzima, ifashe gutuma isi iba nziza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Matsu Biennial restores the suppressed voices and self-evident culture of Matsu's unique Cold-War heritage and war zone administration period. Unlike typical art festivals, the Biennial is a 10-year project across 5 planned biennials to involve experts and provide integrated design solutions.
Cultural governance and design thinking are made part of policymaking to advance art and education. The Biennial is a long-term cultural movement through site translation, cultural tours, and co-creation.
Ibipimo n'Ipaki: Exhibition grounds spanning the 4 townships and 5 islands of Matsu under a framework of 9 curatorial projects, comprised of 70 works spanning 4 areas of art design, landscape architecture, culinary art, and performance. Exhibition venues across a range of public spaces such as beaches, strategic intersections, plazas, military sites, private houses, cafes, and museums. 12 co-curators and 80 artist groups, including 13 local artists and 7 visiting artists from 5 countries.
Ibibazo Fatizo: Matsu Biennial, art festival, cultural heritage, Cold War, public branding, community design, social design, design education
Ikoranabuhanga ryo Guteza Imbere: Based on past studies of Matsu's military and cultural heritage, the Biennial invites locals and experts to co-create 70 works across 9 curation projects of architecture, art, food, and performance. Crossing contemporary mediums with traditional arts, it connects and revitalizes local traditions. Highlights include Underwater Lab and The Island Scene, featuring technology art, video, sculpture, traditional papercutting art, and military site installations, creating key landscapes on the island.
Ikibazo cy'Ishusho: The goal of the Biennial is to revive tangible/intangible heritage. Winemaking became the theme to resonate culturally and military sites have been revitalized. The challenge is to instill cultural identification locally, preserving and innovating with experts to increase local participation and communications by social design. As a cultural movement, the Biennial engages with residents, delivering posters to 3800 households and embedding its processes in art curriculums and development workshops.
Ubushakashatsi: The Matsu Biennial 2023 is based on past surveys of local heritage. Its theme Ruby Red After Summer honors the tradition of winemaking in Matsu to "ferment art". In 2007, a comprehensive survey of the islands recorded 146 military installations. In 2019, 13 military sites were selected for revitalization studies. Surveys on local contexts, archives, and interviews collected local issues and cultural highlights of Matsu’s sites including crafts, and food, forming the basis for the Biennial.
Ibyatumye Habaho: UNESCO Universal Declaration on Cultural Diversity considers cultural diversity as legacy, promoting peace through dialog. Villages and towns nowadays host large-scale art festivals to revitalize local industries and culture, driving local participation and bolstering the regional brand. Accordingly, Matsu Biennial adopts the core concept of "social design", creating public branding for sustainable governance and using art curation to highlight the significance of Matsu's Cold-War heritage.
Igihe cy'Umushinga: The 2nd Matsu Biennial "Ruby Red After Summer" opens from Sept. 23 to Nov. 12,2023 at the 4 townships and 5 islands of Matsu. In 2007, a comprehensive survey of Matsu's local heritage and cultural landscape was initiated. In 2019, planning for the 1st Matsu Biennial started, and in 2020, a stronghold redesign campaign movement was launched, leading up to the opening of 2 military sites for the 2nd Matsu Biennial.
Uburyo bw'Imikorere: Addressing issues through social design, the Biennial adopts 5 principal designs of engagement—creating dialogue with the community and developing local characteristics; sustainability—design with a 10-year vision; planning—continued concern for society through art practice; spatial governance—design on the scale of architectural contexts; and culture—design to transform organizational cultures and create an environment conducive to art and design.
Patente: Copyrights belong to Matsu Biennial
Abagize Itsinda: Co-organizers: Chung-Ming Wang, Hou-ching Lee, Jing-hui Huang, Xiao-Yun Wu
Marketing Coordinator: Ayu Cheng
Chief of Operations: Hui-Ting Liu
Curatorial team: Lee Ro-Mei, Chao Kai-Chih, Eric Chen, Eva Lin, Chang Cheng-Yu, Chang Kuang-Yi, Nakaw Putun, Han Wu, Hung Yu-Cheng, Ella Jheng, Liu Mei-Yu, Tammy Yu-Ting Hsieh, Pilar Tsai, Li-Wei Hou, Liting Liu, Hsieh Shu-Ching, Wang Shih-Yu, Wilma Ku, Yu-Zheng Ye
Abafotoye: Matsu Biennial