Umushinga Zig Zag Umurongo w'Imitako ya None wa Mayte Ossorio Domecq ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Amasaro.
BuronzeAmasaro· 2025
Zig Zag Umurongo w'Imitako ya None
Umukiriya: Mayte Domecq
Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Amasaro
Uwatsinze Igihembo Yemejwe
Emeza Uko Igihembo Gihagaze ku #171308Imigereranyo
Ibyerekeye Zig Zag Umurongo w'Imitako ya None
Kuva ku Murongo Ugororotse Kugeza ku Ugoramye: Zigizagi Ifata Imiterere. Uyu mushinga w'ubushakashatsi bwikoreshwa usuzuma ihinduka ry'umurongo ugororotse ujya mu murongo ugoramye binyuze mu bice bihuza. Intego yari uguha gukora urunigi rukomeye kandi rukurura amaso cyane mu gihe cyo kugabanya ikoreshwa ry'ibikoresho no kunoza imikorere myiza y'imiterere. Uburyo bwakoreshejwe bushingiye ku igerageza ritaziguye, aho uburyo butandukanye bwo guca no kugoreka bwagerejweho kugira ngo hagerwaho ubworoheze n'imiterere bishakwa.
Ishimwe
Ibyerekeye Igihembo cya A' Design Award cya Buronze
Zig Zag Umurongo w'Imitako ya None ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Zig Zag Umurongo w'Imitako ya None biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Zig Zag Umurongo w'Imitako ya None ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.
Inyuma y'Imigereranyo
Dosiye y'Itangazamakuru
Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.
- Ibintu Bidasanzwe
- From straight to curved: the Zig Zag takes shape. Morphological transformation and body adaptation through transversal, equidistant, and rhythmic linear cuts. Each piece starts from double layered, overlapping leather rectangles that, through specific cuts, create distinct visual and functional rhythms depending on their placement, necklaces, bracelets, or earrings. This, along with the reuse of remnants, optimizes resources and maximizes material exploration.
- Ibipimo n'Ipaki
- Double glued leather, in different colors and textures, pastel, metallic and basic.
Earrings w 3mm d 20mm h 65 mm. Necklace mini w 3mm d 25mm h 480mm. Necklace big w 3mm d 60mm h 540mm. Necklace 8 w 3mm d 30mm h 900mm. Bracelet w 3mm d 60mm h 220mm. Packaging is custom cardboard with outer loop, brand label, card and heart. - Ibibazo Fatizo
- from straight to curve, morphological transformation, jewelry, sustainability, body adaptation
- Ikoranabuhanga ryo Guteza Imbere
- Double layer cowhide leather, bonded together.
Manufacturing, handcrafted using hole punch tools.
Cutting dies are used for all necklace bodies, shaping straight edges into curves through repetitive, equidistant transverse cuts. This method minimizes material use, ensures optimal body adaptation, maximizes efficiency, and creates unique differentiation between pieces through variations in the cuts. - Ikibazo cy'Ishusho
- For the Zig Zag line, the challenge was to create a bold necklace without relying on large leather surfaces, using mostly small remnants. The key was generating curvature after cutting, transforming a 22 cm x 6 cm rectangle, the one used for the bracelet, into a striking piece. Equidistant cuts were tested to determine how close they could get to the edge for flexibility without risking breakage. Unlike a single cut piece, this method required precision to maximize material use while ensuring structural integrity.
- Ubushakashatsi
- From straight to curved: the Zig Zag takes shape. This is an applied research project aimed at transforming a straight line into a curve through cross sections. The goal was to create a strong necklace while minimizing material use. The methodology involved direct experimentation with the material. The result was remarkable, not only was the design immediately accepted, but it also received a clearly positive response. It is sold in Germany, Turkey, and Argentina.
- Ibyatumye Habaho
- When covering a notebook, rigid paper finds its flexibility through precise, cuts it folds, adapts, and embraces the shape without losing structure. That same principle guides the Zig Zag line. A firm lined rectangle transforms through strategic cuts that allow it to fall gracefully, as if the material were learning to move. Thus, what was once static becomes fluid, geometry adapts to the body, and air becomes part of the design.
- Igihe cy'Umushinga
- The proyect started in January 2019 with the bracelet, january 2022 and finished in July 2022, the hole line in Bs As Argentina.
- Uburyo bw'Imikorere
- Designed for comfort and easy wear, these pieces can be put on without assistance. Ideal for daily use, they have the right weight to prevent strain. Their material ensures silent movement. Both necklaces and the bracelet feature metal cufflinks for secure fastening. The bracelet has two adjustable positions. The earrings use standard stainless steel posts that fit seamlessly into the earlobes.
- Patente
- Awarded the Sello del Buen diseño Argentino 2024 (Seal of Good Argentine Design 2024) #5429
- Abagize Itsinda
- Mayte Ossorio Domecq
- Abafotoye
- Image #No 1 : Photographer Edgardo Delfino Model Sergio Calegoya
Image #No 2 : Photographer Edgardo Delfino model Mayte Ossorio Domecq
Image #No 3 : Photographer Edgardo Delfino
Image #No 4 : Photographer Edgardo Delfino
Image #No 5 : Photographer Edgardo Delfino
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