Suwen Guqin na Shanghai Yitong Cultural Communication Co.,Ltd.

Umushinga Suwen Guqin wa Shanghai Yitong Cultural Communication Co.,Ltd. ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igikoresho cy'Umuziki.

BuronzeIbikoresho by'Umuziki· 2026

Suwen Guqin

na Shanghai Yitong Cultural Communication Co.,Ltd.

Umukiriya: Shanghai Yitong Cultural Communucation Co.,Ltd.

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Ibikoresho by'Umuziki

15,175

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #180049

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Suwen Guqin

Suwen ni guqin, igicurangisho gakondo cy'Abashinwa gifite imirya, cyongeye gutunganywa mu buryo bujyanye n'igihe cya none. Ishusho yacyo ikurikiza qin yo mu ngoma ya Tang ibitswe mu Rusengero rwa Horyuji. Urubaho rw'ijwi rukozwe mu giti cya sederi cyangwa paulownia cyamaze igihe kirekire, naho inyuma hakozwe mu giti cya catalpa. Igice cy'ibanze kivanga ivu ry'amahembe y'impongo na rake mbisi. Umwanya w'imbere wateguwe mu buryo bw'ubuhanga bw'amajwi utuma umubiri muto w'igicurangisho utanga ijwi n'ubunini bw'amajwi bingana n'iby'igicurangisho gisanzwe kinini. Isura ya rake idafite ubwiza bukayangana kandi ifite udusaro tworoheje itanga ubuso bwumye budanyerera. Aho imirya ifatirwa hagurwe ku mpera y'igicurangisho, bituma abatangiye kwiga ndetse n'abacuranzi bafite intoki ntoya boroherwa mu kunyeganyeza intoki zabo.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Suwen Guqin ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Suwen Guqin biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Suwen Guqin ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
Ibipimo n'Ipaki: 1100mm*150mm*45mm
Ibibazo Fatizo: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
Ikoranabuhanga ryo Guteza Imbere: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
Ikibazo cy'Ishusho: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
Ubushakashatsi: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
Ibyatumye Habaho: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
Igihe cy'Umushinga: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
Uburyo bw'Imikorere: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
Abagize Itsinda: Ding Liang