Tien Wun Li ᱨᱮᱱᱟᱜ Simbalion Art Studio Primary Function: ᱮᱜ�404ᱡᱤᱵᱤᱥᱚᱱ ᱡᱟᱭᱜᱟ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2021
Simbalion Art Studio Primary Function: ᱮᱜ�404ᱡᱤᱵᱤᱥᱚᱱ ᱡᱟᱭᱜᱟ
Tien Wun Li ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Moore Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#112219 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Simbalion Art Studio Primary Function: ᱮᱜ�404ᱡᱤᱵᱤᱥᱚᱱ ᱡᱟᱭᱜᱟ ᱵᱟᱵᱚᱛ ᱛᱮ
Book Text: ᱥᱤᱢᱵᱟᱞᱤᱭᱚᱱ ᱟᱨᱴ ᱥᱴᱩᱰᱤᱭᱚ ᱫᱚ ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱛᱟᱣᱭᱩᱟᱱ ᱥᱚᱦᱚᱨ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱮᱜᱡᱤᱵᱤᱥᱚᱱ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ, ᱡᱟᱦᱟ ᱡᱩᱞᱟᱭ 2020 ᱨᱮ ᱪᱟᱵᱟ ᱮᱱᱟ ᱾ ᱵᱷᱤᱛᱨᱤ ᱠᱚᱴᱷᱟ ᱫᱚ ᱢᱤᱫ ᱥᱴᱮᱥᱚᱱᱟᱨᱤ ᱵᱽᱨᱟᱱᱰ ᱨᱮᱭᱟᱜ ᱱᱟᱜᱟᱢ ᱟᱨ ᱚᱱᱟ ᱛᱮᱭᱟᱨ ᱦᱚᱨᱟ ᱩᱫᱩᱜᱟᱜ-ᱟ ᱾ ᱰᱩᱣᱟᱨ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱤᱱᱴᱟᱨᱮᱠᱴᱤᱣ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱫᱚ ᱦᱮᱡ ᱦᱚᱲᱠᱚᱠ ᱢᱤᱫ ᱠᱞᱤᱠ ᱛᱮ ᱢᱤᱫ ᱨᱚᱝ ᱣᱟᱞᱟ ᱠᱚᱞᱚᱢ ᱛᱮᱭᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱮᱢᱚᱜ-ᱟ ᱾ ᱟᱨᱦᱚᱸ ᱡᱟᱭᱜᱟ ᱠᱚ ᱨᱮ ᱢᱤᱫ ᱜᱽᱨᱟᱯᱷᱤᱛᱤ ᱡᱟᱭᱜᱟ ᱢᱮᱱᱟᱜ-ᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱠᱟᱺᱛᱟ ᱠᱚ ᱨᱚᱝ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ, ᱡᱮᱛᱮ ᱠᱚᱞᱚᱢ ᱮᱢᱟᱠ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱰᱟᱨᱠᱨᱩᱢ ᱟᱨ ᱵᱟᱨᱮᱭᱟ ᱣᱚᱨᱠᱥᱚᱯ ᱠᱞᱟᱥᱨᱩᱢ ᱠᱚ ᱢᱮᱱᱟᱜ-ᱟ ᱾ ᱯᱩᱥᱴ ᱯᱩᱸᱫ ᱛᱟᱦᱮᱸᱱ ᱠᱚ ᱫᱚ ᱠᱷᱟᱞᱤ ᱠᱟᱜᱚᱡ ᱮᱛᱚᱦᱚᱵᱚᱜ-ᱟ, ᱟᱨ ᱩᱥᱩᱞ ᱪᱷᱟᱛ ᱫᱚ ᱥᱮᱸᱜᱮᱞ-ᱨᱩᱠᱷᱤᱭᱟᱹ ᱢᱮᱴᱟᱞ ᱨᱮᱭᱟᱜ ᱚᱡᱚᱡ ᱜᱽᱨᱤᱰ ᱠᱚ ᱟᱶᱩᱜ-ᱟ ᱡᱟᱦᱟᱸ ᱰᱟᱦᱱᱟᱜ ᱠᱟᱜᱚᱡ ᱞᱮᱠᱟ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Simbalion Art Studio Primary Function: ᱮᱜ�404ᱡᱤᱵᱤᱥᱚᱱ ᱡᱟᱭᱜᱟ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Simbalion Art Studio Primary Function: ᱮᱜ�404ᱡᱤᱵᱤᱥᱚᱱ ᱡᱟᱭᱜᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The exhibition gallery introduces the brand history, let the public understand the continuation and innovation since the production of Simbalion Stationary; with only one click, the interactive device will produce colored pens so that the visitor can have a preliminary understanding of the stationary production process during the visit. Environmentally friendly and non-toxic emitted bubble balls create a unique space atmosphere between the areas, and the area where visitors can splash the walls with paint allows space to meet the peoples painting imaginations.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The high-height ceiling of the first floor adopts a specially customized barrier vocabulary. The finely separated thin-film grids are shaped like paper dancing on the ceiling surface. Its pure and white color echoes with the pure white exhibition area that can be painted in the exhibition hall. Through the space characteristics and planning, the overall space is like a fantasy paradise stacked with paper and stationery. The safety considerations of the overall space are also emphasized, and the fireproof metal with a higher degree of safety is used for the grille.
- ᱴᱮᱜ ᱠᱚ
- Interactive space, Parent-child space, Exhibition space, Tourism factory, Complex space
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The vocabulary of the space design will be embodied through Simbalion products, and the characteristics of Simbalion stationary will be harmoniously arranged in the space. The enormous three-dimensional acrylic dolls and together with the Simbalion product watercolor cakes enabled the visitors to use the watercolor cakes to draw in the space, breaking the conventional stationery that only is written on paper. And specially created a darkroom exhibition space for the Luminous Pen, through the darkroom that does not turn on the lights, under the work of the draftsman, the characteristics of the fantasy night sky are created.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The pure white color is used in the space, which not only shapes the image of white paper but also at the same time, it can also highlight the brand's characteristics in more distinctive ways. In the use of the Simbalion product in the space, the material matching of the interactive watercolor cakes us one of the challenges. Besides the easy removal of the watercolor cakes that is more than 95%, it also brings details to this project. In the souvenir selling area, a large number of colored pencils, colored pens, and crayons are used to create 60 kinds of gradient zero-chromatic color walls.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- On the first floor, the reminiscence corridor of the Simbalion is planned to introduce the brand. Through the arc, curve to show the smooth and transparent characteristics, and continue to large-scale interactive installations. The three-dimensional installation is matched with the watercolor cakes to provide a drawing space where visitors can freely experience the space. Through the special characteristics of the luminous pen, cooperate with artists to shape the quiet feeling of wandering in the night forest.
- ᱯᱨᱮᱨᱚᱱᱟ
- This time by the establishment of a tourism factory, the design team integrates the companys own art supplies and space, incorporating cultural and creative elements into the product manufacture process, interactive installations, DIY experience classroom, gallery, etc., to represent an interactive space. And through space design and equipment planning, breaking the conventional visiting method, creating an active experience beyond the imagination of the space, hitting the core of the Simbalion culture, Imagination is your superpower!
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project finished in July 2020 in Taoyuan City, Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This design focuses on creating an interactive space. From the entrance on the first floor, the visitors can produce their colored pen using a large interactive installation that is simple and easy to use. Later, the dynamic circulation, different area atmospheres were created after the transition of each space, such as an unrestrained graffiti space, a luminous pen drawing area, and a 2D colorful exhibition space. So that people can experience different spatial atmospheres when entering each area. In addition, two DIY classrooms and exhibition art galleries are set up outside the exhibition area.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- TIEN-WUN LI, YI-JEN LI
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Moore Design
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
