ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Ao Design ᱨᱮᱱᱟᱜ Boxes ᱠᱷᱩᱰᱴᱮᱯᱮ ᱨᱤᱴᱮᱞ ᱮᱥᱴᱚᱨ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ

Ao Design ᱨᱮᱱᱟᱜ Boxes ᱠᱷᱩᱰᱴᱮᱯᱮ ᱨᱤᱴᱮᱞ ᱮᱥᱴᱚᱨ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021

Boxes ᱠᱷᱩᱰᱴᱮᱯᱮ ᱨᱤᱴᱮᱞ ᱮᱥᱴᱚᱨ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ

Ao Design ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Ao Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#120538 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Boxes ᱠᱷᱩᱰᱴᱮᱯᱮ ᱨᱤᱴᱮᱞ ᱮᱥᱴᱚᱨ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱵᱳᱠᱥᱮᱡ ᱢᱮᱱᱟᱜ ᱱᱟᱱᱡᱤᱝ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱩᱥᱟᱨ ᱥᱮᱨᱮᱭ ᱠᱚᱴᱷᱟ ᱟᱛᱮ ᱜᱟᱰᱚᱭ ᱠᱟᱴᱷᱤ ᱫᱚᱠᱟᱱ ᱨᱮᱭᱟᱜ ᱞᱟᱹᱜᱤᱫ ᱴᱷᱮᱱ ᱢᱤᱫ ᱨᱤᱴᱮᱞ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟᱭ, ᱡᱟᱦᱟᱸ ᱛᱟᱭᱚᱢ ᱢᱮᱱᱟᱜᱼᱟ ᱒᱐᱐ ᱴᱟᱠᱟ ᱢᱤᱴᱟᱨ (100 sqm) ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱨᱮ᱾ ᱢᱤᱫ ᱠᱷᱚᱞ-ᱫᱟᱱᱟᱝ ᱨᱚᱠᱚᱴ ᱜᱮ ᱡᱷᱚᱨᱚᱠᱟ ᱡᱟᱭᱜᱟ ᱠᱚ ᱯᱮ ᱴᱩᱠᱩ ᱨᱮ ᱵᱟᱹᱴᱤ ᱮᱫᱟ: ᱫᱩᱨᱟᱨ (entrance), ᱫᱮᱠᱷᱟᱣ (display) ᱟᱨ ᱜᱚᱲᱚ (scene)᱾ ᱴᱷᱟᱲᱟ, ᱟᱹᱲᱟ ᱟᱨ ᱠᱟᱴᱟ ᱠᱟᱴᱟᱣ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱛᱮ ᱤᱛᱟᱠ (facade) ᱨᱮᱭᱟᱜ ᱧᱮᱞ ᱦᱚᱸᱵᱟᱛ ᱰᱟᱹᱲᱤᱭᱟᱜᱼᱟ᱾ ᱵᱟᱹᱴᱤ ᱵᱮᱸᱰᱟ ᱠᱚ ᱠᱟᱲᱤᱭᱟᱜᱼᱟ ᱠᱩᱞᱟ ᱮᱞᱮᱢᱮᱱᱴ ᱞᱮᱠᱟᱛᱮ, ᱵᱟᱝ ᱦᱩᱭ ᱞᱮᱠᱟᱛᱮ ᱢᱤᱫ ᱥᱟᱫᱟ ᱵᱮᱸᱰᱟ ᱞᱮᱠᱟᱛᱮ᱾ ᱥᱤᱥᱤᱨ (mirror) ᱠᱚ ᱡᱟᱭᱜᱟ ᱠᱚ ᱦᱚᱸᱵᱟᱛ ᱦᱩᱭ ᱠᱟᱛᱮ ᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱠᱚ ᱫᱷᱟᱨᱤᱡ ᱦᱩᱭ ᱠᱟᱛᱮ ᱮᱢᱟᱨᱮ ᱦᱩᱭ ᱠᱟᱛᱮ ᱴᱷᱚᱠᱟ ᱮᱫᱟ᱾ ᱯᱩᱭᱞᱩ ᱨᱮᱭᱟᱜ ᱮᱨᱭᱟ ᱠᱚ ᱡᱟᱭᱜᱟ ᱫᱚ ᱯᱟᱨᱚᱢ ᱟᱨ ᱩᱛᱟᱨ ᱦᱩᱭ ᱟᱠᱟᱱᱟ᱾ ᱢᱤᱫ ᱥᱯᱮᱥ ᱯᱷᱨᱮᱢ (space frame) ᱛᱮ ᱞᱩᱜᱩ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱱᱟᱶᱟ ᱨᱩᱯᱤᱡ ᱰᱤᱥᱯᱞᱮ ᱡᱟᱭᱜᱟ ᱵᱮᱱᱟᱣ ᱮᱫᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Boxes ᱠᱷᱩᱰᱴᱮᱯᱮ ᱨᱤᱴᱮᱞ ᱮᱥᱴᱚᱨ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Boxes ᱠᱷᱩᱰᱴᱮᱯᱮ ᱨᱤᱴᱮᱞ ᱮᱥᱴᱚᱨ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
In the window area, the designer broke the convention and used the technique of interior architecture, through a "BOX" , to divide the window area into three spaces: entrance, display and scene. Featured by the morphological characteristics of plane, inclined plane and cut plane, "BOX" also contributes to the expansion and extension of the visual effect of the facade.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project covers a total of 100 square meters.
ᱴᱮᱜ ᱠᱚ
Interior, Commercial, Retail, Flagship Store, Box, Modern, Simple, Natural, Art
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The infinitely extending mirror breaks the original gap and stimulates the imagination and creativity of the space. These characteristics can often bring unparalleled visual impact and psychological feelings.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
While retaining the original space attributes, the space frame constitutes a new hanging clothing display area. With the concept of decomposition, it emphasizes breaking, superposition and reorganization. Opposing the overall unity and focusing on the individual in the space, it's creating a sense of uncertainty, and then derive the personality fashion like children breaking the Convention
ᱜᱚᱵᱮᱥᱚᱱᱟ
The partition wall breaks away from the traditional way of separating space. The wall is no longer the basic element of the space, but an artistic carrier that brings emotional feeling in the space. The pure whiteness makes the space easy to reverie and thought-provoking and the un-decorated white wall adds more pureness.
ᱯᱨᱮᱨᱚᱱᱟ
This design is located in shops along the street in high-end residential areas in Gulou District, Nanjing. It is positioned as high-end children's clothing retail. The designer hope that through the integration of space aesthetics and art aesthetics, with the promotion of design brand image, excavate the deep commercial value of the brand, and create a space full of imagination and creativity
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in March 2020 in Nanjing and finished in July 2020 in Nanjing.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The "BOX" space is not only a subversion of the traditional space design, but also a response to functional demands.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Emma Zhu, 2020.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Jun Yao
Jason Shen
Xiaoyu Bian
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Emma Zhu, Boxes, 2020.
Image #2: Photographer Emma Zhu, Boxes, 2020.
Image #3: Photographer Emma Zhu, Boxes, 2020.
Image #4: Photographer Emma Zhu, Boxes, 2020.
Image #5: Photographer Emma Zhu, Boxes, 2020.

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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